全球最高電影票房收入列表

電影透過多個管道產生收入，例如影院放映、家庭媒體、電視廣播版權和文化衍生品等。不過，影院票房收入是行業出版物評估電影成功的主要指標，主要是因為影院數據相較於光碟等家庭媒體和廣播版權銷售數據更便於獲取，也與歷史慣例有關。本表中列出了按名目收入和實際收入排名的票房收入最高電影的列表、各年的最高收入電影列表、展示最高票房電影記錄變遷的時間軸，以及票房收入最高的電影系列的列表。所有列表均按國際影院票房表現排名，儘可能排除來自家庭媒體、廣播版權和文化衍生品的收入。

傳統上，戰爭片、音樂片和歷史片是最受歡迎的類型，但系列電影一直是21世紀表現最好的類型之一。超級英雄類型的電影也備受關注，漫威電影宇宙中的十一部電影名列名目收入榜單的前列。最成功的超級英雄電影《復仇者聯盟：終局之戰》也位列名目收入榜單的第二位，總共有四部基於《復仇者》漫畫的電影進入前二十名。其他漫威漫畫改編的電影如《蜘蛛人》和《X戰警》系列也取得了成功，而改編自DC漫畫的《蝙蝠俠》和《超人》電影通常也表現不錯。《星際大戰》也在名目收入榜單中占有一席之地，共有五部電影入榜，而《侏羅紀公園》系列也占據重要位置。雖然名目收入榜單主要由改編自現有作品的電影和續集主導，但榜首仍然是原創作品《阿凡達》。家庭動畫電影始終表現良好，迪士尼電影在家庭媒體時代之前透過重映賺取了可觀的收入。迪士尼後來也取得了《冰雪奇緣》及其續集、《動物方城市》和《獅子王》（包括其計算機動畫重製版）的成功，而其皮克斯部門也有許多優秀作品，其中《腦筋急轉彎2》《超人特攻隊2》《玩具總動員3》和《玩具總動員4》都表現突出。除了迪士尼和皮克斯的動畫外，《哪吒之魔童鬧海》（票房最高動畫電影），以及《神偷奶爸》和《史瑞克》系列也取得了極大的成功。

雖然通貨膨脹影響了20世紀50年代、60年代和70年代大多數電影的票房成就，但該時期仍有一些系列電影保持活躍。除了《星際大戰》和《超人》系列外，詹姆士·龐德與哥吉拉系列電影仍定期發行，這四個系列都躋身票房收入最高的電影系列。某些曾經保持最高票房電影記錄的老電影，按照今天的標準仍有可觀的票房收入，但已無法與如今票價大幅上漲的電影競爭。不過，當這些票價經過通貨膨脹調整後，曾經連續25年保持票房冠軍的《亂世佳人》依然是歷史上票房最高的電影。除非另有說明，表中的所有票房收入均以名目值的美元表示。

票房最高的電影

《阿凡達》以超過29億美元的全球票房收入被譽為「票房最高」電影，但這種說法通常僅指影院收入，並未考慮家庭媒體和電視收入，而這些收入往往占電影總收入的很大一部分。若將家庭娛樂收入納入考量，哪部電影最成功就不那麼顯而易見了。《鐵達尼號》從錄影和DVD銷售及租賃中獲得了12億美元的收入^[1]，外加影院收入22億美元。雖然《阿凡達》的完整銷售數據不可得，但在北美銷售了1600萬張DVD和藍光光碟^[2]，收入達3.45億美元，最終在全球售出了3000萬張DVD和藍光光碟^[3]。考慮到這些家庭媒體收入後，兩部電影的總收入均超過了30億美元。電視廣播版權也顯著增加了電影的收入，截至2010年，一部電影通常會透過兩次電視播放賺取相當於其影院票房收入的20%至25%，再加上按次付費的收入^[4]；《鐵達尼號》從NBC和HBO的廣播版權中獲得了額外5500萬美元^[1]，相當於其北美票房收入的約9%。

當一部電影作為商業資產極其可利用時，附加收入可能遠超過直接的電影銷售收入^[5]。1994年的《獅子王》從影院和家庭媒體銷售中獲得了超過20億美元的收入^[1]，但與其舞台劇改編（英語：The Lion King (musical)）在全球劇院票房收入達到80億美元相比，這個數字顯得微不足道^[6]。文化衍生品也可以極為賺錢，《獅子王》還透過衍生品的銷售獲得了30億美元的收入^[7]，而皮克斯的《Cars》雖然獲得了4.62億美元的影院票房收入，與其他皮克斯電影相比只是一個不大的成功^[8]，但是在2006年上映後的五年內，其全球衍生品銷售額超過了80億美元^[9]^[10]。皮克斯的另一部收穫巨大成功的作品《玩具總動員3》除了獲得10億美元的影院票房收入外，還在衍生品零售上創造了近100億美元的收入^[11]。

本表中，電影根據其影院收入的名目值進行排名，並標明各自曾經達到的最高排名。總共有七部電影全球票房收入超過20億美元，《阿凡達》排名第一。所有這些電影都在21世紀有過影院放映（包括重映），而那些沒有在此期間放映的電影因為未考慮票價通貨膨脹、人口規模和購票趨勢等因素，不會出現在表上。

以底色標示者表示目前尚在上映中（包括重映、二次上映）之電影

排名	最高	片名	票房	年份	來源
1	1	阿凡達	$2,923,710,708	2009	^{[# 1]}^{[# 2]}
2	1	復仇者聯盟：終局之戰	$2,799,439,100	2019	^{[# 3]}^{[# 4]}
3	3	阿凡達：水之道	$2,320,250,281	2022	^{[# 5]}^{[# 6]}
4	1	鐵達尼號	^號$2,257,844,554	1997	^{[# 7]}^{[# 8]}
5	5	哪吒之魔童鬧海	^哪$2,191,581,504	2025	^{[# 9]}^{[# 10]}^{[# 11]}
6	3	STAR WARS：原力覺醒	$2,071,310,218	2015	^{[# 12]}^{[# 13]}
7	4	復仇者聯盟：無限之戰	$2,052,415,039	2018	^{[# 14]}^{[# 15]}
8	6	蜘蛛人：無家日	^蜘$1,922,598,800	2021	^{[# 16]}^{[# 17]}
9	8	腦筋急轉彎2	$1,698,863,816	2024	^{[# 18]}^{[# 19]}
10	3	侏羅紀世界	$1,671,537,444	2015	^{[# 20]}^{[# 21]}
11	7	獅子王	$1,656,943,394	2019	^{[# 22]}^{[# 4]}
12	3	復仇者聯盟	$1,520,538,536	2012	^{[# 23]}^{[# 24]}
13	4	玩命關頭7	$1,515,342,457	2015	^{[# 25]}^{[# 26]}
14	11	捍衛戰士：獨行俠	$1,495,696,292	2022	^{[# 27]}^{[# 28]}
15	10	冰雪奇緣2	$1,453,683,476	2019	^{[# 29]}^{[# 30]}
16	14	Barbie芭比	$1,447,038,421	2023	^{[# 31]}
17	3	哈利波特：死神的聖物Ⅱ	$1,439,798,701	2011	^{[# 32]}
18	5	復仇者聯盟2：奧創紀元	$1,405,018,048	2015	^{[# 33]}
19	15	超級瑪利歐兄弟電影版	$1,360,847,665	2023	^{[# 34]}
20	10	美女與野獸	$1,355,704,278	2017	^{[# 35]}
21	9	黑豹	$1,349,926,083	2018	^{[# 36]}
22	20	死侍與金鋼狼	$1,338,073,645	2024	^{[# 37]}
23	9	STAR WARS：最後的絕地武士	$1,334,407,706	2017	^{[# 38]}
24	12	侏羅紀世界：殞落國度	$1,310,469,037	2018	^{[# 39]}
25	5	冰雪奇緣	^雪$1,290,000,000	2013	^{[# 40]}
26	5	鋼鐵人3	$1,266,152,644	2013	^{[# 41]}
27	15	超人特攻隊2	$1,243,225,667	2018	^{[# 42]}
28	11	玩命關頭8	^速8$1,238,764,765	2017	^{[# 43]}
29	10	小小兵	$1,159,457,503	2015	^{[# 44]}
30	12	美國隊長3：英雄內戰	$1,155,046,416	2016	^{[# 45]}
31	20	水行俠	$1,152,028,393	2018	^{[# 46]}
32	2	魔戒三部曲：王者再臨	$1,138,585,992	2003	^{[# 47]}
33	24^王	蜘蛛人：離家日	$1,132,705,055	2019	^{[# 48]}
34	23^王	驚奇隊長	$1,131,416,446	2019	^{[# 49]}
35	5^王	變形金剛3	$1,123,794,079	2011	^{[# 50]}
36	7	黑暗騎士：黎明昇起	$1,114,976,407	2012	^{[# 51]}
37	7	007：空降危機	$1,108,594,137	2012	^{[# 52]}
38	10	變形金剛4：絕跡重生	$1,105,261,713	2014	^{[# 53]}
39	1	侏羅紀公園	$1,104,379,926	1993	^{[# 54]}^{[# 55]}
40	34	阿拉丁	$1,097,831,681	2019	^{[# 56]}^{[# 4]}
41	31	小丑	$1,078,958,629	2019	^{[# 57]}
42	32	STAR WARS：天行者的崛起	$1,077,022,372	2019	^{[# 58]}
43	30	玩具總動員4	$1,073,841,394	2019	^{[# 59]}
44	4^玩3	玩具總動員3	$1,067,316,101	2010	^{[# 60]}
45	3	神鬼奇航2：加勒比海盜	$1,066,179,747	2006	^{[# 61]}
46	46	海洋奇緣2	$1,059,242,164	2024	^{[# 62]}
47	20	星際大戰外傳：俠盜一號	$1,058,684,742	2016	^{[# 63]}
48	6	加勒比海盜－神鬼奇航4：幽靈海	$1,046,721,266	2011	^{[# 64]}
49	2	星際大戰首部曲：威脅潛伏	$1,046,515,409	1999	^{[# 65]}
50	62	哈利波特：死神的聖物Ⅰ	$1,043,795,789	2010	^{[# 66]}
51	24	神偷奶爸3	$1,034,800,131	2017	^{[# 67]}
52	22	海底總動員2：多莉去哪兒？	$1,029,266,989	2016	^{[# 68]}
53	2	哈利波特：神秘的魔法石	$1,026,414,475	2001	^{[# 69]}
54	24	動物方城市	$1,025,521,689	2016	^{[# 70]}
55	5	魔境夢遊	$1,025,468,216	2010	^{[# 71]}
56	14	哈比人：意外旅程	$1,017,107,150	2012	^{[# 72]}
57	4	黑暗騎士	$1,009,057,329	2008	^{[# 73]}
58	69	哈利波特：鳳凰會的密令	$1,007,540,609	2007	^{[# 74]}
59	50	侏羅紀世界：統霸天下	$1,001,978,080	2022	^{[# 75]}

^號《鐵達尼號》在Box Office Mojo和The Numbers的總票房數據均不準確。在2023年重新上映之前，這兩個追蹤網站的總票房數字都高於真實數據。

截至2019年，Box Office Mojo正確記錄了《鐵達尼號》在首次上映時的票房為18.43億美元，2012年3D重映票房為3.44億美元，2017年有限重映票房為69.2萬美元，終身總票房為21.87億美元^[12]。2020年進行了一次有限重映後，Box Office Mojo誤將700萬美元加到了首次上映的票房總數上^[13]。到2021年底，Box Office Mojo已經修正了首次上映的總票房，但誤將700萬美元加到了2012年和2017年重映的票房上，導致總票房錯誤地增加了1400萬美元，達到了22.02億美元^[14]。到2023年初，Box Office Mojo修正了2017年重映的票房，總票房降至21.95億美元，但仍保留了2012年重映的錯誤^[15]。
The Numbers沒有單獨記錄每次重映的票房，但在2014年9月記錄了《鐵達尼號》的總票房為21.86億美元（大致為首次上映的18.43億美元加3D重映的3.436億美元）^[16]。幾周後，The Numbers將總票房提高至22.08億美元，但沒有給出解釋^[17]。

^哪《哪吒之魔童鬧海》的中國大陸票房取自藝恩，北美、英國、澳洲、香港、紐西蘭、德國、土耳其票房取自Box Office Mojo，馬來西亞、新加坡票房取自The Numbers，其他地區票房暫無來源。不包括預售票房。其中中國大陸票房以2025年5月27日匯率換算為美元。

^蜘《蜘蛛人：無家日》在Box Office Mojo上的全球總票房數據不正確，因為其2024年重映的總票房中重複計入了首映的西班牙票房。因此，總票房數據來源於Box Office Mojo的存檔版本，以避免該錯誤。

^雪關於《冰雪奇緣》，Box Office Mojo在2014年8月停止了對其最重要的總票房的更新，儘管當時該片仍在上映。這裡列出的總票房包括了2015年底之前在日本、奈及利亞、西班牙、英國和德國的後續收入，但省略了2016年在土耳其、冰島、巴西和澳洲的票房，這些收入總計為幾十萬美元。為了彌補數值上的不準確，最終總票房保留到1百萬美元。該片在2017年12月隨《雪寶的佳節冒險》特別短片重新上映，在英國賺取了額外的230萬美元。

^速8關於《玩命關頭8》，其票房數據來自Box Office Mojo的存檔版本，因為在當前版本中發現了不規範的數據。多個國家（尤其是阿根廷）的票房每周持續下降，導致全球總票房有所下滑^[18]。鑑於數據來源的異常，此處採用了先前的數字。

^王《魔戒三部曲：王者再臨》在2020年初對首次上映票房進行了修正。修正結果導致《蜘蛛人：離家日》《驚奇隊長》和《變形金剛3》的最高排名比原來低了一位。

^玩3Box Office Mojo在2016年8月修正了皮克斯動畫電影的票房數據，結果《玩具總動員3》的票房從10.63億美元修正為10.67億美元^[19]^[20]，意味著該片最終最高排名第4，超過了《神鬼奇航2：加勒比海盜》，而不是原數據中顯示的第5位。

九億美元以上，十億美元以下
60	獅子王	$979,161,373	1994	^{[# 76]}
61	奧本海默	$975,811,333	2023	^{[# 77]}
62	神偷奶爸2	$970,766,005	2013	^{[# 78]}
63	神偷奶爸4	$969,566,161	2024	^{[# 79]}
64	與森林共舞	$967,724,775	2016	^{[# 80]}
65	野蠻遊戲：瘋狂叢林	$962,544,585	2017	^{[# 81]}
66	哈比人：五軍之戰	$962,253,946	2014	^{[# 82]}
67	神鬼奇航3：世界的盡頭	$961,691,209	2007	^{[# 83]}
68	哈比人：荒谷惡龍	$959,079,095	2013	^{[# 84]}
69	奇異博士2：失控多重宇宙	$955,775,804	2022	^{[# 85]}
70	海底總動員	$941,637,960	2003	^{[# 86]}
71	哈利波特：混血王子的背叛	$941,055,851	2009	^{[# 87]}
72	MINECRAFT麥塊電影	$940,748,135	2025	^{[# 88]}
73	小小兵2：格魯的崛起	$940,482,695	2022	^{[# 89]}
74	魔戒二部曲：雙城奇謀	$938,242,927	2002	^{[# 90]}
75	史瑞克2	$932,530,034	2004	^{[# 91]}
76	波希米亞狂想曲	$910,813,521	2018	^{[# 92]}
77	星際大戰三部曲：西斯大帝的復仇	$902,715,658	2005	^{[# 93]}
78	長津湖	$902,548,476	2021	^{[# 94]}

八億美元以上，九億美元以下
79	哈利波特：火盃的考驗	$897,468,207	2005	^{[# 95]}
80	蜘蛛人3	$891,679,447	2007	^{[# 96]}
81	魔戒首部曲：魔戒現身	$888,483,037	2001	^{[# 97]}
82	冰原歷險記3：恐龍現身	$886,686,817	2009	^{[# 98]}
83	哈利波特：消失的密室	$882,767,796	2002	^{[# 99]}
84	蜘蛛人：返校日	$880,960,014	2017	^{[# 100]}
85	007：惡魔四伏	$880,707,597	2015	^{[# 101]}
86	冰原歷險記4：板塊漂移	$877,244,782	2012	^{[# 102]}
87	寵物當家	$875,698,161	2016	^{[# 103]}
88	蝙蝠俠對超人：正義曙光	$874,362,803	2016	^{[# 104]}
89	戰狼2	$870,325,439	2017	^{[# 105]}
90	飢餓遊戲：星火燎原	$865,011,746	2013	^{[# 106]}
91	星際異攻隊2	$863,756,903	2017	^{[# 107]}
92	黑豹2：瓦干達萬歲	$859,208,836	2022	^{[# 108]}
93	腦筋急轉彎	$859,076,254	2015	^{[# 109]}
94	猛毒	$856,085,161	2018	^{[# 110]}
95	雷神索爾3：諸神黃昏	$855,301,806	2017	^{[# 111]}
96	暮光之城：破曉2	$848,593,948	2012	^{[# 112]}
97	星際異攻隊3	$845,555,777	2023	^{[# 113]}
98	全面啟動	$839,381,898	2010	^{[# 114]}
99	變形金剛：復仇之戰	$836,304,167	2009	^{[# 115]}
100	蜘蛛人	$825,802,095	2002	^{[# 116]}
101	不可能的任務：全面瓦解	$824,171,374	2018	^{[# 117]}
102	神力女超人	$823,970,682	2017	^{[# 118]}
103	你好，李煥英	$822,009,764	2021	^{[# 119]}
104	ID4星際終結者	$817,400,891	1996	^{[# 120]}
105	怪獸與牠們的產地	$816,037,575	2016	^{[# 121]}
106	可可夜總會	$814,641,172	2017	^{[# 122]}
107	哈利波特：阿茲卡班的逃犯	$808,481,128	2004	^{[# 123]}
108	史瑞克三世	$808,308,862	2007	^{[# 124]}
109	野蠻遊戲：全面晉級	$801,693,929	2019	^{[# 125]}

七億美元以上，八億美元以下
110	E.T.外星人	$797,307,407	1982	^{[# 126]}
111	加勒比海盜神鬼奇航：死無對證	$795,922,298	2017	^{[# 127]}
112	2012末日預言	$791,217,826	2009	^{[# 128]}
113	玩命關頭6	$788,683,342	2013	^{[# 129]}
114	印第安納瓊斯：水晶骷髏王國	$786,636,033	2008	^{[# 130]}
115	死侍2	$785,896,632	2018	^{[# 131]}
116	蜘蛛人2	$784,543,400	2004	^{[# 132]}
117	惡棍英雄：死侍	$782,837,347	2016	^{[# 133]}
118	星際大戰四部曲：曙光乍現	$775,398,507	1977	^{[# 134]}
119	007：生死交戰	$774,153,007	2021	^{[# 135]}
120	星際異攻隊	$773,350,376	2014	^{[# 136]}
121	蝙蝠俠	$772,319,315	2022	^{[# 137]}
122	雷神索爾：愛與雷霆	$760,928,081	2022	^{[# 138]}
123	玩命關頭：特別行動	$760,732,926	2019	^{[# 139]}
124	達文西密碼	$760,006,945	2006	^{[# 140]}
125	黑魔女：沉睡魔咒	$759,853,685	2014	^{[# 141]}
126	飢餓遊戲：自由幻夢Ⅰ	$759,159,711	2014	^{[# 142]}
127	蜘蛛人：驚奇再起	$758,707,722	2012	^{[# 143]}
128	星際效應	$758,614,115	2014	^{[# 144]}
129	魔法壞女巫	$755,868,866	2024	^{[# 145]}
130	史瑞克快樂4神仙	$752,600,867	2010	^{[# 146]}
131	自殺突擊隊	$749,200,054	2016	^{[# 147]}
132	馬達加斯加3：歐洲大圍捕	$746,921,274	2012	^{[# 148]}
133	X戰警：未來昔日	$746,045,700	2014	^{[# 149]}
134	納尼亞傳奇：獅子·女巫·魔衣櫥	$745,013,115	2005	^{[# 150]}
135	怪獸大學	$743,559,645	2013	^{[# 151]}
136	駭客任務：重裝上陣	$741,847,937	2003	^{[# 152]}
137	天外奇蹟	$735,103,954	2009	^{[# 153]}
138	玩命關頭9	$726,229,501	2021	^{[# 154]}
139	哪吒之魔童降世	$726,225,471	2019	^{[# 155]}
140	地心引力	$723,719,539	2013	^{[# 156]}
141	獅子王：木法沙	$722,612,009	2024	^{[# 157]}
142	蜘蛛人驚奇再起2：電光之戰	$716,916,608	2014	^{[# 158]}
143	沙丘：第二部	$714,644,358	2024	^{[# 159]}
144	美國隊長2：酷寒戰士	$714,421,503	2014	^{[# 160]}
145	暮光之城：破曉1	$712,205,856	2011	^{[# 161]}
146	暮光之城2：新月	$711,048,123	2009	^{[# 162]}
147	不可能的任務：失控國度	$710,916,403	2015	^{[# 163]}
148	猩球崛起：黎明的進擊	$710,644,566	2014	^{[# 164]}
149	變形金剛	$709,709,780	2007	^{[# 165]}
150	玩命關頭X	$704,875,015	2023	^{[# 166]}
151	牠	$704,242,888	2017	^{[# 167]}
152	媽媽咪呀！	$703,233,054	2008	^{[# 168]}

六億美元以上，七億美元以下
153	流浪地球	$699,992,512	2019	^{[# 169]}
154	暮光之城：蝕	$698,513,085	2010	^{[# 170]}
155	飢餓遊戲	$695,220,619	2012	^{[# 171]}
156	不可能的任務：鬼影行動	$694,713,380	2011	^{[# 172]}
157	蜘蛛人：穿越新宇宙	$690,824,738	2023	^{[# 173]}
158	唐人街探案3	$686,257,563	2021	^{[# 174]}
159	阿甘正傳	$678,226,465	1994	^{[# 175]}
160	奇異博士	$677,796,833	2016	^{[# 176]}
161	靈異第六感	$672,806,432	1999	^{[# 177]}
162	超人：鋼鐵英雄	$670,145,518	2013	^{[# 178]}
163	冰原歷險記2	$667,094,506	2006	^{[# 179]}
164	功夫熊貓2	$665,692,281	2011	^{[# 180]}
165	飢餓遊戲：自由幻夢終結戰	$661,456,867	2015	^{[# 181]}
166	正義聯盟	$661,326,987	2017	^{[# 182]}
167	大英雄天團	$657,870,525	2014	^{[# 183]}
168	怪獸與葛林戴華德的罪行	$655,755,901	2018	^{[# 184]}
169	神鬼奇航：鬼盜船魔咒	$654,264,546	2003	^{[# 185]}
170	MIB星際戰警3	$654,213,485	2012	^{[# 186]}
171	星際大戰二部曲：複製人全面進攻	$653,780,724	2002	^{[# 187]}
172	雷神索爾2：黑暗世界	$644,783,140	2013	^{[# 188]}
173	海洋奇緣	$643,332,467	2016	^{[# 189]}
174	旺卡	$634,502,312	2023	^{[# 190]}
175	歡樂好聲音	$634,338,409	2016	^{[# 191]}
176	功夫熊貓	$632,384,787	2008	^{[# 192]}
177	超人特攻隊	$631,688,498	2004	^{[# 193]}
178	絕地救援	$630,621,406	2015	^{[# 194]}
179	全民超人	$629,443,428	2008	^{[# 195]}
180	長津湖之水門橋	$626,571,697	2022	^{[# 196]}
181	玩命關頭5	$626,140,012	2011	^{[# 197]}
182	鋼鐵人2	$623,933,331	2010	^{[# 198]}
183	料理鼠王	$623,729,380	2007	^{[# 199]}
184	蟻人與黃蜂女	$622,674,139	2018	^{[# 200]}
185	馴龍高手2	$621,537,519	2014	^{[# 201]}
186	盧根	$619,180,476	2017	^{[# 202]}
187	侏羅紀公園：失落的世界	$618,638,999	1997	^{[# 203]}
188	007首部曲：皇家夜總會	$616,585,752	2006	^{[# 204]}
189	受難記：最後的激情	$610,063,438	2004	^{[# 205]}
190	少年PI的奇幻漂流	$609,016,565	2012	^{[# 206]}
191	一級玩家	$607,874,422	2018	^{[# 207]}
192	變形金剛5：最終騎士	$605,425,157	2017	^{[# 208]}
193	馬達加斯加2	$603,900,354	2008	^{[# 209]}
194	世界大戰	$603,873,504	2005	^{[# 210]}

經通貨膨脹調整後票房最高的電影

由於長期通貨膨脹的影響，尤其是電影票價的顯著上漲，未經過通貨膨脹調整的榜單往往更加偏向於後期上映的電影^[21]。雖然這種未調整的榜單在媒體報導中較為常見，但由於不同年代的電影在經濟環境和票價上存在巨大差異，因此並不適用於跨時代的電影比較。許多早期電影雖然在商業上取得了巨大成功，但由於未調整票價的榜單未考慮價格增長因素，很難出現在現代電影的票房排名中^[22]。為彌補貨幣貶值的影響，一些榜單會進行通貨膨脹調整，但即使如此，這種方法仍無法完全解決問題，因為電影票價的變動並不總是與通貨膨脹率同步。例如，1970年電影票價為1.55美元，相當於按2004年通貨膨脹調整後的6.68美元；而到了1980年，票價上漲至2.69美元，按2004年價格調整後反而下降到了5.50美元^[23]。此外，各國電影票價的漲幅不同，使得全球總票房的通貨膨脹調整更加複雜^[21]。

另一個影響因素是電影的多种放映格式，不同格式的票價各不相同。例如，《阿凡達》不僅以2D版本上映，還提供了3D和IMAX版本：該片近三分之二的票房來自3D放映，平均票價為10美元，而約六分之一的票房來自IMAX放映，平均票價超過14.50美元，相比之下，2010年2D電影的平均票價僅為7.61美元^[24]。此外，社會和經濟因素也會影響觀眾購票數量，例如人口變化^[25]、國際市場的擴張^[26]^[27]^[28]，以及觀眾群體的差異。某些電影在兒童票價較低的市場表現更好，而另一些電影則在票價較高的大城市更受歡迎^[22]。

目前衡量電影成功的標準仍然基於未調整的總票房收入，主要是因為電影行業的傳統做法：影院將票房收入報告給發行方，發行方再向媒體公布^[29]。若改用基於票房銷量（即觀影人次）而非票房總收入的統計方式，將面臨諸多問題，因為較早期電影的數據通常只有票房收入，而沒有具體的售票數量^[25]。此外，電影行業主要關注當前上映的電影，因此未調整的票房數據更符合市場行銷需求，使得新上映的大片更容易進入高票房排名，被宣傳為「史上最賣座電影」^[23]^[30]。由於營銷和新聞報導的需求，行業缺乏動力轉向更具代表性的分析方式^[29]。

儘管通貨膨脹調整存在固有困難，但是仍有許多嘗試。調整後的估算結果取決於用於計算的物價指數^[30]和匯率轉換方式，這些因素都會影響最終的排名。1939年首映的《亂世佳人》通常被認為是最成功的電影，金氏世界紀錄在2014年估算其調整後的全球票房收入為34億美元。關於《亂世佳人》的調整後總票房，各方估算存在較大差異：其版權持有方透納娛樂公司在2007年估算其調整後票房為33億美元，略低于吉尼斯的估算^[31]；其他估算結果則略有不同，其中一項2010年的估算將其調整後票房定在略低於30億美元^[32]，而另一項2006年的估算則給出了38億美元的數字^[33]。最接近《亂世佳人》的競爭對手因數據來源不同而有所不同。金氏世界紀錄將《阿凡達》列為第二名，調整後票房為30億美元，而其他估算則認為《鐵達尼號》更接近，其首輪全球票房在2010年調整後約為29億美元^[32]。

截至2023年^[update]票房最高的電影（經通貨膨脹因素調整）^[34]^[通]
排名	片名	全球票房 (2023 $)	年份
1	亂世佳人	^亂$4,341,000,000	1939
2	阿凡達	^阿$3,957,000,000	2009
3	鐵達尼號	$2,516,000,000^號$3,677,000,000	1997
4	星際大戰四部曲：曙光乍現	$3,563,000,000	1977
5	復仇者聯盟：終局之戰	^復$3,275,000,000	2019
6	真善美	$2,984,000,000	1965
7	E.T.外星人	^ET$2,917,000,000	1982
8	十誡	$2,758,000,000	1956
9	齊瓦哥醫生	$2,615,000,000	1965
10	STAR WARS：原力覺醒	^原$2,577,000,000	2015

^通通貨膨脹調整是使用國際貨幣基金組織（IMF）發布的發達經濟體消費者物價指數進行計算的^[35]。該指數被統一應用于吉尼斯世界紀錄在2014年發布的票房榜單，從2014年的指數開始調整。上述榜單的數據已考慮自2014年至2023年間發生的通貨膨脹。

^亂《亂世佳人》的調整後總票房包括其原始上映收入和截至1998年的重映收入，這些數據基于吉尼斯設定的基準年份進行調整。此外，其2019年的票房收入^[36]基於2020年指數進行調整。2020年代該片曾進行幾次小規模重映，但這些重映的票房收入未計入調整後的總票房。

^阿《阿凡達》的調整後總票房包括其原始上映及四次重映的收入。其中，原始上映和2010年特別版的票房收入是基于吉尼斯設定的基準年份進行調整，而2020年和2021年的票房收入依據2021年指數調整，2022年的票房收入則依據2022年指數調整^[37]。

^號吉尼斯對《鐵達尼號》的調整後總票房在2012年（2011年發布）和2015年版本之間僅增加了1.02億美元，增幅4.2%，與榜單中其他調整後總票房的增幅一致。此外，吉尼斯未計入該片2012年3D重映的票房收入^[34]^[38]。本表納入了該次重映的3.43億美元票房，依據2013年指數調整^[39]。此外，《鐵達尼號》在2017年和2020年的小規模重映共獲得762,994美元票房，這部分票房已被納入該片25周年重映的收入，依據2023年指數調整^[40]。

^ET《E.T.》的調整後總票房包括原始上映及所有重映的收入。其中，原始上映及1985年、2002年重映的票房收入基于吉尼斯的基準年份進行調整，而2020年和2022年的票房收入^[41]依據2022年指數調整。

^復《復仇者聯盟：終局之戰》的票房收入依據2020年指數調整。

^原《STAR WARS：原力覺醒》的票房收入依據2016年指數調整。

年度票房冠軍

術語：發行商租金

票房數據通常以總收入或發行商租金形式報告，後者尤為常見於老電影的統計。發行商租金常常被誤認為是家庭媒體收入，實際上則是指發行商從電影票房收入中獲得的份額（即票房總收入減去影院的分成）^[42]^[43]。歷史上，當發行商擁有電影院時，租金價格通常在30%到40%之間，相當於支付給發行商的總收入的三分之一多一些^[44]。在現代市場中，租金費用可能會有所不同，主要取決於多種因素，不過大公司出品的電影平均租金為43%^[42]。

20世紀觀眾的口味相當多樣，但也出現了若干趨勢。在無聲電影時代，戰爭題材的電影深受觀眾喜愛，例如《一個國家的誕生》（南北戰爭）《啟示錄四騎士》《大軍啓行（英語：The Big Parade）》和《鐵翼雄風》（都是關於第一次世界大戰的電影），在各自上映的年份都成為最成功的電影，這一趨勢直到1930年《西線無戰事》上映後才逐漸消失。1927年有聲電影的出現使得音樂片這一最能展示新技術的類型成為最受歡迎的電影類型，1928年和1929年的票房冠軍都是音樂片。音樂片在1930年代仍然表現強勁，但隨著第二次世界大戰的爆發，戰爭題材電影再次成為主流，從1939年的《亂世佳人》（南北戰爭）到1946年的《黃金時代》（第二次世界大戰）為止。1949年的《霸王妖姬（英語：Samson and Delilah (1949 film)）》開啟了1950年代歷史劇的趨勢，這些歷史劇背景大多設定在古羅馬或聖經時代，當時電影與電視的競爭愈發激烈^[45]，《暴君焚城錄（英語：Quo Vadis (1951 film)）》《聖袍千秋（英語：The Robe (film)）》《十誡》《賓漢》和《萬夫莫敵》等都成為了當年票房收入最高的電影，直到這一類型開始隨著幾部備受關注卻失敗的影片上映而走向衰退^[46]。1950年代《銀色聖誕（英語：White Christmas (film)）》和《南太平洋（英語：South Pacific (1958 film)）》的成功預示著音樂片在1960年代的回歸，《西城故事》《歡樂滿人間》《窈窕淑女》《真善美》和《妙女郎（英語：Funny Girl (film)）》都成為年代票房冠軍。1970年代，觀眾口味轉向高概念電影，喬治·盧卡斯和史蒂芬·史匹柏兩位導演製作的六部電影在1980年代占據票房榜首。21世紀以來，電影更多依賴於系列片和改編作品，基於已有智慧財產權的電影在票房上的主導地位達到了歷史新高^[47]。

史蒂芬·史匹柏（1975年、1981年、1982年、1989年、1993年）和西席·地密爾（1932年、1947年、1949年、1952年、1956年）並列成為榜單中最具代表性的導演，兩人分別有五部電影占據年度票房冠軍。威廉·惠勒（1942年、1946年、1959年、1968年）和詹姆斯·卡麥隆（1991年、1997年、2009年、2022年）則各自代表四部電影登頂。D·W·格里菲斯（1915年、1916年、1920年）、喬治·羅埃·希爾（1966年、1969年、1973年）和羅素兄弟（2016年、2018年、2019年）也分別有三部電影登上榜單。喬治·盧卡斯在1977年和1999年兩度以導演身份登頂，並且在1980年、1981年、1983年和1989年以製片人或編劇身份參與製作，也有強大的創作貢獻。以下導演也分別有兩部電影進入榜單：法蘭·萊、金·維多（英語：King Vidor）、法蘭克·卡普拉、麥可·寇蒂斯、李歐·麥卡瑞、亞佛烈德·希區考克、大衛·連、史丹利·庫柏力克、蓋·漢彌爾頓、麥克·尼可斯、威廉·佛雷金、彼得·傑克森、高爾·韋賓斯基和麥可·貝；茂文·李洛埃、肯·安納金和勞勃·懷斯各自有一部獨立作品和一部合作作品，約翰·福特則與他人共同導演了兩部電影。迪士尼電影通常是聯合導演，某些導演參與了多個獲獎團隊：威爾弗雷·傑克遜（英語：Wilfred Jackson）、漢密爾頓·盧斯克（英語：Hamilton Luske）、克萊德·吉羅尼米（英語：Clyde Geronimi）、大衛·漢德（英語：David Hand (animator)）、本·夏普斯廷（英語：Ben Sharpsteen）、沃夫岡·雷瑟曼和比爾·羅伯茨等都至少聯合導演了兩部登上榜單的影片。僅有七位導演曾連續兩年成為票房冠軍：麥卡瑞（1944年和1945年）、尼科爾斯（1966年和1967年）、史匹柏（1981年和1982年）、傑克遜（2002年和2003年）、韋賓斯基（2006年和2007年）和羅素兄弟（2018年和2019年）。

由於上映時間安排，特別是年底上映的電影，以及全球不同的上映模式，許多電影可能跨越兩個或多個日曆年。因此，記錄的票房數據不僅限於電影首映的年份。票房收入也不局限於首輪上映，許多老電影經常會定期重映，因此數據包括電影自首次上映以來的所有票房收入。電影的首輪票房收入如果已知會在總票房後括注。由於數據不完整，某些電影的確切收入和上映時間仍不確定，但一般來說，下表列出的是每年票房最高的電影。如果有估算數據存在衝突，則會同時列出兩部電影；如果某部電影透過重映超越了之前的紀錄保持者，前任紀錄保持者仍會被保留。

年度票房冠軍^[48]^[49]^[50]
年份	片名	全球票房	預算	來源
1915	一個國家的誕生	$50,000,000–100,000,000 $20,000,000+^租 ($5,200,000)^租	$110,000	^{[# 211]}^{[# 212]}^{[# 213]}
1916	忍無可忍	$1,750,000^租 ^忍	$385,907	^[51]^[52]
1917	埃及豔后（英語：Cleopatra (1917 film)）	$500,000^*^租	$300,000	^{[# 214]}^{[# 215]}
1918	米奇（英語：Mickey (1918 film)）	$8,000,000	$250,000	^{[# 216]}
1919	奇蹟先生（英語：The Miracle Man (1919 film)）	$3,000,000^租	$120,000	^{[# 217]}
1920	江水東流（英語：Way Down East）	$5,000,000^租 ($4,000,000)^租	$800,000	^{[# 218]}^{[# 219]}
1921	啟示錄四騎士	$5,000,000^租 ($4,000,000)^租	$600,000–800,000	^{[# 220]}
1922	羅賓漢（英語：Douglas Fairbanks in Robin Hood）	$2,500,000^租	$930,042.78	^{[# 221]}^{[# 222]}
1923	邊外英雄（英語：The Covered Wagon）	$5,000,000^租	$800,000	^{[# 223]}^{[# 224]}
1924	海鷹（英語：The Sea Hawk (1924 film)）	$3,000,000^租	$700,000	^{[# 223]}
1925	大軍啓行（英語：The Big Parade）	$18,000,000–22,000,000^租 ($6,131,000)^租	$382,000	^{[# 225]}^{[# 226]}^{[# 227]}
1925	賓漢（英語：Ben-Hur (1925 film)）	$10,738,000^租 ($9,386,000)^租	$3,967,000	^{[# 228]}^{[# 229]}
1926	天降妙人（英語：For Heaven's Sake (1926 film)）	$2,600,000^租 ^天降	$150,000	^{[# 218]}^{[# 230]}
1927	鐵翼雄風	$3,600,000^租	$2,000,000	^{[# 218]}^{[# 231]}^{[# 232]}
1928	歌臺憨者（英語：The Singing Fool）	$5,900,000^租	$388,000	^{[# 232]}^{[# 233]}
1929	百老匯之歌	$4,400,000–4,800,000^租	$379,000	^{[# 234]}^{[# 235]}
1929	陽光隨處（英語：Sunny Side Up (1929 film)）	$3,500,000^*^租 ^陽光	$600,000	^{[# 236]}^{[# 237]}
1930	西線無戰事	$3,000,000^租	$1,250,000	^{[# 218]}^{[# 238]}^{[# 239]}^{[# 240]}
1931	科學怪人	$12,000,000^租 ($1,400,000)^租	$250,000	^{[# 241]}^{[# 242]}
1931	城市之光	$5,000,000^租	$1,607,351	^{[# 243]}
1932	羅宮春色（英語：The Sign of the Cross (1932 film)）	$2,738,993^租	$694,065	^{[# 224]}^{[# 244]}^{[# 245]}^{[# 246]}
1933	金剛	$5,347,000^租 ($1,856,000)^租	$672,255.75	^{[# 247]}
	我不是天使（英語：I'm No Angel）	$3,250,000+^租	$200,000	^{[# 248]}^{[# 249]}
	氣壯山河	$3,000,000–4,000,000^租	$1,116,000	^{[# 219]}^{[# 239]}
	儂本多情（英語：She Done Him Wrong）	$3,000,000+^租	$274,076	^{[# 250]}^{[# 251]}^{[# 252]}
1934	風流寡婦（英語：The Merry Widow (1934 film)）	$2,608,000^租	$1,605,000	^{[# 253]}^{[# 245]}
1934	一夜風流	$2,500,000^租 ^一夜	$325,000	^{[# 254]}^{[# 255]}
1935	叛艦喋血記	$4,460,000^租	$1,905,000	^{[# 245]}
1936	火燒舊金山（英語：San Francisco (1936 film)）	$6,044,000+^租 ($5,273,000)^租	$1,300,000	^{[# 253]}^{[# 245]}
1937	白雪公主	$418,000,000+^白雪 ($8,500,000)^租	$1,488,423	^{[# 256]}^{[# 257]}
1938	浮生若夢	$5,000,000^租	$1,200,000	^{[# 258]}^{[# 259]}
1939	亂世佳人	$390,525,192–402,382,193 ($32,000,000)^租 ^亂世	$3,900,000–4,250,000	^{[# 260]}^{[# 261]}^{[# 262]}^{[# 263]}
1940	木偶奇遇記	$87,000,862^* ($3,500,000)^租	$2,600,000	^{[# 264]}^{[# 257]}^{[# 265]}
1940	俠義雙雄（英語：Boom Town (film)）	$4,600,000^*^租	$2,100,000	^{[# 266]}^{[# 267]}
1941	艾文·約克（英語：Sergeant York (film)）	$7,800,000^租	$1,600,000	^{[# 268]}^{[# 269]}
1942	小鹿斑比	$267,997,843 ($3,449,353)^租	$1,700,000–2,000,000	^{[# 270]}^{[# 271]}^{[# 272]}
1942	忠勇之家	$8,878,000^租	$1,344,000	^{[# 273]}^{[# 274]}
1943	戰地鐘聲	$11,000,000^租	$2,681,298	^{[# 275]}^{[# 276]}^{[# 277]}
1943	這就是軍隊（英語：This Is the Army）	$9,555,586.44^*^租	$1,400,000	^{[# 278]}^{[# 279]}^{[# 277]}
1944	與我同行	$6,500,000^*^租	$1,000,000	^{[# 280]}^{[# 281]}^{[# 282]}
1945	媽媽和爸爸	$80,000,000^媽爸/$22,000,000^租	$65,000	^{[# 283]}
1945	聖瑪麗亞的鐘聲（英語：The Bells of St. Mary's）	$11,200,000^租	$1,600,000	^{[# 284]}
1946	南方之歌	$65,000,000^* ($3,300,000)^租	$2,125,000	^{[# 285]}^{[# 286]}^{[# 287]}
	黃金時代	$14,750,000^租	$2,100,000	^{[# 288]}^{[# 289]}
	太陽浴血記（英語：Duel in the Sun (film)）	$10,000,000^*^租	$5,255,000	^{[# 280]}^{[# 290]}
1947	除卻巫山不是雲	$8,000,000^租	$6,375,000	^{[# 236]}^{[# 290]}
1947	血戰保山河（英語：Unconquered (1947 film)）	$7,500,000^租 ^血戰	$4,200,000	^{[# 291]}^{[# 292]}
1948	萬花錦繡	$5,918,134^租	$2,500,000	^{[# 282]}^{[# 293]}
	紅菱艷（英語：The Red Shoes (1948 film)）	$5,000,000^*^租	£505,581 (~$2,000,000)	^{[# 280]}^{[# 294]}^{[# 295]}
	蛇穴	$4,100,000^*^租	$3,800,000	^{[# 296]}^{[# 297]}
1949	霸王妖姬（英語：Samson and Delilah (1949 film)）	$14,209,250^租	$3,097,563	^{[# 298]}^{[# 224]}
1950	仙履奇緣	$263,591,415 ($20,000,000/$7,800,000^租)	$2,200,000	^{[# 299]}^{[# 300]}^{[# 301]}
1950	所羅門王寶藏（英語：King Solomon's Mines (1950 film)）	$10,050,000^租	$2,258,000	^{[# 302]}
1951	暴君焚城錄（英語：Quo Vadis (1951 film)）	$21,037,000–26,700,000^租	$7,623,000	^{[# 298]}^{[# 303]}^{[# 304]}
1952	This Is Cinerama（英語：This Is Cinerama）	$50,000,000^CI	$1,000,000	^{[# 305]}^{[# 306]}
1952	戲中之王	$18,350,000^租 ^戲王	$3,873,946	^{[# 307]}^{[# 308]}^{[# 224]}
1953	小飛俠	$145,000,000 ($7,000,000)^*^租	$3,000,000–4,000,000	^{[# 309]}^{[# 310]}
1953	聖袍千秋（英語：The Robe (film)）	$25,000,000–26,100,000^租	$4,100,000	^{[# 311]}^{[# 312]}^{[# 304]}
1954	後窗	$24,500,000^* ($5,300,000)^*^租	$1,000,000	^{[# 313]}^{[# 303]}
	銀色聖誕（英語：White Christmas (film)）	$26,000,050^* ($12,000,000)^*^租	$3,800,000	^{[# 314]}^{[# 315]}^{[# 316]}
	海底兩萬哩	$25,000,134^* ($6,800,000–8,000,000)^*^租	$4,500,000–9,000,000	^{[# 317]}^{[# 318]}^{[# 280]}^{[# 319]}
1955	小姐與流氓	$187,000,000 ($6,500,000)^*^租	$4,000,000	^{[# 320]}^{[# 280]}^{[# 321]}
	Cinerama Holiday（英語：Cinerama Holiday）	$21,000,000^CI	$2,000,000	^{[# 322]}^{[# 323]}
	羅勃先生（英語：Mister Roberts (1955 film)）	$9,900,000^租	$2,400,000	^{[# 324]}
1956	十誡	$90,066,230^租 ($122,700,000/$55,200,000^租)	$13,270,000	^{[# 224]}^{[# 325]}^{[# 326]}
1957	桂河大橋	$30,600,000^租	$2,840,000	^{[# 326]}
1958	南太平洋（英語：South Pacific (1958 film)）	$30,000,000^租	$5,610,000	^{[# 327]}
1959	賓漢	$90,000,000^租 ($146,900,000/$66,100,000^租)	$15,900,000	^{[# 328]}^{[# 329]}
1960	瑞士家庭魯賓遜（英語：Swiss Family Robinson (1960 film)）	$30,000,000^租	$4,000,000	^{[# 330]}
	萬夫莫敵	$60,000,000 ($22,105,225)^租	$10,284,014	^{[# 331]}^{[# 332]}
	驚魂記	$50,000,000+ ($14,000,000)^租	$800,000	^{[# 333]}
1961	101忠狗	$303,000,000	$3,600,000–4,000,000	^{[# 320]}^{[# 334]}^{[# 272]}
1961	西城故事	$105,000,000 ($31,800,000)^租	$7,000,000	^{[# 335]}^{[# 336]}
1962	阿拉伯的勞倫斯	$77,324,852 ($69,995,385)	$13,800,000	^{[# 337]}^{[# 338]}
	西部開拓史	$35,000,000^租	$14,483,000	^{[# 339]}
	碧血長天	$33,200,000^租	$8,600,000	^{[# 336]}^{[# 338]}
1963	埃及豔后	$40,300,000^租	$31,115,000	^{[# 336]}^{[# 338]}
1963	第七號情報員續集	$78,900,000/$29,400,000^租 ($12,500,000)^租	$2,000,000	^{[# 340]}^{[# 341]}^{[# 342]}
1964	窈窕淑女	$55,000,000^租	$17,000,000	^{[# 343]}
	金手指	$124,900,000 ($46,000,000)^租	$3,000,000	^{[# 340]}^{[# 342]}
	歡樂滿人間	$44,000,000–$50,000,000^租	$5,200,000	^{[# 344]}^{[# 343]}
1965	真善美	$286,214,076 ($114,600,000)^租	$8,000,000	^{[# 345]}^{[# 336]}
1966	開天闢地（英語：The Bible: In the Beginning）	$25,325,000^租	$18,000,000	^{[# 332]}^{[# 346]}
	夏威夷（英語：Hawaii (1966 film)）	$34,562,222^* ($15,600,000)^*^租	$15,000,000	^{[# 347]}^{[# 280]}
	靈慾春宵	$33,736,689^* ($14,500,000)^*^租	$7,613,000	^{[# 348]}^{[# 280]}^{[# 349]}
1967	森林王子	$378,000,000 ($23,800,000)^租	$3,900,000–4,000,000	^{[# 320]}^{[# 350]}^{[# 351]}^{[# 272]}
1967	畢業生	$85,000,000^租	$3,100,000	^{[# 352]}^{[# 353]}
1968	2001太空漫遊	$141,000,000–190,000,000 ($21,900,000)^租	$10,300,000	^{[# 354]}^{[# 336]}
1968	妙女郎（英語：Funny Girl (film)）	$80,000,000–100,000,000	$8,800,000	^{[# 355]}^{[# 356]}
1969	虎豹小霸王	$152,308,525 ($37,100,000)^租	$6,600,000	^{[# 336]}^{[# 353]}
1970	愛情故事	$173,400,000 ($80,000,000)^租	$2,260,000	^{[# 357]}^{[# 358]}^{[# 359]}
1971	霹靂神探	$75,000,000^租	$3,300,000	^{[# 236]}
	屋上的提琴手	$49,400,000^租 ($100,000,000/$45,100,000^租)	$9,000,000	^{[# 360]}^{[# 361]}
	金剛鑽	$116,000,000 ($45,700,000)^租	$7,200,000	^{[# 340]}^{[# 341]}
1972	教父	$246,120,974–287,000,000 ($127,600,000–142,000,000)^租	$6,000,000–7,200,000	^{[# 362]}^{[# 361]}^{[# 363]}^{[# 364]}
1973	大法師	$430,872,776 ($112,300,000)^租	$10,000,000	^{[# 365]}^{[# 366]}^{[# 367]}^{[# 368]}
1973	刺激	$115,000,000^租	$5,500,000	^{[# 369]}^{[# 370]}
1974	火燒摩天樓	$203,336,412 ($104,838,000)^租	$14,300,000	^{[# 371]}^{[# 372]}^{[# 373]}^{[# 368]}^{[# 374]}
1975	大白鯊	$477,220,580 ($193,700,000)^租	$9,000,000	^{[# 375]}^{[# 376]}
1976	洛基	$225,000,000 ($77,100,000)^租	$1,075,000	^{[# 377]}^{[# 378]}^{[# 361]}^{[# 379]}
1977	星際大戰四部曲：曙光乍現	$775,398,007 ($530,000,000^星戰/$268,500,000^租)	$11,293,151	^{[# 380]}^{[# 381]}^{[# 361]}^{[# 382]}
1978	火爆浪子	$396,271,103 ($341,000,000)	$6,000,000	^{[# 383]}^{[# 384]}^{[# 352]}
1979	太空城	$210,308,099	$31,000,000	^{[# 385]}^{[# 340]}^{[# 386]}
1979	洛基續集	$200,182,160	$7,000,000	^{[# 387]}^{[# 388]}^{[# 386]}
1980	星際大戰五部曲：帝國大反擊	$550,016,086 ($413,562,607)^星戰	$23,000,000–32,000,000	^{[# 389]}^{[# 390]}
1981	法櫃奇兵	$389,925,971 ($321,866,000–353,988,025)	$18,000,000–22,800,000	^{[# 391]}
1982	E.T.外星人	$797,307,407 ($619,000,000–664,000,000)	$10,500,000–12,200,000	^{[# 392]}^{[# 381]}^{[# 393]}^{[# 394]}
1983	星際大戰六部曲：絕地大反攻	$482,466,382 ($385,845,197)^星戰	$32,500,000–42,700,000	^{[# 395]}^{[# 390]}
1984	魔鬼剋星	$370,000,000 ($355,200,000)	$25,000,000–30,000,000	^{[# 396]}^{[# 397]}^{[# 398]}
1985	回到未來	$389,225,789 ($381,109,762)	$19,000,000–22,000,000	^{[# 399]}^{[# 400]}
1986	捍衛戰士	$357,288,178 ($345,000,000)	$14,000,000–19,000,000	^{[# 401]}^{[# 402]}^{[# 403]}
1987	致命的吸引力	$320,145,693	$14,000,000	^{[# 404]}^{[# 403]}
1988	雨人	$354,825,435	$30,000,000	^{[# 405]}^{[# 406]}
1989	聖戰奇兵	$474,171,806–494,000,000	$36,000,000–55,400,000	^{[# 407]}^{[# 403]}^{[# 408]}
1990	第六感生死戀	$505,870,681 ($505,702,588)	$22,000,000	^{[# 409]}^{[# 403]}
1991	魔鬼終結者2	$523,774,456 ($519,843,345)	$94,000,000	^{[# 410]}^{[# 411]}
1992	阿拉丁	$504,050,219	$28,000,000	^{[# 412]}^{[# 272]}
1993	侏羅紀公園	$1,037,535,230 ($912,667,947)	$63,000,000–70,000,000	^{[# 54]}
1994	獅子王	$970,707,763 ($763,455,561)	$45,000,000–79,300,000	^{[# 413]}
1995	玩具總動員	$373,554,033 ($364,873,776)	$30,000,000	^{[# 414]}^{[# 415]}
1995	終極警探3	$366,101,666	$70,000,000	^{[# 416]}^{[# 417]}
1996	ID4星際終結者	$817,400,891	$75,000,000	^{[# 418]}
1997	鐵達尼號	$2,257,844,554 ($1,843,373,318)	$200,000,000	^{[# 7]}
1998	世界末日	$553,709,788	$140,000,000	^{[# 419]}^{[# 420]}
1999	星際大戰首部曲：威脅潛伏	$1,046,515,409 ($924,317,558)	$115,000,000–127,500,000	^{[# 65]}^{[# 390]}
2000	不可能的任務2	$546,388,108	$100,000,000–125,000,000	^{[# 421]}^{[# 403]}
2001	哈利波特：神秘的魔法石	$1,009,046,830^哈1 ($974,755,371)	$125,000,000	^{[# 422]}
2002	魔戒二部曲：雙城奇謀	$948,945,489 ($936,689,735)	$94,000,000	^{[# 423]}
2003	魔戒三部曲：王者再臨	$1,147,997,407 ($1,140,682,011)	$94,000,000	^{[# 424]}
2004	史瑞克2	$932,530,034 ($928,965,305)	$150,000,000	^{[# 425]}
2005	哈利波特：火盃的考驗	$896,346,413 ($895,921,036)	$150,000,000	^{[# 426]}
2006	神鬼奇航2：加勒比海盜	$1,066,179,747	$225,000,000	^{[# 427]}
2007	神鬼奇航3：世界的盡頭	$960,996,492	$300,000,000	^{[# 428]}
2008	黑暗騎士	$1,007,336,937 ($997,039,412)	$185,000,000	^{[# 429]}
2009	阿凡達	$2,923,706,026 ($2,743,577,587)	$237,000,000	^{[# 1]}
2010	玩具總動員3	$1,066,970,811	$200,000,000	^{[# 430]}
2011	哈利波特：死神的聖物Ⅱ	$1,342,139,727 ($1,341,511,219)	$250,000,000^哈8	^{[# 431]}
2012	復仇者聯盟	$1,518,815,515	$220,000,000	^{[# 432]}
2013	冰雪奇緣	$1,290,000,000 ($1,287,000,000)	$150,000,000	^{[# 433]}
2014	變形金剛4：絕跡重生	$1,104,039,076	$210,000,000	^{[# 434]}
2015	STAR WARS：原力覺醒	$2,068,223,624	$245,000,000	^{[# 435]}
2016	美國隊長3：英雄內戰	$1,153,337,496 ($1,153,296,293)	$250,000,000	^{[# 436]}
2017	STAR WARS：最後的絕地武士	$1,332,539,889	$200,000,000	^{[# 437]}
2018	復仇者聯盟：無限之戰	$2,048,359,754	$316,000,000–400,000,000	^{[# 14]}^{[# 438]}
2019	復仇者聯盟：終局之戰	$2,797,501,328	$356,000,000	^{[# 3]}
2020	鬼滅之刃劇場版無限列車篇	$507,119,058	$15,750,000	^{[# 439]}
2021	蜘蛛人：無家日	$1,922,598,800 ($1,912,233,593)	$200,000,000	^{[# 16]}^{[# 440]}
2022	阿凡達：水之道	$2,320,250,281	$350,000,000–460,000,000	^{[# 5]}^{[# 441]}^{[# 442]}
2023	Barbie芭比	$1,447,038,421	$128,000,000–145,000,000	^{[# 443]}^{[# 444]}^{[# 445]}
2024	腦筋急轉彎2	$1,698,863,816	$200,000,000	^{[# 18]}^{[# 446]}

(...) 由於票房收入不僅限於首次上映，已知的情況下，電影的首次上映票房將以括號形式附在總票房後面。

^*僅統計加拿大和美國的收入。

^租發行商租金。

^忍暫無關於《海底兩萬哩》的當代票房數據，不過The Numbers網站給出了800萬美元的北美票房數據^[53]。然而，可能是將1954年翻拍版的票房誤認為了該片的票房，因為翻拍版在北美也賺取了800萬美元的租金票房^[54]。

^天降有些來源（如The Numbers）指出《南海美人（英語：Aloma of the South Seas (1926 film)）》是當年最高票房電影，票房為300萬美元。然而，未有當代數據提供關於《南海美人》的具體票房，因此300萬美元的數字的具體含義不清。如果是指租金票房，那麼該片不僅是當年的最高票房電影，還是無聲電影時代的最高票房之一；如果是這樣，那麼《國際電影年鑑（英語：International Motion Picture Almanac）》和《綜藝》在各自的列表中不收錄該片就顯得不太尋常。

^陽光關於《陽光隨處》的票房數字不清楚是指北美票房還是全球票房。其他來源表明其票房為200萬美元^[55]，可能意味著較高的數字是全球租金票房，因為這一時期的國際票房數據常常存在混淆^[56]。

^一夜《一夜風流》的票房數字並不能完全反映其成功：該片是與20多部其他的哥倫比亞電影一起打包發行的，總收入是平均的；因此，其實際票房應當更高^[57]。

^白雪《白雪公主》4.18億美元的全球總票房不包括1987年後北美以外的票房收入。

^亂世關於《亂世佳人》最初上映時的票房收入並不完全清楚。當代的報導常常列出該片在北美租金收入為3200萬美元，而回顧性的排行榜常常重複這一說法；然而，很可能這是全球租金收入。行業期刊透過獲取發行商提供的數據（他們樂於宣傳大獲成功的電影），或者透過調查電影院來構建估算報告。發行商通常會報告全球租金收入，因為更高的數字會讓電影看起來更成功，而估算報告則僅限於北美地區的表現；因此全球和北美的租金混淆的情況並不罕見。第二次世界大戰爆發後，好萊塢無法進入許多國外市場，因此只報告北美票房表現成為了標準做法^[56]。為了保持這種新風格，1947年《亂世佳人》的北美租金修改為2100萬美元（比之前的數字低1100萬美元）^[58]，而截至1953年（1947年曾重新上映），《綜藝》雜誌報告的收入為2600萬美元^[59]。到1956年，米高梅報告稱其三次發行在北美的累計票房收入為30,015,000美元，國外票房收入為18,964,000美元^[60]。首次上映時全球租金收入3200萬美元，與修訂後的數字以及後來報告的全球數字一致：表明該片首次上映時在北美賺了2100萬美元，海外賺了1100萬美元，並且到1956年為止，透過後續重新上映，在北美又賺了900萬美元，海外又賺了800萬美元。

^媽爸由於是獨立發行，《媽媽和爸爸》通常未出現在《綜藝》等的高票房榜單上。該片本質上屬於剝削電影類型，市場推廣打著兩性衛生教育用途的幌子，試圖規避審查制度。由於違反電影製作守則，該片沒有獲得主流發行，僅限於獨立和汽車戲院放映。該片是同類影片中最大的成功，並且一直持續到1970年代，直到硬調色情電影開始取而代之。到1947年年底時，票房已達到200萬美元，到1949年為800萬美元；到1956年，其租金收入已達到2200萬美元，總收入達到8000萬美元，在20世紀40年代末50年代初輕鬆躋身十大影片之列。其總票房估計甚至高達1億美元。

^血戰喬普拉-甘特明確表示《血戰保山河》的票房數字是指北美票房，但如同當時慣例，排行榜數據混淆了全球與北美的票房收入。其他來源表明，《除卻巫山不是雲》（800萬美元）和《天倫樂》（650萬美元）^[61]實際上是全球租金收入，因此有可能《血戰保山河》也是全球租金收入。

^CICinerama公司的票房數字代表的是總收入。由於Cinerama擁有影院，因此這些電影沒有租金費用，意味著電影公司從票房中獲得了100%的收入，而不像大多數其他電影，發行商通常只能獲得不到一半的票房收入。因此，《綜藝》當時為了根據美國和加拿大的租金收入對電影進行排名，構建了Cinerama電影的假設租金數字，以便與其他電影進行比較：就該片而言，全球5000萬美元的票房被重新計算為美國租金票房1250萬美元，這正是Cinerama報告的金額的25%，因此《綜藝》似乎將該數字減半以估算美國份額，再減半得到租金收入的估算值^[62]。五部Cinerama電影總共獲得了1.2億美元的全球票房收入^[63]

^戲王影片發行一年後《綜藝》估計《戲中之王》全球租金收入約為1835萬美元（其中1280萬美元來自美國）^[54]。不過，伯查德將其票房收入數據定為到1962年為止僅有1500多萬美元。伯查德的數據可能只是北美租金票房，包括1954年和1960年的重映票房。

^星戰《星際大戰》的「首次上映」票房並不包括1997年特別版上映的收入，但該數字包含了在特別版之前的重映收入。

^哈1Box Office Mojo網站記錄的2020年巴西、2021年義大利、荷蘭和韓國的《哈利波特：神秘的魔法石》重映票房被從全球總票房中扣除，因為該網站在這些國家對初次上映票房進行了重複計算。

^哈8該片的製作成本與《哈利波特：死神的聖物Ⅰ》共同分擔。

最高票房電影時間軸

自《一個國家的誕生》於1915年成為最高票房電影以來，至少有11部電影曾保持這一紀錄。《一個國家的誕生》和《亂世佳人》分別連續保持該紀錄長達25年，而史蒂芬·史匹柏和詹姆斯·卡麥隆執導的電影各三次奪得最高票房紀錄。史匹柏是第一位打破自己票房紀錄的導演，《侏羅紀公園》的票房超越了《E.T.》，而卡梅隆則在《阿凡達》打破《鐵達尼號》的紀錄時實現了相同的成就。2019年，《復仇者聯盟：終局之戰》成為最高票房電影時，也成為首部打破票房紀錄的續集電影，同時終結了史匹柏與卡梅隆長達36年的統治地位，直到2021年《阿凡達》憑藉重映重新奪回票房冠軍。

一些消息來源稱，《大軍啓行》曾超越《一個國家的誕生》成為最高票房電影，隨後被《白雪公主》取代，而後者又很快被《亂世佳人》趕超^[64]。《一個國家的誕生》的確切票房數據不詳，但1919年的記錄顯示其全球收入為520萬美元^[65]。由於第一次世界大戰的影響，該片的國際上映被推遲，直到1920年代才進入許多海外市場；再加上在美國的多次重映，《綜藝》在1932年報告其票房達到1000萬美元，這一數據與早期估算一致^[66]。在這一時期，《綜藝》仍然認為《一個國家的誕生》的發行商租金收入超過了《大軍啓行》（640萬美元），如果這一估計正確，《白雪公主》（850萬美元）^[67]在首輪放映時並未賺取足夠票房打破紀錄^[68]；不過，它可能成為票房最高的有聲電影^[69]，取代了《歌臺憨者》（590萬美元）^[70]。雖然普遍認為《一個國家的誕生》不太可能被任何無聲電影超越^[71]，但如果其實際票房遠低於估計數據，那麼1925年的《賓漢》（938.6萬美元）可能會取而代之^[72]。此外，除了公共放映的租金收入，《一個國家的誕生》還在大量私人、俱樂部和組織的場合放映，但這些收入數據無法獲取^[73]。該片深受三K黨歡迎，並被用於招募成員^[74]，《綜藝》一度估算其總收入約為5000萬美元^[75]。雖然後來撤回了這一說法，但是這一數字仍被廣泛引用，不過從未被證實^[65]。一般認為，《亂世佳人》在首映時成為最高票房電影——至少在公共放映層面上是如此——但很可能直到很久之後才真正超越《一個國家的誕生》的總票房，據報導直到1960年代後者仍然是票房冠軍^[73]。《亂世佳人》本身可能曾短暫地被1956年的《十誡》超越，後者在1960年底的全球租金收入達到5800萬至6000萬美元^[76]^[77]，而《亂世佳人》的同期收入為5900萬美元^[78]；《十誡》如果曾登頂，那麼統治時間並不長，因為《亂世佳人》在次年重映後，收入增至6700萬美元。根據估算數據的準確性，1959年重拍的《賓漢》也可能曾打破《亂世佳人》的紀錄：截至1961年底，該片全球收入達4700萬美元^[79]，到1963年，其國際票房已達6500萬美元，僅落後《亂世佳人》200萬美元^[80]，最終其首輪放映收入達到6600萬美元^[81]。

另一部被認為曾是最高票房的電影是1972年的色情片《深喉嚨》。1984年，琳達·拉芙蕾絲在美國參議院司法委員會少年司法小組作證稱，該片票房收入達6億美元^[82]；這一數據一直存在爭議，因為如果屬實，該片的票房將超過《星際大戰》，成為1970年代票房最高的電影。反對這一說法的主要理由是，該片的上映範圍並不夠廣，不足以支撐如此高的票房收入^[83]。具體數據不詳，但1976年聯邦審判的證詞表明，該片上映四年後票房已超過2500萬美元^[84]。影評人羅傑·埃伯特推測，該片在帳面上可能確實達到了6億美元，因為當時黑幫控制了大多數成人電影院，透過這些影院洗錢，因此可能人為誇大了票房數據^[85]。

《一個國家的誕生》《亂世佳人》《教父》《大白鯊》《星際大戰》《E.T.》和《阿凡達》都透過重映增加了票房紀錄。其原始首輪放映的票房收入與輸掉紀錄前的重映總收入均包括在統計數據中。因此，《一個國家的誕生》的總收入包括1940年之前的重映收入；《星際大戰》的總收入包括1970年代末和1980年代初的重映收入，但不包括1997年的特別版；《E.T.》的總收入包含1985年的重映收入，但不包括2002年的版本。《阿凡達》首次登頂的總收入包括2010年特別版的票房，而其第二次登頂還包括2020年亞太地區重映以及2021年中國重映的票房。《亂世佳人》則兩次出現在榜單上：1940年的數據包括1939年至1942年的分階段發行（電影路演/全國上映/二輪戲院）^[86]以及1961年重映前的所有收入，在1966年被《真善美》超越；其1971年的數據（重奪紀錄）包括1967年和1971年重映的收入，但不包括後續發行。《教父》在第45屆奧斯卡金像獎後於1973年重映，《大白鯊》於1976年重映，這些電影的票房統計可能已包含了這些重映的收入。《真善美》《教父》《大白鯊》《侏羅紀公園》和《鐵達尼號》都曾透過重映增加票房，但由於在重映前已輸掉最高票房紀錄，因此這些額外收入未被計算在內。

最高票房電影紀錄時間表
年份	片名	創紀錄總收入	參考資料
1915^[64]	一個國家的誕生	$5,200,000^租	^{[# 212]}
1940	一個國家的誕生	$15,000,000^租 ^‡	^{[# 447]}
1940^[31]	亂世佳人	$32,000,000^租
1963	亂世佳人	$67,000,000^租 ^‡
1966^[64]	真善美	$114,600,000^租	^{[# 336]}
1971^[64]	亂世佳人	$116,000,000^租 ^‡	^{[# 448]}
1972^[64]	教父	$127,600,000–142,000,000^租	^{[# 361]}^{[# 449]}
1976^[87]^[88]	大白鯊	$193,700,000^租
1978^[89]^[90]	星際大戰四部曲：曙光乍現	$410,000,000/$268,500,000^租	^{[# 450]}^{[# 361]}
1982	星際大戰四部曲：曙光乍現	$530,000,000 ^‡	^{[# 381]}
1983^[91]	E.T.外星人	$619,000,000–664,000,000	^{[# 381]}^{[# 393]}
1993	E.T.外星人	$701,000,000 ^‡	^{[# 451]}
1993^[64]	侏羅紀公園	$912,667,947	^{[# 54]}
1998^[92]	鐵達尼號	$1,843,373,318	^{[# 7]}
2010^[93]^[94]	阿凡達	$2,743,577,587	^{[# 1]}
2010^[93]^[94]	阿凡達	$2,788,416,135 ^‡	^{[# 1]}
2019^[95]^[96]	復仇者聯盟：終局之戰	$2,797,501,328	^{[# 3]}
2021^[97]	阿凡達	$2,847,397,339 ^‡	^{[# 1]}
2022	阿凡達	$2,923,706,026 ^‡	^{[# 1]}

^租發行商租金。

^‡包括重新發行的收入。如果一部電影在保持紀錄的同時透過重新上映增加了票房收入，那麼其創下最高票房收入的年份也會以斜體標註。

票房最高電影系列

在2000年之前，全球票房超過10億美元的電影系列僅有七個：《詹姆士·龐德》系列^[98]、《星際大戰》系列^[99]、《法櫃奇兵》系列^[100]、《洛基》系列^[101]^[102]^[103]、《蝙蝠俠》系列^[104]、《侏羅紀公園》系列^[105] 和《星際爭霸戰》系列^[106]。進入21世紀後，這一數字已超過一百個^[107]。這某種程度上歸因於通貨膨脹和市場增長，但更重要的原因是好萊塢採用了「特許經銷權」（franchise）模式，即改編自知名文學作品或現成的經典角色等已有品牌認知度的電影。這種方法基於這樣一個理念：與觀眾熟悉的內容相關的電影更容易進行市場推廣，因此在業內被稱為「預售」（pre-sold）電影^[108]。

通常，特許經銷權至少要有兩部來源於相同智慧財產權的作品。傳統上，作品與該智慧財產權存在自明的關係，但這並非必要條件。在特許經銷權模式中，有個長期存在的特點是「跨界」概念，即「一個故事中有來自兩個或多個獨立文本或系列的角色或概念」^[109]。跨界的結果是，某個智慧財產權可能被多個特許經銷權所共享。例如，《蝙蝠俠對超人：正義曙光》不僅屬於《蝙蝠俠》和《超人》特許經銷權，還屬於共同世界 DC擴展宇宙。共同世界是一種特殊類型的跨界，指多個不同的虛構作品角色共存於同一個虛構世界^[110]。目前，電影領域最成功的共同世界是漫威電影宇宙，將多個漫威漫畫旗下的超級英雄故事整合在一起。漫威電影宇宙同時也是全球票房最高的特許經銷權，總票房超過310億美元。

單一智慧財產權改編電影系列中票房最高的是《蜘蛛人》系列，總票房超過110億美元（不過如果按當前票價調整，Eon製作的《詹姆士·龐德》系列票房總收入已超過190億美元）^[a]。漫威電影宇宙擁有最多的10億美元票房電影，目前已有11部。此外，只有以下幾個特許經銷權的每部作品票房均超過10億美元：《復仇者聯盟》系列（4部）、《冰雪奇緣》系列（2部）、《阿凡達》系列（2部）。同時，《侏羅紀公園》系列、《黑豹》系列和《腦筋急轉彎》系列的單片平均票房也均超過10億美元。

† 底色表示其中至少有一部電影於2025年5月23日開始的一週內仍在全球影院上映

票房最高電影系列^[§] (點擊「展開」可查看每個系列的具體電影列表)

排名	電影系列	全球總票房	電影數量	單片平均票房	最高票房電影

1

漫威電影宇宙^共 †

$31,764,255,829

36

$882,340,440

復仇者聯盟：終局之戰 ($2,797,501,328)

無限傳奇

$22,589,262,908

23

$982,141,866

復仇者聯盟：終局之戰 ($2,797,501,328)

	第三階段	$13,506,562,880	11	$1,227,869,353	復仇者聯盟：終局之戰 ($2,797,501,328)
1	復仇者聯盟：終局之戰 (2019)	$2,797,501,328
2	復仇者聯盟：無限之戰 (2018)	$2,048,359,754
3	黑豹 (2018)	$1,347,280,838
4	美國隊長3：英雄內戰 (2016)	$1,153,337,496
5	蜘蛛人：離家日 (2019)	$1,132,679,685
6	驚奇隊長 (2019)	$1,128,274,794
7	蜘蛛人：返校日 (2017)	$880,918,840
8	星際異攻隊2 (2017)	$863,756,051
9	雷神索爾3：諸神黃昏 (2017)	$853,983,879
10	奇異博士 (2016)	$677,796,076
11	蟻人與黃蜂女 (2018)	$622,674,139

	第二階段	$5,269,487,547	6	$878,247,925	復仇者聯盟2：奧創紀元 ($1,402,809,540)
1	復仇者聯盟2：奧創紀元 (2015)	$1,402,809,540
2	鋼鐵人3 (2013)	$1,214,811,252
3	星際異攻隊 (2014)	$773,350,147
4	美國隊長2：酷寒戰士 (2014)	$714,421,503
5	雷神索爾2：黑暗世界 (2013)	$644,783,140
6	蟻人 (2015)	$519,311,965

	第一階段	$3,813,212,481	6	$635,535,414	復仇者聯盟 ($1,518,815,515)
1	復仇者聯盟 (2012)	$1,518,815,515
2	鋼鐵人2 (2010)	$623,933,331
3	鋼鐵人 (2008)	$585,796,247
4	雷神索爾 (2011)	$449,326,618
5	美國隊長 (2011)	$370,569,774
6	無敵浩克 (2008)	$264,770,996

多元宇宙傳奇 †

$9,174,992,921

13

$705,768,686

蜘蛛人：無家日 ($1,922,598,800)

	第四階段	$5,712,571,367	7	$816,081,624	蜘蛛人：無家日 ($1,922,598,800)
1	蜘蛛人：無家日 (2021)	$1,922,598,800
2	奇異博士2：失控多重宇宙 (2022)	$955,775,804
3	黑豹2：瓦干達萬歲 (2022)	$859,208,836
4	雷神索爾：愛與雷霆 (2022)	$760,928,081
5	尚氣與十環傳奇 (2021)	$432,243,292
6	永恆族 (2021)	$402,064,899
7	黑寡婦 (2021)	$379,751,655

	第五階段 †	$3,462,421,554	6	$577,070,259	死侍與金鋼狼 ($1,338,073,645)
1	死侍與金鋼狼 (2024)	$1,338,073,645
2	星際異攻隊3 (2023)	$845,555,777
3	蟻人與黃蜂女：量子狂熱 (2023)	$476,071,180
4	美國隊長：無畏新世界 (2025) †	$414,992,966
5	驚奇隊長2 (2023)	$206,136,825
6	雷霆特攻隊* (2025) †	$181,591,161

2

蜘蛛人

$11,154,015,981

16

$697,125,999

蜘蛛人：無家日 ($1,922,598,800)

	漫威電影宇宙	$3,936,197,325	3	$1,312,065,775	蜘蛛人：無家日 ($1,922,598,800)
1	蜘蛛人：無家日 (2021)	$1,922,598,800
2	蜘蛛人：離家日 (2019)	$1,132,679,685
3	蜘蛛人：返校日 (2017)	$880,918,840

	雷米系列	$2,511,239,929	3	$837,079,976	蜘蛛人3 ($895,735,062)
1	蜘蛛人3 (2007)	$895,735,062
2	蜘蛛人 (2002)	$825,776,725
3	蜘蛛人2 (2004)	$789,728,142

	索尼影業蜘蛛人宇宙	$2,171,796,794	6	$361,966,132	猛毒 ($856,085,151)
1	猛毒 (2018)	$856,085,151
2	猛毒2：血蜘蛛 (2021)	$506,863,592
3	猛毒最終章：最後一舞 (2024)	$478,899,136
4	魔比斯 (2022)	$167,460,961
5	蜘蛛夫人 (2024)	$100,498,764
6	獵人克萊文 (2024)	$61,989,190

	驚奇蜘蛛人系列	$1,468,416,364	2	$734,208,182	蜘蛛人：驚奇再起 ($758,682,352)
1	蜘蛛人：驚奇再起 (2012)	$758,682,352
2	蜘蛛人驚奇再起2：電光之戰 (2014)	$709,734,012

	蜘蛛宇宙	$1,066,365,569	2	$533,182,785	蜘蛛人：穿越新宇宙 ($690,824,738)
1	蜘蛛人：穿越新宇宙 (2023)	$690,824,738
2	蜘蛛人：新宇宙 (2018)	$375,540,831

3

星際大戰

$10,343,937,416

12

$861,994,785

STAR WARS：原力覺醒 ($2,068,223,624)

天行者傳奇

$8,825,309,378

9

$980,589,931

STAR WARS：原力覺醒 ($2,068,223,624)

	後傳三部曲	$4,474,907,761	3	$1,491,635,920	STAR WARS：原力覺醒 ($2,068,223,624)
1	STAR WARS：原力覺醒 (2015)	$2,068,223,624
2	STAR WARS：最後的絕地武士 (2017)	$1,332,539,889
3	STAR WARS：天行者的崛起 (2019)	$1,074,144,248

	前傳三部曲	$2,544,668,505	3	$848,222,835	星際大戰首部曲：威脅潛伏 ($1,046,515,409)
1	星際大戰首部曲：威脅潛伏 (1999)	$1,046,515,409
2	星際大戰三部曲：西斯大帝的復仇 (2005)	$848,754,768
3	星際大戰二部曲：複製人全面進攻 (2002)	$649,398,328

	正傳三部曲	$1,805,733,112	3	$601,911,037	星際大戰四部曲：曙光乍現 ($775,398,007)
1	星際大戰四部曲：曙光乍現 (1977)	$775,398,007
2	星際大戰五部曲：帝國大反擊 (1980)	$547,969,004
3	星際大戰六部曲：絕地大反攻 (1983)	$482,366,101

	獨立電影	$1,450,345,194	2	$725,172,597	星際大戰外傳：俠盜一號 ($1,057,420,387)
1	星際大戰外傳：俠盜一號 (2016)	$1,057,420,387
2	星際大戰外傳：韓索羅 (2018)	$392,924,807

	星際大戰：複製人之戰 (2008)	$68,282,844

4

魔法世界

$9,656,055,269

11

$877,823,206

哈利波特：死神的聖物Ⅱ ($1,342,139,727)

	哈利波特系列	$7,780,010,016	8	$972,501,252	哈利波特：死神的聖物Ⅱ ($1,342,139,727)
1	哈利波特：死神的聖物Ⅱ (2011)	$1,342,139,727
2	哈利波特：神秘的魔法石 (2001)	$1,009,046,830
3	哈利波特：死神的聖物Ⅰ (2010)	$977,070,383
4	哈利波特：鳳凰會的密令 (2007)	$942,201,710
5	哈利波特：混血王子的背叛 (2009)	$934,483,039
6	哈利波特：火盃的考驗 (2005)	$896,815,106
7	哈利波特：消失的密室 (2002)	$880,684,614
8	哈利波特：阿茲卡班的逃犯 (2004)	$797,568,607

	怪獸系列	$1,876,045,253	3	$625,348,418	怪獸與牠們的產地 ($814,038,508)
1	怪獸與牠們的產地 (2016)	$814,038,508
2	怪獸與葛林戴華德的罪行 (2018)	$654,855,901
3	怪獸與鄧不利多的秘密 (2022)	$407,150,844

5

詹姆士·龐德

$7,836,510,562

27

$290,241,132

007：空降危機 ($1,108,594,137)

Eon系列

$7,634,765,844

25

$305,390,634

007：空降危機 ($1,108,594,137)

	丹尼爾·克雷格系列	$3,969,538,100	5	$793,907,620	007：空降危機 ($1,108,594,137)
1	007：空降危機 (2012)	$1,108,594,137
2	007：惡魔四伏 (2015)	$880,705,312
3	007：生死交戰 (2021)	$774,153,007
4	007首部曲：皇家夜總會 (2006)	$616,505,162
5	007量子危機 (2008)	$589,580,482

	皮爾斯·布洛斯南系列	$1,479,008,618	4	$369,752,155	007：誰與爭鋒 ($431,971,116)
1	007：誰與爭鋒 (2002)	$431,971,116
2	007：縱橫天下 (1999)	$361,832,400
3	黃金眼 (1995)	$352,194,034
4	007：明日帝國 (1997)	$333,011,068

	羅傑·摩爾系列	$1,151,600,000	7	$164,514,286	太空城 ($210,300,000)
1	太空城 (1979)	$210,300,000
2	最高機密 (1981)	$194,900,000
3	海底城 (1977)	$185,400,000
4	八爪女 (1983)	$183,700,000
5	雷霆殺機 (1985)	$152,400,000
6	生死關頭 (1973)	$126,400,000
7	金鎗人 (1974)	$98,500,000

	史恩·康納萊系列	$621,500,000	6	$103,583,333	霹靂彈 ($141,200,000)
1	霹靂彈 (1965)	$141,200,000
2	金手指 (1964)	$124,900,000
3	金剛鑽 (1971)	$116,000,000
4	雷霆谷 (1967)	$101,000,000
5	第七號情報員續集 (1963)	$78,900,000
6	第七號情報員 (1962)	$59,500,000

	提摩西·達頓系列	$347,400,000	2	$173,700,000	黎明生機 ($191,200,000)
1	黎明生機 (1987)	$191,200,000
2	殺人執照 (1989)	$156,200,000

	喬治·拉贊貝系列	$64,600,000	1	$64,600,000	女王密使 ($64,600,000)
1	女王密使 (1969)	$64,600,000

	巡弋飛彈 (1983)	$160,000,000

	007：皇家賭場 (1967)	$41,744,718

6	復仇者聯盟	$7,767,486,137	4	$1,941,871,534	復仇者聯盟：終局之戰 ($2,797,501,328)
1	復仇者聯盟：終局之戰 (2019)	$2,797,501,328
2	復仇者聯盟：無限之戰 (2018)	$2,048,359,754
3	復仇者聯盟 (2012)	$1,518,815,515
4	復仇者聯盟2：奧創紀元 (2015)	$1,402,809,540

7

X戰警

$7,422,190,386

14

$530,156,456

死侍與金鋼狼 ($1,338,073,645)

	正傳系列	$3,059,525,837	7	$437,075,120	X戰警：未來昔日 ($746,045,700)
1	X戰警：未來昔日 (2014)	$746,045,700
2	X戰警：天啟 (2016)	$543,934,105
3	X戰警：最後戰役 (2006)	$460,435,291
4	X戰警2 (2003)	$407,711,549
5	X戰警：第一戰 (2011)	$352,616,690
6	X戰警 (2000)	$296,339,528
7	X戰警：黑鳳凰 (2019)	$252,442,974

	死侍系列	$2,906,582,409	3	$968,860,803	死侍與金鋼狼 ($1,338,073,645)
1	死侍與金鋼狼 (2024)	$1,338,073,645
2	死侍2 (2018)	$785,896,609
3	惡棍英雄：死侍 (2016)	$782,612,155

	金鋼狼系列	$1,406,912,546	3	$468,970,849	羅根 ($619,021,436)
1	羅根 (2017)	$619,021,436
2	金鋼狼：武士之戰 (2013)	$414,828,246
3	X戰警：金鋼狼 (2009)	$373,062,864

	變種人 (2020)	$49,169,594

8

玩命關頭

$7,333,654,169

11

$666,695,834

玩命關頭7 ($1,515,341,399)

	正傳系列	$6,572,921,243	10	$657,292,124	玩命關頭7 ($1,515,341,399)
1	玩命關頭7 (2015)	$1,515,341,399
2	玩命關頭8 (2017)^速8	$1,238,764,765
3	玩命關頭6 (2013)	$788,680,968
4	玩命關頭9 (2021)	$726,229,501
5	玩命關頭X (2023)	$714,567,285
6	玩命關頭5 (2011)	$626,137,675
7	玩命關頭4 (2009)	$360,366,870
8	玩命關頭2：飆風再起 (2003)	$236,350,661
9	玩命關頭 (2001)	$207,517,509
10	玩命關頭3：東京甩尾 (2006)	$158,964,610

	玩命關頭：特別行動 (2019)	$760,732,926

9	DC擴展宇宙^共	$7,191,680,912	15	$479,445,394	水行俠 ($1,148,528,393)
1	水行俠 (2018)	$1,148,528,393
2	蝙蝠俠對超人：正義曙光 (2016)	$873,637,528
3	神力女超人 (2017)	$822,854,286
4	自殺突擊隊 (2016)	$746,846,894
5	超人：鋼鐵英雄 (2013)	$668,045,518
6	正義聯盟 (2017)	$657,926,987
7	水行俠失落王國 (2023)	$434,381,226
8	黑亞當 (2022)	$393,452,111
9	沙贊！ (2019)	$365,971,656
10	閃電俠 (2023)	$271,433,313
11	猛禽小隊：小丑女大解放 (2020)	$205,358,461
12	神力女超人1984 (2020)	$169,601,036
13	自殺突擊隊：集結 (2021)	$168,717,425
14	沙贊！眾神之怒 (2023)	$134,138,006
15	藍甲蟲 (2023)	$130,788,072

10

蝙蝠俠

$7,051,416,471

18

$391,745,360

黑暗騎士：黎明昇起 ($1,081,169,825)

	黑暗騎士三部曲	$2,462,179,755	3	$820,726,585	黑暗騎士：黎明昇起 ($1,081,169,825)
1	黑暗騎士：黎明昇起 (2012)	$1,081,169,825
2	黑暗騎士 (2008)	$1,007,336,937
3	蝙蝠俠：開戰時刻 (2005)	$373,672,993

	小丑系列	$1,281,958,569	2	$640,979,285	小丑 ($1,074,458,282)
1	小丑 (2019)	$1,074,458,282
2	小丑：雙重瘋狂 (2024)	$207,500,287

	伯頓/舒馬赫系列	$1,253,192,682	4	$313,298,171	蝙蝠俠 ($411,556,825)
1	蝙蝠俠 (1989)	$411,556,825
2	蝙蝠俠3 (1995)	$336,567,531
3	蝙蝠俠大顯神威 (1992)	$266,832,411
4	蝙蝠俠與羅賓 (1997)	$238,235,915

	蝙蝠俠對超人：正義曙光 (2016)	$873,637,528

	蝙蝠俠 (2022)	$772,319,315

	樂高蝙蝠俠電影 (2017)	$311,950,384

	貓女 (2004)	$82,102,379

	蝙蝠俠：鬼影之戰 (1993)	$5,617,391

	DC宇宙動畫原創電影	$4,501,125	2	$2,250,563	蝙蝠俠：致命玩笑 ($4,462,034)
1	蝙蝠俠：致命玩笑 (2016)	$4,462,034
2	蝙蝠俠與哈莉奎茵 (2017)	$39,091

	1960年代電視劇	$3,957,343	2	$1,978,672	蝙蝠俠 ($3,900,000)
1	蝙蝠俠 (1966)^*^租	$3,900,000
2	蝙蝠俠：披風戰士歸來 (2016)	$57,343

11

侏羅紀公園

$6,008,970,499

6

$1,001,495,083

侏羅紀世界 ($1,671,537,444)

	侏羅紀世界系列	$3,984,015,461	3	$1,328,005,154	侏羅紀世界 ($1,671,537,444)
1	侏羅紀世界 (2015)	$1,671,537,444
2	侏羅紀世界：殞落國度 (2018)	$1,308,473,425
3	侏羅紀世界：統霸天下 (2022)	$1,004,004,592

	侏羅紀公園三部曲	$2,024,955,038	3	$674,985,013	侏羅紀公園 ($1,037,535,230)
1	侏羅紀公園 (1993)	$1,037,535,230
2	侏羅紀公園：失落的世界 (1997)	$618,638,999
3	侏羅紀公園3 (2001)	$368,780,809

12

中土大陸

$5,978,700,075

8

$747,337,509

魔戒三部曲：王者再臨 ($1,147,997,407)

傑克遜系列

$5,927,770,083

6

$987,961,681

魔戒三部曲：王者再臨 ($1,147,997,407)

	魔戒	$2,995,691,652	3	$998,563,884	魔戒三部曲：王者再臨 ($1,147,997,407)
1	魔戒三部曲：王者再臨 (2003)	$1,147,997,407
2	魔戒二部曲：雙城奇謀 (2002)	$948,945,489
3	魔戒首部曲：魔戒現身 (2001)	$898,748,756

	哈比人	$2,932,078,431	3	$977,359,477	哈比人：意外旅程 ($1,017,030,651)
1	哈比人：意外旅程 (2012)	$1,017,030,651
2	哈比人：荒谷惡龍 (2013)	$959,027,992
3	哈比人：五軍之戰 (2014)	$956,019,788

	魔戒 (1978)	$30,471,420

	魔戒：洛汗人之戰 (2024)	$20,458,572

13

神偷奶爸

$5,619,528,448

6

$936,588,075

小小兵 ($1,159,444,662)

	正傳系列	$3,519,880,021	4	$879,970,005	神偷奶爸3 ($1,034,800,131)
1	神偷奶爸3 (2017)	$1,034,800,131
2	神偷奶爸4 (2024)	$971,030,070
3	神偷奶爸2 (2013)	$970,766,005
4	神偷奶爸 (2010)	$543,283,815

	小小兵系列	$2,099,648,427	2	$1,049,824,214	小小兵 ($1,159,444,662)
1	小小兵 (2015)	$1,159,444,662
2	小小兵2：格魯的崛起 (2022)	$940,203,765

14

變形金剛

$5,423,926,612

9

$602,658,512

變形金剛3 ($1,123,794,079)

	正傳系列	$5,418,066,011	8	$677,258,251	變形金剛3 ($1,123,794,079)
1	變形金剛3 (2011)	$1,123,794,079
2	變形金剛4：絕跡重生 (2014)	$1,104,054,072
3	變形金剛：復仇之戰 (2009)	$836,303,693
4	變形金剛 (2007)	$709,709,780
5	變形金剛5：最終騎士 (2017)	$605,425,157
6	大黃蜂 (2018)	$467,989,645
7	變形金剛：萬獸崛起 (2023)	$441,381,193
8	變形金剛：源起 (2024)	$129,408,392

	變形金剛 (1986)	$5,860,601

15	阿凡達	$5,243,956,307	2	$2,621,978,154	阿凡達 ($2,923,706,026)
1	阿凡達 (2009)	$2,923,706,026
2	阿凡達：水之道 (2022)	$2,320,250,281

16	神鬼奇航	$4,522,015,850	5	$904,403,170	神鬼奇航2：加勒比海盜 ($1,066,179,747)
1	神鬼奇航2：加勒比海盜 (2006)	$1,066,179,747
2	加勒比海盜－神鬼奇航4：幽靈海 (2011)	$1,045,713,802
3	神鬼奇航3：世界的盡頭 (2007)	$960,996,492
4	加勒比海盜神鬼奇航：死無對證 (2017)	$794,861,794
5	神鬼奇航：鬼盜船魔咒 (2003)	$654,264,015

17	不可能的任務	$4,142,271,248	7	$591,753,035	不可能的任務：全面瓦解 ($791,657,398)
1	不可能的任務：全面瓦解 (2018)	$791,657,398
2	不可能的任務：鬼影行動 (2011)	$694,713,380
3	不可能的任務：失控國度 (2015)	$682,716,636
4	不可能的任務：致命清算 (2023)	$570,619,838
5	不可能的任務2 (2000)	$546,388,108
6	不可能的任務 (1996)	$457,696,391
7	不可能的任務3 (2006)	$398,479,497

18

史瑞克

$4,023,149,353

6

$670,524,892

史瑞克2 ($932,530,034)

	正傳系列	$2,982,907,499	4	$745,726,875	史瑞克2 ($932,530,034)
1	史瑞克2 (2004)	$932,530,034
2	史瑞克三世 (2007)	$813,367,380
3	史瑞克快樂4神仙 (2010)	$752,600,867
4	史瑞克 (2001)	$484,409,218

	鞋貓劍客系列	$1,040,241,854	2	$520,120,927	鞋貓劍客 ($554,987,477)
1	鞋貓劍客 (2011)	$554,987,477
2	鞋貓劍客2 (2022)	$485,254,377

19	暮光之城	$3,359,862,915	5	$671,972,583	暮光之城：破曉2 ($829,746,820)
1	暮光之城：破曉2 (2012)	$829,746,820
2	暮光之城：破曉1 (2011)	$712,205,856
3	暮光之城2：新月 (2009)	$709,827,462
4	暮光之城：蝕 (2010)	$698,509,825
5	暮光之城：無懼的愛 (2008)	$407,187,715
6	暮光之城：無懼的愛/暮光之城：蝕兩片聯映 (2010)	$2,385,237

20

獅子王 †

$3,344,672,483

4

$836,168,121

獅子王 (2019) ($1,656,943,394)

	計算機動畫系列 †	$2,373,963,255	2	$1,186,981,628	獅子王 (2019) ($1,656,943,394)
1	獅子王 (2019)	$1,656,943,394
2	獅子王：木法沙 (2024) †	$717,019,861

	傳統動畫系列	$970,709,228	2	$485,354,614	獅子王 (1994) ($970,707,763)
1	獅子王 (1994)	$970,707,763
2	獅子王3：Hakuna Matata (2004)	$1,465

^共某些作品屬於共同世界，但也有自己的獨立系列。

^*僅統計加拿大和美國的收入。

^租發行商租金。

註釋

^ 2015年《007：惡魔四伏》上映之前，以2015年的價格計算，《詹姆士·龐德》系列電影的票房收入約為177億美元^[111]；加上《007：惡魔四伏》和《007：生死交戰》超過16億美元的票房收入，經通貨膨脹調整後，該系列電影至少賺了193億美元。

參考資料

不考慮通貨膨脹的列表

^ ^1.0 ^1.1 ^1.2 ^1.3 Avatar (2009). Box Office Mojo. [2023-02-03]. （原始內容存檔於2021-05-03）.
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^ ^3.0 ^3.1 ^3.2 Avengers:Endgame (2019). Box Office Mojo. [2019-04-26]. （原始內容存檔於2019-06-30）.
^ ^4.0 ^4.1 ^4.2 All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2019-10-23）.
^ ^5.0 ^5.1 Avatar: The Way of Water (2022). Box Office Mojo. [2023-05-28]. （原始內容存檔於2022-12-19）.
^ All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2023-06-07）.
^ ^7.0 ^7.1 ^7.2 Titanic (1997). Box Office Mojo. [2023-05-22]. （原始內容存檔於2019-10-27）.
^ All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2001-07-16）.
^ 票房榜-内地票房. 藝恩娛數. [2025-05-25]. （原始內容存檔於2023-02-07）.
^ Ne Zha 2 (2025) [哪吒2（2025）]. Box Office Mojo. [2025-05-25] （英語）.
^ Ne Zha 2 (哪吒之魔童闹海) (2025). The Numbers. [2025-05-25] （英語）.
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^ ^14.0 ^14.1 Avengers: Infinity War (2018). Box Office Mojo. [2025-02-27]. （原始內容存檔於2019-11-02）.
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^ ^16.0 ^16.1 Spider-Man: No Way Home (2021). Box Office Mojo. [2024-06-28]. （原始內容存檔於2024-08-16）. All Releases: $1,922,598,800; Original Release: $1,912,233,593
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^ ^18.0 ^18.1 Inside Out 2 (2024). Box Office Mojo. [2025-01-14]. （原始內容存檔於2024-08-13）.
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^ Jurassic World (2015). Box Office Mojo. [2025-02-15]. （原始內容存檔於2021-03-08）.
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^ The Lion King. Box Office Mojo. [2025-03-01]. （原始內容存檔於2020-11-25）.
^ The Avengers (2012). Box Office Mojo. [2023-01-18]. （原始內容存檔於2023-01-06）.
^ All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2012-10-01）.
^ Furious 7 (2015). Box Office Mojo. [2025-03-01]. （原始內容存檔於2019-11-02）.
^ All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2015-06-26）.
^ Top Gun: Maverick (2022). Box Office Mojo. [2025-03-01]. （原始內容存檔於2022-06-17）.
^ All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2022-12-29）.
^ Frozen II. Box Office Mojo. [2020-03-26]. （原始內容存檔於2019-08-12）.
^ Top Lifetime Grosses – Worldwide. Box Office Mojo. （原始內容存檔於2020-08-01）.
^ Barbie (2023). Box Office Mojo. [2024-07-01]. （原始內容存檔於2024-11-27）.
^ Harry Potter and the Deathly Hallows Part 2 (2011). Box Office Mojo. [2023-12-14]. （原始內容存檔於2017-06-26）.
^ Avengers:Age of Ultron (2015). Box Office Mojo. [2023-07-31]. （原始內容存檔於2017-03-14）.
^ The Super Mario Bros. Movie (2023). Box Office Mojo. [2024-11-22]. （原始內容存檔於2024-07-01）.
^ Beauty and the Beast (2017). Box Office Mojo. [2025-02-27]. （原始內容存檔於2017-11-03）.
^ Black Panther (2018). Box Office Mojo. [2023-07-09]. （原始內容存檔於2023-05-01）.
^ Deadpool & Wolverine (2024). Box Office Mojo. [2024-12-16]. （原始內容存檔於2022-04-02）.
^ Star Wars:The Last Jedi (2017). Box Office Mojo. [2023-06-19]. （原始內容存檔於2017-12-19）.
^ Jurassic World: Fallen Kingdom (2018). Box Office Mojo. [2018-06-22]. （原始內容存檔於2018-06-07）.
^ Frozen (2013). Box Office Mojo. [2023-12-14]. （原始內容存檔於2014-08-12）.
^ Iron Man 3 (2013). Box Office Mojo. [2013-05-03]. （原始內容存檔於2013-10-28）.
^ Incredibles 2 (2018). Box Office Mojo. [2018-06-15]. （原始內容存檔於2017-08-12）.
^ The Fate of the Furious (2017). Box Office Mojo. [2017-04-14]. （原始內容存檔於2017-06-21）.
^ Minions (2015). Box Office Mojo. [2015-07-10]. （原始內容存檔於2017-02-06）.
^ Captain America: Civil War (2016). Box Office Mojo. [2016-05-06]. （原始內容存檔於2017-02-25）.
^ Aquaman (2018). Box Office Mojo. [2018-12-21]. （原始內容存檔於2018-11-05）.
^ The Lord of the Rings: The Return of the King (2003). Box Office Mojo. [2023-12-14]. （原始內容存檔於2009-02-01）.
^ Spider-Man:Far from Home. Box Office Mojo. [2019-07-02]. （原始內容存檔於2019-06-09）.
^ Captain Marvel (2019). Box Office Mojo. [2019-03-08]. （原始內容存檔於2019-03-20）.
^ Transformers: Dark of the Moon (2011). Box Office Mojo. [2011-06-29]. （原始內容存檔於2012-03-02）.
^ The Dark Knight Rises (2012). Box Office Mojo. [2023-12-14]. （原始內容存檔於2023-09-04）.
^ Skyfall (2012). Box Office Mojo. [2021-08-30]. （原始內容存檔於2022-04-02）.
^ Transformers:Age of Extinction (2014). Box Office Mojo. [2014-06-27]. （原始內容存檔於2014-09-16）.
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- Pre-2022 releases: Jurassic Park (1993). Box Office Mojo. [March 7, 2022]. （原始內容存檔於January 26, 2021）. Worldwide: $1,033,928,303; Original Release: $912,667,947; Production Budget: $63 million
- 2022 re-release: Jurassic Park (2022 Re-release). Box Office Mojo. [July 1, 2022]. （原始內容存檔於2024-12-04）. Mexico: $270,700
- 2023 re-release: Jurassic Park (2023 Re-release). Box Office Mojo. [September 8, 2023]. （原始內容存檔於2023-08-26）. $3,336,227
- As of 2010: Block & Wilson 2010，第756–757頁. "Production Cost: $70.0 (Unadjusted $s in Millions of $s) ... Jurassic Park was a smash at the box office, bringing in $920 million in worldwide box office and spawning two sequels."
^ Krämer, Peter. Women First: Titanic, Action-Adventure Films, and Hollywood's Female Audience. Sandler, Kevin S.; Studlar, Gaylyn (編). Titanic: Anatomy of a Blockbuster. Rutgers University Press. 1999: 108–130. ISBN 978-0-8135-2669-0. On page 130, the list has Jurassic Park at number one with $913 million, followed by The Lion King...
^ Aladdin (2019). Box Office Mojo. [2019-11-02]. （原始內容存檔於2019-06-17）.
^ Joker (2019). Box Office Mojo. [2023-12-14]. （原始內容存檔於2022-04-02）.
^ Star Wars: The Rise Of Skywalker (2019). Box Office Mojo. [2019-12-18]. （原始內容存檔於2022-04-03）.
^ Toy Story 4 (2019). Box Office Mojo. [2019-06-21]. （原始內容存檔於2019-07-02）.
^ Toy Story 3 (2010). Box Office Mojo. [2010-06-18]. （原始內容存檔於2016-08-21）.
^ Pirates of the Caribbean: Dead Man's Chest (2006). Box Office Mojo. [2006-07-07]. （原始內容存檔於2009-02-01）.
^ Moana 2 (2024). Box Office Mojo. [2025-04-29]. （原始內容存檔於2025-02-31）.
^ Rogue One:A Star Wars Story (2016). Box Office Mojo. [2016-12-16]. （原始內容存檔於2017-01-19）.
^ Pirates of the Caribbean: On Stranger Tides (2011). Box Office Mojo. [2011-05-20]. （原始內容存檔於2013-07-09）.
^ ^65.0 ^65.1
Star Wars Episode I: The Phantom Menace
- Total: Star Wars: Episode I – The Phantom Menace (1999). Box Office Mojo. [June 2, 2024]. （原始內容存檔於2011-07-19）. $1,046,515,409
- Original release: Star Wars: Episode I – The Phantom Menace (1999). Box Office Mojo. [November 8, 2012]. （原始內容存檔於July 19, 2011）. $924,317,558
^ Harry Potter and the Deathly Hallows: Part 1 (2010). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Despicable Me 3. Box Office Mojo. [2017-06-30]. （原始內容存檔於2016-03-07）.
^ Finding Dory (2016). Box Office Mojo. [2016-07-17]. （原始內容存檔於2009-02-15）.
^ Harry Potter and the Philosopher's Stone (2001). Box Office Mojo. [2022-07-03]. （原始內容存檔於2022-04-02）.
^ Zootopia (2016). Box Office Mojo. [2016-03-04]. （原始內容存檔於2017-05-28）.
^ Alice in Wonderland (2010). Box Office Mojo. [2010-03-05]. （原始內容存檔於2009-02-18）.
^ The Hobbit: An Unexpected Journey (2012). Box Office Mojo. [2012-12-14]. （原始內容存檔於2012-12-16）.
^ The Dark Knight (2008). Box Office Mojo. [2008-07-18]. （原始內容存檔於2017-02-02）.
^ Harry Potter and the Order of the Phoenix (2007). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Jurassic World Dominion (2022). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Lion King (1994). Box Office Mojo. [2021-08-29]. （原始內容存檔於2022-04-02）.
^ Oppenheimer (2023). Box Office Mojo. [2024-11-22]. （原始內容存檔於2022-04-02）.
^ Despicable Me 2 (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Despicable Me 4 (2024). Box Office Mojo. [2024-12-24]. （原始內容存檔於2022-04-02）.
^ The Jungle Book (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Jumanji: Welcome to the Jungle (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Hobbit: The Battle of the Five Armies (2014). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Pirates of the Caribbean: At World's End (2007). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Hobbit: The Desolation of Smaug (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Doctor Strange in the Multiverse of Madness (2022). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Finding Nemo (2003). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Harry Potter and the Half-Blood Prince (2009). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ A Minecraft Movie (2025). Box Office Mojo. [2025-05-27].
^ Minions: The Rise of Gru (2022). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Lord of the Rings: The Two Towers (2002). Box Office Mojo. [2023-10-22]. （原始內容存檔於2022-04-02）.
^ Shrek 2 (2004). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Bohemian Rhapsody (2018). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Star Wars: Episode III - Revenge of the Sith (2005). Box Office Mojo. [2025-05-04]. （原始內容存檔於2022-04-02）.
^ The Battle at Lake Changjin (2021). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Harry Potter and the Goblet of Fire (2005). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Spider-Man 3 (2007). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Lord of the Rings: The Fellowship of the Ring (2001). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Ice Age: Dawn of the Dinosaurs (2009). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Harry Potter and the Chamber of Secrets (2002). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Spider-Man: Homecoming (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Spectre (2015). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Ice Age: Continental Drift (2012). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Secret Life of Pets (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Batman v Superman: Dawn of Justice (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Wolf Warrior 2 (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Hunger Games: Catching Fire (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Guardians of the Galaxy Vol. 2 (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Black Panther: Wakanda Forever (2022). Box Office Mojo. [2023-05-01]. （原始內容存檔於2022-04-02）.
^ Inside Out (2015). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Venom (2018). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Thor: Ragnarok (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Twilight Saga: Breaking Dawn - Part 2 (2012). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Guardians of the Galaxy Vol. 3 (2023). Box Office Mojo. [2023-09-11]. （原始內容存檔於2022-04-02）.
^ Inception (2010). Box Office Mojo. [2025-05-04]. （原始內容存檔於2022-04-02）.
^ Transformers: Revenge of the Fallen (2009). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Spider-Man (2002). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Mission: Impossible - Fallout (2018). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Wonder Woman (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Hi, Mom (2021). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Independence Day (1996). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Fantastic Beasts and Where to Find Them (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Coco (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Harry Potter and the Prisoner of Azkaban (2004). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Shrek the Third (2007). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Jumanji: The Next Level (2019). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ E.T. the Extra-Terrestrial (1982). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Pirates of the Caribbean: Dead Men Tell No Tales (2017). Box Office Mojo. [2023-08-01]. （原始內容存檔於2022-04-02）.
^ 2012 (2009). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Fast & Furious 6 (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Indiana Jones and the Kingdom of the Crystal Skull (2008). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Deadpool 2 (2018). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Spider-Man 2 (2004). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Deadpool (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Star Wars: Episode IV - A New Hope (1977). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ No Time to Die (2021). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Guardians of the Galaxy (2014). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Batman (2022). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Thor: Love and Thunder (2022). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Fast & Furious Presents: Hobbs & Shaw (2019). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Da Vinci Code (2006). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Maleficent (2014). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Hunger Games: Mockingjay - Part 1 (2014). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Amazing Spider-Man (2012). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Interstellar (2014). Box Office Mojo. [2025-04-16]. （原始內容存檔於2022-04-02）.
^ Wicked. Box Office Mojo. [2025-05-22]. （原始內容存檔於2022-04-02）.
^ Shrek Forever After (2010). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Suicide Squad (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Madagascar 3: Europe's Most Wanted (2012). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ X-Men: Days of Future Past (2014). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Monsters University (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ The Matrix Reloaded (2003). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Up (2009). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ F9: The Fast Saga (2021). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Ne Zha (2019). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Gravity (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.
^ Mufasa: The Lion King. Box Office Mojo. [2025-05-20]. （原始內容存檔於2022-04-02）.
^ The Amazing Spider-Man 2 (2014). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Dune: Part Two (2024). Box Office Mojo. [2024-10-02]. （原始內容存檔於2022-04-02）.
^ Captain America: The Winter Soldier (2014). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ The Twilight Saga: Breaking Dawn - Part 1 (2011). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ The Twilight Saga: New Moon (2009). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Mission: Impossible - Rogue Nation (2015). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Dawn of the Planet of the Apes (2014). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Transformers (2007). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Fast X (2023). Box Office Mojo. [2024-02-01]. （原始內容存檔於2022-04-02）.
^ It (2017). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Mamma Mia! (2008). Box Office Mojo. [2025-05-13]. （原始內容存檔於2022-04-02）.
^ The Wandering Earth (2019). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ The Twilight Saga: Eclipse (2010). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ The Hunger Games (2012). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Mission: Impossible - Ghost Protocol (2011). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Spider-Man: Across the Spider-Verse (2023). Box Office Mojo. [2024-03-20]. （原始內容存檔於2022-04-02）.
^ Detective Chinatown 3 (2021). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Forrest Gump (1994). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Doctor Strange (2016). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ The Sixth Sense (1999). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Man of Steel (2013). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Ice Age: The Meltdown (2006). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Kung Fu Panda 2 (2011). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ The Hunger Games: Mockingjay - Part 2 (2015). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Justice League (2017). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Big Hero 6 (2014). Box Office Mojo. [2024-02-09]. （原始內容存檔於2022-04-02）.
^ Fantastic Beasts: The Crimes of Grindelwald (2018). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Pirates of the Caribbean: The Curse of the Black Pearl (2003). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Men in Black 3 (2012). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Star Wars: Episode II - Attack of the Clones (2002). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Thor: The Dark World (2013). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Moana (2016). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Wonka (2023). Box Office Mojo. [2024-04-05]. （原始內容存檔於2022-04-02）.
^ Sing (2016). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Kung Fu Panda (2008). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ The Incredibles (2004). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ The Martian (2015). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Hancock (2008). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Water Gate Bridge (2022). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Fast Five (2011). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Iron Man 2 (2010). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Ratatouille (2007) Incredibles (2004). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Ant-Man and the Wasp (2018). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ How to Train Your Dragon 2 (2014). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Logan (2017). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ The Lost World: Jurassic Park (1997). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Casino Royale (2006). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ The Passion of the Christ (2004). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.
^ Life of Pi (2012). Box Office Mojo. [2023-01-06]. （原始內容存檔於2025-01-27）.
^ Ready Player One (2018). Box Office Mojo. [2025-01-25]. （原始內容存檔於2025-01-27）.
^ Transformers: The Last Knight (2017). Box Office Mojo. [2025-01-25]. （原始內容存檔於2025-01-27）.
^ Madagascar: Escape 2 Africa (2008). Box Office Mojo. [2025-01-25]. （原始內容存檔於2025-01-27）.
^ War of the Worlds (2005). Box Office Mojo. [2025-01-25]. （原始內容存檔於2025-01-27）.
^ Monaco, James. How to Read a Film:Movies, Media, and Beyond. Oxford University Press. 2009: 262. ISBN 978-0-19-975579-0. The Birth of a Nation, costing an unprecedented and, many believed, thoroughly foolhardy $110,000, eventually returned $20 million and more. The actual figure is hard to calculate because the film was distributed on a "states' rights" basis in which licenses to show the film were sold outright. The actual cash generated by The Birth of a Nation may have been as much as $50 million to $100 million, an almost inconceivable amount for such an early film.
^ ^212.0 ^212.1 Wasko, Janet. D.W. Griffiths and the banks: a case study in film financing. Kerr, Paul (編). The Hollywood Film Industry: A Reader. Routledge. 1986: 34. ISBN 978-0-7100-9730-9. Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.
^ Lang, Robert (編). The Birth of a nation: D.W. Griffith, director. Rutgers University Press. 1994: 30. ISBN 978-0-8135-2027-8. The film eventually cost $110,000 and was twelve reels long.
^
Block & Wilson 2010，第26頁.
- Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."
^ Birchard, Robert S., Intolerance: 45, 2010, Intolerance was the most expensive American film made up until that point, costing a total of $489,653, and its performance at the box ... but it did recoup its cost and end with respectable overall numbers. In: Block & Wilson 2010.
^ Coons, Robin. Hollywood Chatter. The Daytona Beach News-Journal. June 30, 1939: 6.
^ Shipman, David. The great movie stars: the golden years. Crown Publishing Group. 1970: 98. It was a low budgeter—$120,000—but it grossed world-wide over $3 million and made stars of Chaney and his fellow-players, Betty Compson and Thomas Meighan.
^ ^218.0 ^218.1 ^218.2 ^218.3 Biggest Money Pictures. Variety. June 21, 1932: 1 –透過Archive.org. Cited in Biggest Money Pictures. Cinemaweb. [July 14, 2011]. （原始內容存檔於July 8, 2011）.
^ ^219.0 ^219.1
Solomon, Aubrey. The Fox Film Corporation, 1915–1935: A History and Filmography. McFarland & Company. 2011. ISBN 978-0-7864-6286-5.
- Way Down East: p. 52 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."
- What Price Glory?: p. 112 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."
- Cavalcade: p. 170 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."
- State Fair: p. 170 . "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."
^ Hall & Neale 2010，第53頁. "The Four Forsemen of the Apocalypse was to become Metro's most expensive production and one of the decade's biggest box-office hits. Its production costs have been estimated at "something between $600,000 and $800,000." Variety estimated its worldwide gross at $4 million in 1925 and at $5 million in 1944; in 1991, it estimated its cumulative domestic rentals at $3,800,000."
^ Brownlow, Kevin. The parade's gone by ... University of California Press. 1968: 255. ISBN 978-0-520-03068-8. The negative cost was about $986,000, which did not include Fairbanks' own salary. Once the exploitation and release prints were taken into account, Robin Hood cost about $1,400,000—exceeding both Intolerance ($700,000) and the celebrated "million dollar movie" Foolish Wives. But it earned $2,500,000.
^ Vance, Jeffrey. Douglas Fairbanks. University of California Press. 2008: 146. ISBN 978-0-520-25667-5. The film had a production cost of $930,042.78—more than the cost of D.W. Griffith's Intolerance and nearly as much as Erich von Stroheim's Foolish Wives (1922).
^ ^223.0 ^223.1 Business: Film Exports. Time. July 6, 1925 [July 12, 2011]. （原始內容存檔於November 5, 2010）.
^ ^224.0 ^224.1 ^224.2 ^224.3 ^224.4
Birchard, Robert S. Cecil B. DeMille's Hollywood. University Press of Kentucky. 2009. ISBN 978-0-8131-3829-9.
- ch. 45. The Ten Commandments (1923). "Cost: $1,475,836.93; Gross: $4,169,798.38"
- ch. 56. The Sign of the Cross 網際網路檔案館的存檔，存檔日期April 3, 2023，.. "Cost: $694,064.67; Gross: $2,738,993.35 (to 1937)"
- ch. 68. Samson and Delilah 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Cost: $3,097,563.05"
- ch. 69. The Greatest Show on Earth 網際網路檔案館的存檔，存檔日期April 3, 2023，.. "Cost: $3,873,946.50; Gross receipts: $15,797,396.36 (to December 29, 1962)"
- ch. 70. The Ten Commandments (1956). "Cost: $13,272,381.87; Gross receipts: $90,066,230.00 (to June 23, 1979)"
^ May, Richard P., Restoring The Big Parade, The Moving Image, Fall 2005, 5 (2): 140–146, ISSN 1532-3978, S2CID 192076406, doi:10.1353/mov.2005.0033, ...earning somewhere between $18 and $22 million, depending on the figures consulted
^ Robertson, Patrick. Guinness Book of Movie Facts and Feats 4. Abbeville Publishing Group. 1991: 30. ISBN 978-1-55859-236-0. The top grossing silent film was King Vidor's The Big Parade (US 25), with worldwide rentals of $22 million.
^ Hall & Neale 2010，第58–59頁. "Even then, at a time when the budget for a feature averaged at around $300,000, no more than $382,000 was spent on production...According to the Eddie Mannix Ledger at MGM, it grossed $4,990,000 domestically and $1,141,000 abroad."
^ Ben-Hur (1925) – Notes. Turner Classic Movies. [December 19, 2017]. （原始內容存檔於July 24, 2019）.
^ Hall & Neale 2010，第163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era. (At a negative cost of $3,967,000, it was also the most expensive.)"頁
^ Miller, Frank. For Heaven's Sake (1926) – Articles. Turner Classic Movies. [January 15, 2012]. （原始內容存檔於July 24, 2019）.
^ Finler 2003，第188頁. "At a cost of $2 million Wings was the studio's most expensive movie of the decade, and though it did well it was not good enough to earn a profit."
^ ^232.0 ^232.1
The Jazz Singer and The Singing Fool
- Block, Hayley Taylor, The Jazz Singer: 113, 2010, The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s. In: Block & Wilson 2010.
^ Crafton, Donald. The Talkies: American Cinema's Transition to Sound, 1926–1931. University of California Press. 1999: 549–552. ISBN 978-0-520-22128-4. The Singing Fool: Negative Cost ($1000s): 388
^ Birchard, Robert S., The Broadway Melody: 121, 2010, It earned $4.4 million in worldwide rentals and was the first movie to spawn sequels (there were several until 1940). In: Block & Wilson 2010.
^
Bradley, Edwin M. The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 Through 1932. McFarland & Company. 2004 [1st. pub. 1996]. ISBN 978-0-7864-2029-2.
- The Singing Fool: p. 12 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."
- The Broadway Melody: p. 24 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."
- Gold Diggers of Broadway: p. 58 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."
^ ^236.0 ^236.1 ^236.2
Solomon, Aubrey. Twentieth Century-Fox: a corporate and financial history. Filmmakers series 20. Rowman & Littlefield. 2002 [First published 1988]. ISBN 978-0-8108-4244-1.
- Sunny Side Up: p. 10 網際網路檔案館的存檔，存檔日期February 10, 2024，.. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."
- Forever Amber: p. 66 網際網路檔案館的存檔，存檔日期November 7, 2023，.. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."
- The French Connection
p. 167 網際網路檔案館的存檔，存檔日期November 7, 2023，.. "The Planet of the Apes motion pictures were all moneymakers and Zanuck's record would have immediately improved had he stayed through the release of The French Connection, which took in rentals of approximately $75 million worldwide."

p. 256 網際網路檔案館的存檔，存檔日期November 7, 2023，.. "$3,300,00".
^ Block & Wilson 2010，第46頁. "Production Cost: $0.6 (Unadjusted $s in Millions of $s)."
^ Cormack, Mike. Ideology and Cinematography in Hollywood, 1930–1939. Palgrave Macmillan. 1993: 28. ISBN 978-0-312-10067-4. Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.
^ ^239.0 ^239.1
Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. 5 of History of the American Cinema. University of California Press. 1996. ISBN 978-0-520-20334-1.
- Cavalcade: p. 182 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."
- Whoopee: p. 212 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."
^
Hell's Angels
- Balio, Tino. United Artists: The Company Built by the Stars. University of Wisconsin Press. 1976: 110. Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.
^ Feaster, Felicia. Frankenstein (1931). Turner Classic Movies. [July 4, 2011]. （原始內容存檔於December 21, 2014）.
^ Block & Wilson 2010，第163頁. "It drew $1.4 million in worldwide rentals in its first run versus $1.2 million for Dracula, which had opened in February 1931."
^ Vance, Jeffrey. Chaplin: genius of the cinema. Abrams Books. 2003: 208. Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.
^ Ramsaye, Terry (編). The All-Time Best Sellers – Motion Pictures. International Motion Picture Almanac 1937–38. 1937: 942–943. Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)
^ ^245.0 ^245.1 ^245.2 ^245.3
Sedgwick, John. Popular Filmgoing In 1930s Britain: A Choice of Pleasures. University of Exeter Press. 2000: 146–148. ISBN 978-0-85989-660-3. Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...
- Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; U.S. box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.
- The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; U.S. box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.
- Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; U.S. box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.
- Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; U.S. box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.
- San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; U.S. box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.
^
Shanghai Express
- Block & Wilson 2010，第165頁. "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."
^
King Kong
- Jewel, Richard. RKO Film Grosses: 1931–1951. Historical Journal of Film, Radio and Television. 1994, 14 (1): 39. 1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000
- King Kong (1933) – Notes. Turner Classic Movies. [January 7, 2012]. （原始內容存檔於November 17, 2015）. 1952 release: $2,500,000; budget: $672,254.75
^ I'm No Angel (1933) – Notes. Turner Classic Movies. [January 7, 2012]. （原始內容存檔於December 17, 2019）. According to a modern source, it had a gross earning of $2,250,000 on the North American continent, with over a million more earned internationally.
^ Finler 2003，第188頁. "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..."
^ Block, Alex Ben, She Done Him Wrong: 173, 2010, The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal. In: Block & Wilson 2010.
^ Phillips, Kendall R. Controversial Cinema: The Films That Outraged America. ABC-CLIO. 2008: 26. ISBN 978-1-56720-724-8. The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.
^ Block & Wilson 2010，第135頁. "Total production cost: $274,076 (Unadjusted $s)."
^ ^253.0 ^253.1
Turk, Edward Baron. Hollywood Diva: A Biography of Jeanette MacDonald. University of California Press. 2000 [1st. pub. 1998]. ISBN 978-0-520-22253-3.
- The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.
- San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]
^ Wall St. Researchers' Cheery Tone. Variety. November 7, 1962: 7.
^ Dick, Bernard F. Claudette Colbert: She Walked in Beauty. University Press of Mississippi. 2008: 79. ISBN 978-1-60473-087-6. Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.
^
Snow White and the Seven Dwarfs
- Monaco, Paul. A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. Scarecrow Press. 2010: 54. ISBN 978-0-8108-7434-3. Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.
- Wilhelm, Henry Gilmer; Brower, Carol. The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. 1993: 359. ISBN 978-0-911515-00-8. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!
- Snow White and the Seven Dwarfs (1987 Re-issue). Boxoffice. [May 29, 2016]. （原始內容存檔於January 8, 2019）. North American box-office: $46,594,719
- Snow White and the Seven Dwarfs (1993 Re-issue). Boxoffice. [May 29, 2016]. （原始內容存檔於December 25, 2018）. North American box-office: $41,634,791
^ ^257.0 ^257.1
Snow White and the Seven Dwarfs and Pinocchio
- Block & Wilson 2010
p. 207 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "When the budget rose from $250,000 to $1,488,423 he even mortgaged his own home and automobile. Disney had bet more than his company on the success of Snow White."

p. 237 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".

p. 255 網際網路檔案館的存檔，存檔日期April 3, 2023，.. "On its initial release Pinocchio brought in only $1.6 million in domestic rentals (compared with Snow White's $4.2 million) and $1.9 million in foreign rentals (compared with Snow White's $4.3 million)."
^
1938
- You Can't Take It with You:You Can't Take It With You Premieres. Focus Features. （原始內容存檔於September 13, 2012）. You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.
- Boys Town: Block, Alex Ben, Boys Town: 215, 2010, The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million. In: Block & Wilson 2010.
- The Adventures of Robin Hood: Glancy, H. Mark. Warner Bros Film Grosses, 1921–51: the William Schaefer ledger. Historical Journal of Film, Radio and Television. 1995, 1 (15): 55–60. ISSN 0143-9685. doi:10.1080/01439689500260031. $3.981 million.
- Alexander's Ragtime Band: Block, Hayley Taylor, Alexander's Ragtime Band: 213, 2010, Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million. In: Block & Wilson 2010.
^ Chartier, Roy. You Can't Take It With You. Variety. September 6, 1938 [September 13, 2011]. （原始內容存檔於September 13, 2012）.
^ Gone with the Wind. The Numbers. Nash Information Services. LLC. [February 8, 2013]. （原始內容存檔於February 1, 2013）.
^ Gone with the Wind. Boxoffice. [May 29, 2016]. （原始內容存檔於December 25, 2018）.
^ Gone with the Wind (1939). Box Office Mojo. [October 1, 2024]. （原始內容存檔於2025-02-11）.
^ Hall & Neale 2010，第283頁 ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million."
^ Pinocchio (1940). Boxoffice. [May 29, 2016]. （原始內容存檔於May 30, 2016）.
^ Barrier, Michael. Hollywood Cartoons: American Animation in Its Golden Age. New York: Oxford University Press. 2003: 266. ISBN 978-0-19-983922-3. The film's negative cost was $2.6 million, more than $1 million higher than Snow White's.
^ Schatz, Thomas. Boom and Bust: American Cinema in the 1940s. 6 of History of the American Cinema. University of California Press. 1999: 466 [1st. pub. 1997]. ISBN 978-0-520-22130-7. Boom Town ($4.6 million).
^ Block & Wilson 2010，第258–259頁. "Production Cost: $2.1 (Unadjusted $s in Millions of $s) ... Boom Town was the biggest moneymaker of 1940 and one of the top films of the decade."
^ Block & Wilson 2010，第267頁. "With worldwide rentals of $7.8 million in its initial release, the movie made a net profit of over $3 million."
^ Finler 2003，第301頁. "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund."
^ Bambi. Boxoffice. [May 29, 2016]. （原始內容存檔於May 30, 2016）.
^ Block & Wilson 2010，第281頁. "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost."
^ ^272.0 ^272.1 ^272.2 ^272.3
Block & Wilson 2010，第712–713頁.
- Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"
- 101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"
- The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"
- Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"
^ Glancy, Mark. When Hollywood Loved Britain: The Hollywood 'British' Film 1939–1945. Manchester University Press. 1999: 94–95. ISBN 978-0-7190-4853-1. Mrs Miniver was a phenomenon. It was the most popular film of the year (from any studio) in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the 1941–42 season. The production cost ($1,344,000) was one of the highest of the season, indicating the studio never thought of the film as a potential loss-maker. When the film earned a worldwide gross of $8,878,000, MGM had the highest profit ($4,831,000) in its history. Random Harvest nearly matched the success of Mrs Miniver with worldwide earnings of $8,147,000 yielding the second-highest profit in MGM's history ($4,384,000). Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.
^
Block & Wilson 2010
- Mrs. Miniver: Burns, Douglas, Mrs. Miniver: 279, 2010, Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.
- Yankee Doodle Dandy: p. 275 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."
^ McAdams, Frank, For Whom the Bell Tolls: 287, 2010, Despite the early furor over the novel being "pro-red and immoral," the film opened to strong and favorable reviews and brought in $11 million in worldwide rentals in its initial release. In: Block & Wilson 2010.
^ For Whom the Bell Tolls (1943) – Notes. Turner Classic Movies. [June 24, 2012]. （原始內容存檔於July 24, 2019）.
^ ^277.0 ^277.1 A Guy Named Joe (1944) – Notes. Turner Classic Movies. [August 29, 2012]. （原始內容存檔於December 17, 2019）. According to M-G-M studio records at the AMPAS Library, the film had a negative cost of $2,627,000 and took in $5,363,000 at the box office. When the picture was re-issued for the 1955–56 season, it took in an additional $150,000.
^ Bergreen, Laurence. Irving Berlin: This Is the Army. Prologue. Summer 1996, 28 (2). Part 3 [August 22, 2012]. （原始內容存檔於August 11, 2019）.
^ This Is the Army (1943) – Notes. Turner Classic Movies. [July 9, 2011]. （原始內容存檔於July 15, 2015）.
^ ^280.0 ^280.1 ^280.2 ^280.3 ^280.4 ^280.5 ^280.6 Finler 2003，第356–363頁
^ Block & Wilson 2010，第420頁. "(Unadjusted $s) in Millions of $s – Production Cost: $1.0"
^ ^282.0 ^282.1
Block & Wilson 2010，第232頁.
- Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"
- Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"
- Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"
^ Schaefer, Eric. "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919–1959. Duke University Press. 1999: 197–199. ISBN 978-0-8223-2374-7. Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.
^
Block & Wilson 2010
- p. 296 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"
- Wasson, Sam, The Bells of St. Mary's: 297, 2010, This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.
^ Song of the South. The Numbers. Nash Information Services. LLC. [July 10, 2011]. （原始內容存檔於September 3, 2011）.
^ Gabler, Neal. Walt Disney: the biography. Aurum Press. 2007: 438. Still, the film wound up grossing $3.3 million...
^ Song of the South (1946) – Notes. Turner Classic Movies. [July 25, 2012]. （原始內容存檔於July 24, 2019）.
^
Hall & Neale 2010
- p. 132 網際網路檔案館的存檔，存檔日期April 3, 2023，.."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."
- p. 286 網際網路檔案館的存檔，存檔日期April 3, 2023，. (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."
^ Burns, Douglas, The Best years of Our Lives: 301, 2010, The film made a $5 million profit on worldwide rentals of $14.8 million. In: Block & Wilson 2010.
^ ^290.0 ^290.1 Hall & Neale 2010，第285 (note 6.56)頁. "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)."
^ Chopra-Gant, Mike. Hollywood Genres and Post-war America: Masculinity, Family and Nation in Popular Movies and Film Noir. I.B. Tauris. 2006: 18. ISBN 978-1-85043-815-1. Forever Amber: $8 million; Unconquered: $7.5 million; Life with Father: $6.25 million
^ Unconquered (1947) – Notes. Turner Classic Movies. [January 10, 2012]. （原始內容存檔於July 15, 2015）.
^ Miller, Frank. Easter Parade (1948) – Articles. Turner Classic Movies. [July 19, 2012]. （原始內容存檔於July 24, 2019）.
^ Street, Sarah. Transatlantic Crossings: British Feature Films in the United States. Continuum International Publishing Group. 2002: 110. ISBN 978-0-8264-1395-6. Although both films had higher than average budgets (The Red Shoes cost £505,581 and Hamlet cost £572,530, while the average cost of the other thirty films for which Rank supplied information was £233,000), they resulted in high takings at home and abroad.
^ Officer, Lawrence H. Dollar-Pound Exchange Rate From 1791. MeasuringWorth. 2011 [November 18, 2012]. （原始內容存檔於November 18, 2012）. 1947–1948: $4.03 (per British pound)
^ The Snake Pit. The Numbers. Nash Information Services. LLC. （原始內容存檔於December 28, 2011）.
^ 'Snake Pit' Seen No Problem After All. Variety. January 19, 1949: 7.
^ ^298.0 ^298.1
Hall & Neale 2010，第136–139頁
- Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."
- Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."
^ Cinderella (1950). The Numbers. Nash Information Services. [January 2, 2017]. （原始內容存檔於June 5, 2019）.
^ Eisner, Michael D.; Schwartz, Tony. Work in Progress. Pennsylvania State University. 2009: 178. ISBN 978-0-7868-8507-7. Cinderella revived its fortunes. Re-released in February 1950, it cost nearly $3 million to make but earned more than $20 million worldwide.
^ Barrier, Michael. Hollywood Cartoons: American Animation in Its Golden Age. Oxford University Press. 2003: 401. ISBN 978-0-19-516729-0. It cost around $2.2 million, little more than each of the two package features, Melody Time and The Adventures of Ichabod and Mr. Toad (as Tluo Fabulous Characters had ultimately been named), that just preceded it, but its gross rentals—an amount shared by Disney and RKO—were $7.8 million, almost twice as much as the two package features combined.
^ The E. J. Mannix ledger. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences: Howard Strickling Collection. 1962.
^ ^303.0 ^303.1
Lev, Peter. Transforming the Screen, 1950–1959. 7 of History of the American Cinema. University of California Press. 2006. ISBN 978-0-520-24966-0.
- Quo Vadis: p. 15 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."
- Rear Window: pp. 203 網際網路檔案館的存檔，存檔日期April 4, 2023，.–204 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."
^ ^304.0 ^304.1
Block & Wilson 2010，第335頁.
- The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."
- Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."
^ Mulligan, Hugh A. Cinerama Pushing Ahead As Biggest Money-Maker. The Register-Guard (Eugene, Oregon). September 23, 1956: 7B.
^ Zone, Ray. 3-D Revolution: The History of Modern Stereoscopic Cinema. University Press of Kentucky. 2012: 71. ISBN 978-0-8131-3611-0. Produced at a cost of $1 million, This is Cinerama ran 122 weeks, earning $4.7 million in its initial New York run alone and eventually grossed over $32 million. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. The first five Cinerama feature-length travelogues, though they only played in twenty-two theaters, pulled in a combined gross of $82 million.
^ Burns, Douglas, The Greatest Show on Earth: 354–355, 2010, By May 1953, Variety was reporting that the Best Picture winner had amassed $18.35 million in worldwide rentals. In: Block & Wilson 2010.
^ The Greatest Show on Earth (1952) – Notes. Turner Classic Movies. [January 8, 2012]. （原始內容存檔於July 14, 2015）.
^ Peter Pan (1953) – Notes. Turner Classic Movies. [July 24, 2011]. （原始內容存檔於September 3, 2015）.
^ Top Grossers of 1953. Variety. January 13, 1954: 10 [September 12, 2019].
^ Hall & Neale 2010，第147–148頁. "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart."
^ Block & Wilson 2010，第367頁. "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million."
^ Rear Window. Boxoffice. [May 29, 2016]. （原始內容存檔於May 30, 2016）.
^ White Christmas. Boxoffice. [May 29, 2016]. （原始內容存檔於May 30, 2016）.
^ Block & Wilson 2010，第420頁. "Domestic Box Office: $19.6 million; Production Cost: $3.8 million."
^ Hall & Neale 2010，第149頁. "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million."
^ 20000 Leagues Under The Sea. Boxoffice. [May 29, 2016]. （原始內容存檔於December 25, 2018）.
^ Miller, John M. 20,000 Leagues Under the Sea (1954) – Articles. Turner Classic Movies. [January 9, 2012]. （原始內容存檔於December 21, 2014）.
^ Finler 2003，第320頁. "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million."
^ ^320.0 ^320.1 ^320.2 D'Alessandro, Anthony. Disney Animated Features at the Worldwide Box Office. Variety. October 27, 2003 [July 4, 2022]. （原始內容存檔於November 4, 2020） –透過The Free Library. The Jungle Book $378 million; One Hundred and One Dalmatians $303 million; Lady and the Tramp $187 million
^ Lady and the Tramp (1955) – Notes. Turner Classic Movies. [July 27, 2011]. （原始內容存檔於September 28, 2015）.
^ Minego, Pete. Pete's Pungent Patter. Portsmouth Daily Times (Portsmouth, Ohio). May 21, 1956: 19.
^ Cinerama Holiday (1955) – Notes. Turner Classic Movies. [July 7, 2012]. （原始內容存檔於July 24, 2019）.
^
Block & Wilson 2010
- p. 382 網際網路檔案館的存檔，存檔日期April 3, 2023，.. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"
- Burns, Douglas, Mister Roberts: 383, 2010, Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.
^ Block & Wilson 2010，第327頁. "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)."
^ ^326.0 ^326.1
Hall & Neale 2010，第159–161頁
- The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."
- The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."
^ Hall & Neale 2010，第153頁. "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million."
^ Ross, Steven J. Hollywood Left and Right: How Movie Stars Shaped American Politics. Oxford University Press. 2011: 278–279. ISBN 978-0-19-991143-1. Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.
^ Block & Wilson 2010，第324頁. "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)"
^ Reid, John Howard. America's Best, Britain's Finest: A Survey of Mixed Movies. 14 of Hollywood classics. Lulu. 2006: 243–245. ISBN 978-1-4116-7877-4. Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million.
^ Webster, Patrick. Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. McFarland & Company. 2010: 298 (note 2.23). ISBN 978-0-7864-5916-2. Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.
^ ^332.0 ^332.1
Hall & Neale 2010，第179頁.
- Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."
- The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."
^ Nixon, Rob. Psycho (1960) – Articles. Turner Classic Movies. [January 9, 2012]. （原始內容存檔於September 12, 2015）.
^ Tube. One Hundred and One Dalmatians. Daily Variety. January 18, 1961 [August 23, 2011]. （原始內容存檔於November 9, 2012）.
^ Block, Hayley Taylor, West Side Story: 449, 2010, With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars). In: Block & Wilson 2010.
^ ^336.0 ^336.1 ^336.2 ^336.3 ^336.4 ^336.5 ^336.6
Block & Wilson 2010，第434頁.
- The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."
- The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."
- 2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."
- Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."
- West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."
- The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."
- Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."
^
Lawrence of Arabia
- 1962 release: Lawrence of Arabia. The Numbers. Nash Information Services. LLC. [August 15, 2011]. （原始內容存檔於March 16, 2012）. Worldwide Box Office: $69,995,385; International Box Office: $32,500,000
- U.S. total (including reissues): Lawrence of Arabia. Boxoffice. [May 29, 2016]. （原始內容存檔於August 10, 2014）. $44,824,852
^ ^338.0 ^338.1 ^338.2
Hall & Neale 2010，第165–166頁
- Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70 mm roadshows in selected territories only."
- The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."
- Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."
^ Hall & Neale 2010，第164頁. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability."
^ ^340.0 ^340.1 ^340.2 ^340.3
Block & Wilson 2010，第428–429頁
- From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"
- Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"
- Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"
- Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"
^ ^341.0 ^341.1
Chapman, James. Licence to thrill: a cultural history of the James Bond films. I.B. Tauris. 2007. ISBN 978-1-84511-515-9.
- From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"
- Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million..."^{[頁碼請求]}
- Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"
^ ^342.0 ^342.1
Balio, Tino. United Artists, Volume 2, 1951–1978: the Company that Changed the Film Industry. University of Wisconsin Press. 2009: 261. ISBN 978-0-299-23014-2.
- From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"
- Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"
^ ^343.0 ^343.1
Hall & Neale 2010，第184頁
- My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."
- Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."
^ Burns, Douglas, Mary Poppins: 469, 2010, In its initial run, Poppins garnered an astounding $44 million in worldwide rentals and became the company's first Best Picture Oscar contender. In: Block & Wilson 2010.
^ The Sound of Music. Boxoffice. [May 29, 2016]. （原始內容存檔於December 25, 2018）.
^ Silverman, Stephen M. The Fox that got Away: The Last Days of the Zanuck Dynasty at Twentieth Century-Fox. Secaucus, N.J.: L. Stuart. 1988: 325. ISBN 978-0-8184-0485-6.
^ Hawaii. The Numbers. Nash Information Services. LLC. [August 18, 2011]. （原始內容存檔於March 16, 2012）.
^ Who's Afraid of Virginia Wolf? (1966). The Numbers. Nash Information Services. LLC. [February 3, 2020]. （原始內容存檔於November 12, 2019）.
^ Hall & Neale 2010，第188頁. "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virginia Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)."
^ Animals Portray Parts in Disney's "Robin Hood". Toledo Blade. October 18, 1970. Sec. G, p. 7. "The Jungle Book," in it's（原文如此） initial world-wide release, has grossed $23.8 million to date...
^ Murphy, A.D. The Jungle Book. Variety. October 4, 1967: 6 [March 14, 2018]. （原始內容存檔於March 15, 2018）. It was filmed at a declared cost of $4 million over a 42-month period.
^ ^352.0 ^352.1
Denisoff, R. Serge; Romanowski, William D. Risky Business: Rock in Film. Transaction Publishers. 1991. ISBN 978-0-88738-843-9.
- The Graduate: p. 167 網際網路檔案館的存檔，存檔日期June 5, 2019，.. "World net rental was estimated at more than $85 million by January 1971."
- Grease: p. 236 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."
^ ^353.0 ^353.1
Hall & Neale 2010，第191–192頁
- The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."
- Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."
^
2001: A Space Odyssey
- Total: Miller, Frank. 2001: A Space Odyssey (1968) – Articles. Turner Classic Movies. [August 24, 2011]. （原始內容存檔於February 12, 2012）. 2001: A Space Odyssey made $15 million on its initial U.S. release, and currently shows a worldwide gross of over $190 million.
- As of 2006: Palmer, R. Barton. 2001: The Critical Reception and the Generation Gap. Kolker, Robert Phillip (編). Stanley Kubrick's 2001: a Space Odyssey: New Essays. Oxford University Press. 2006: 16. ISBN 978-0-19-517452-6. With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.
- 2013 re-release: 2001: A Space Odyssey (2013 re-release). Box Office Mojo. [September 26, 2018]. （原始內容存檔於June 15, 2019）. Domestic Total Gross: $214,618; United Kingdom: $568,997
- 2014 re-release: 2001: A Space Odyssey (2014 re-release). Box Office Mojo. [September 26, 2018]. （原始內容存檔於June 5, 2019）. Domestic Total Gross: $135,370
- 2018 re-release: 2001: A Space Odyssey (2018 re-release). Box Office Mojo. [September 26, 2018]. （原始內容存檔於June 15, 2019）. Domestic Total Gross: $1,283,820; Australia: $192,457; Greece: $27,510; Netherlands: $159,068; New Zealand: $5,046; Russia: $155,841; United Kingdom: $296,525
^ Haber, Joyces. 'Funny Girl' a Box Office Winner. Los Angeles Times. March 27, 1969 [March 29, 2012]. （原始內容存檔於July 24, 2012）. ..."Funny Girl" will gross an estimated $80 to $100 million worldwide.
^ Welles, Chris. Behind the Silence at Columbia Pictures—No Moguls, No Minions, Just Profits. New York 3 (36). September 7, 1970: 42–47. While Columbia, battling Ray Stark over every dollar, did Funny Girl for around $8.8 million, a million or so over budget, Fox spent nearly $24 million on Hello, Dolly!, more than twice the initial budget, and the film will thus have to gross three times as much to break even.
^ D'Alessandro, Anthony. Top 50 worldwide grossers. Variety. July 15, 2002: 52, Paramount at 90 supplement.
^ 'Love Story' II: Ryan Redux?. New York. Vol. 9. 1976: 389. Bring those handkerchiefs out of retirement. ... After all, the first movie made around $80 million worldwide.
^ Block, Hayley Taylor, Love Story: 545, 2010, The final cost came in at $2,260,000. In: Block & Wilson 2010.
^ Block & Wilson 2010，第549頁. "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals."
^ ^361.0 ^361.1 ^361.2 ^361.3 ^361.4 ^361.5
Block & Wilson 2010，第527頁.
- Star Wars: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."
- The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."
- Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."
- Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."
^
The Godfather
- 1991: Von Gunden, Kenneth. Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. McFarland & Company. 1991: 36. ISBN 978-0-89950-618-0. Since The Godfather had earned over $85 million in U.S.-Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).
- Releases: The Godfather (1972). Box Office Mojo. [January 22, 2020]. （原始內容存檔於February 6, 2020）. Original release: $243,862,778; 1997 re-release: $1,267,490; 2009 re-release: $121,323; 2011 re-release: $818,333; 2014 re-release: $29,349; 2018 re-release: $21,701; Budget: $6,000,000
^ Jacobs, Diane. Hollywood Renaissance. Dell Publishing. 1980: 115. ISBN 978-0-440-53382-5. The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales.
^ The Godfather (1972) – Notes. Turner Classic Movies. [January 23, 2020]. （原始內容存檔於June 15, 2020）.
^ The Exorcist (1973). Box Office Mojo. [September 5, 2024]. （原始內容存檔於November 1, 2023）.
^ Stanley, Robert Henry; Steinberg, Charles Side. The media environment: mass communications in American society. Hastings House. 1976: 76. ISBN 978-0-8038-4681-4. ...further reflected by the phenomenal successes of The Sting, Chinatown and The Exorcist. The latter film, which cost about $10 million to produce, has grossed over $110 million worldwide.
^ Big Rental Films of 1974. Variety. January 8, 1975: 24 [July 4, 2022] –透過Archive.org. U.S-Canada market only $66,300,000
^ ^368.0 ^368.1 Pollock, Dale. WB Adds To Its Record Collection. Daily Variety. May 9, 1979: 1. "Towering Inferno" did $56,000,000 overseas in billings while "The Exorcist" totted up $46,000,000
^ New York 8, 1975, ...Jaws should outstrip another MCA hit, The Sting, which had world-wide revenues of $115 million. (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)
^ Block & Wilson 2010，第560頁. "Production Cost: $5.5 (Unadjusted $s in Millions of $s)."
^ It Towers $203,336,412 (advertisement). Variety. June 2, 1976: 8–9 [October 31, 2020]. （原始內容存檔於January 8, 2023）.
^ Hall & Neale 2010，第206–208頁. "The most successful entry in the disaster cycle was the $15 million The Towering Inferno which earned over $48,650,000 in domestic rentals and about $40 million foreign."
^ Klady, Leonard. All-Time Top Film Rentals. Variety. 1998. （原始內容存檔於October 7, 1999）. Domestic rentals: $48,838,000
^ Block & Wilson 2010，第568頁. "Production Cost: $14.3 (Unadjusted $s in Millions of $s)."
^ Jaws (1975). Box Office Mojo. [January 4, 2024]. （原始內容存檔於April 2, 2020）.
^ Priggé, Steven. Movie Moguls Speak: Interviews With Top Film Producers. McFarland & Company. 2004: 8. ISBN 978-0-7864-1929-6. The budget for the first Jaws was $4 million and the picture wound up costing $9 million.
^ Rocky (1976) at The Numbers. Nash Information Services, LLC. Retrieved October 2, 2023.
^ Hall & Neale 2010，第214頁. "Rocky was the "sleeper of the decade". Produced by UA and costing just under $1 million, it went on to earn a box-office gross of $117,235,247 in the United States and $225 million worldwide."
^ Block, Alex Ben, Rocky: 583, 2010, The budget was $1,075,000 plus producer's fees of $100,000. In: Block & Wilson 2010.
^ Star Wars (1977). Box Office Mojo. [October 1, 2023]. （原始內容存檔於March 5, 2023）.
^ ^381.0 ^381.1 ^381.2 ^381.3 Wuntch, Philip. Return of E.T.. The Dallas Morning News. July 19, 1985 [March 6, 2012]. （原始內容存檔於May 17, 2013）. Its worldwide box-office gross was $619 million, toppling the record of $530 million set by Star Wars.
^ Hall & Neale 2010，第218頁. "Eventually costing $11,293,151, Star Wars was previewed at the Northpoint Theatre in San Francisco on May 1, 1977."
^ Grease (1978). Box Office Mojo. [May 14, 2023]. （原始內容存檔於May 22, 2023）.
^ Hofler, Robert. Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'N' Roll Starring the Fabulous Allan Carr. ReadHowYouWant.com. 2010: 145. ISBN 978-1-4596-0007-2. Despite the fact that Grease was well on its way to becoming the highest-grossing movie musical in the world, and eventually grossed over $341 million...
^ Moonraker (1979). Box Office Mojo. [October 2, 2023]. （原始內容存檔於January 31, 2023）.
^ ^386.0 ^386.1
Kramer vs. Kramer
- United & Babson Investment Report 72. Babson-United, Inc. 1980: 262. Columbia Pictures Industries is continuing to rake in the box office dollars from its Oscar-winning Kramer vs. Kramer, which has topped $100 million in domestic grosses and $70 million overseas. Kramer, which cost less than $8 million to make, is now the second...
- Prince, Stephen. A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989. University of California Press. 2002: 7. ISBN 978-0-520-23266-2. Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).
^ Rocky 2 (1979) at The Numbers. Nash Information Services, LLC. Retrieved October 2, 2023.
^ Kilday, Greg. Rules of the Game. Entertainment Weekly. No. 119. May 22, 1992 [July 4, 2012]. （原始內容存檔於December 25, 2018）.
^
The Empire Strikes Back
- Total up to 2014: The Empire Strikes Back (1980). Box Office Mojo. [September 5, 2024]. （原始內容存檔於2023-04-04）. $538,375,067
- Special edition: The Empire Strikes Back (Special Edition). Box Office Mojo. [October 1, 2023]. （原始內容存檔於2025-02-11）. North America: $67,597,694; Overseas: $57,214,766
- 2015 re-release: The Empire Strikes Back (2015 Re-release). Box Office Mojo. [October 1, 2023]. （原始內容存檔於2019-06-26）. United Kingdom: $9,593,937
- 2020 re-release: The Empire Strikes Back (2020 Re-release). Box Office Mojo. [September 5, 2024]. （原始內容存檔於2023-01-31）. $3,137,879
^ ^390.0 ^390.1 ^390.2
Block & Wilson 2010，第519頁.
- The Empire Strikes Back: "Production Cost: $32.0 (Unadjusted $s in Millions of $s)."
- Return of the Jedi: "Production Cost: $42.7 (Unadjusted $s in Millions of $s)."
- The Phantom Menace: "Production Cost: $127.5 (Unadjusted $s in Millions of $s)."
^
Raiders of the Lost Ark
- Raiders of the Lost Ark (1981). Box Office Mojo. [June 4, 2023]. （原始內容存檔於2025-02-11）. Total: $389,925,971; North America: $212,222,025 (original run); Overseas: $141,766,000
- Block & Wilson 2010，第625頁. Domestic Box office: $180.1; "Production Cost: $22.8 (Initial Release – Unadjusted $s in Millions of $s)."
^ E.T.: The Extra-Terrestrial (1982). Box Office Mojo. [September 5, 2024]. （原始內容存檔於2023-06-29）.
^ ^393.0 ^393.1 Block & Wilson 2010，第609頁. "Steven Spielberg, by far the most successful director of the decade, had the highest-grossing movie with 1982's E.T.: The Extra-Terrestrial, which grossed over $664 million in worldwide box office on initial release."
^ Block & Wilson 2010，第652頁. "Production Cost: $12.2 (Unadjusted $s in Millions of $s)."
^
Return of the Jedi
- Total: Return of the Jedi (1983). Box Office Mojo. [September 5, 2024]. （原始內容存檔於2019-11-14）. $482,466,382
- Special edition: Return of the Jedi (Special Edition). Box Office Mojo. [April 28, 2023]. （原始內容存檔於2025-02-11）. $89,388,357
- 2023 Re-release: Return of the Jedi (2023 Re-release). Box Office Mojo. [May 5, 2023]. （原始內容存檔於2025-02-11）. $7,259,924
^
Ghostbusters
- US and Canada: Ghostbusters (1984). Box Office Mojo. [December 31, 2024]. （原始內容存檔於2021-10-23）. Original release: $229,242,989; Lifetime: $243,640,120
- Outside of United States (as of 1999): All-time Boxoffice Champs. The Hollywood Reporter. December 28, 1999 [2025-02-16]. （原始內容存檔於2025-02-10）. International: $126.0 million
- Outside of United States (since 1999): Ghostbusters (1984). Box Office Mojo. [December 31, 2024]. （原始內容存檔於2021-10-23）. 2011 re-release (United Kingdom): $161,688; 2019 re-release (Asia-Pacific): $60,823; 2020 re-release (Asia Pacific): $101,133
^ Galloway, Stephen. The Making of a Comedy Classic: Director Ivan Reitman Spills the Secrets Behind the Original Ghostbusters. The Hollywood Reporter. July 15, 2016 [December 18, 2018]. （原始內容存檔於December 19, 2018）.
^ Blume, Lesley M. M. The Making of Ghostbusters: How Dan Aykroyd, Harold Ramis, and "The Murricane" Built "The Perfect Comedy". Vanity Fair. June 4, 2014 [December 20, 2018]. （原始內容存檔於March 17, 2018）.
^
Back to the Future
- Original release: Back to the Future (1985). Box Office Mojo. [October 2, 2023]. （原始內容存檔於August 6, 2020）. Worldwide: $381,109,762; Production Budget: $19 million
- 2014 re-release: Back to the Future (2014 re-release). Box Office Mojo. [October 2, 2023]. （原始內容存檔於2025-02-11）. $5,641,847
- 2020 re-release: Back to the Future (2020 re-release). Box Office Mojo. [October 2, 2023]. （原始內容存檔於2024-12-01）. $567,495
- 2021 re-release: Back to the Future (2021 re-release). Box Office Mojo. [October 2, 2023]. （原始內容存檔於2024-12-01）. $1,430,000
- 2023 re-release: Back to the Future (2023 re-release). Box Office Mojo. [October 25, 2023]. （原始內容存檔於2025-02-11）. $476,685
^ Finler 2003，第268頁. "The studio had a record operating income of $212 million in 1982, the year of Spielberg's E.T. The Extra-Terrestrial (which had cost only slightly over $10 million) and $150 million in 1985, mainly due to another Spielberg production, the $22 million Back to the Future, which became the top box office hit of the year."
^ Top Gun (1986). Box Office Mojo. [September 17, 2023]. （原始內容存檔於2019-12-17）.
^ McAdams, Frank, Top Gun: 678–679, 2010, Production Cost: $19.0 (Millions of $s) ... Despite mixed reviews, it played in the top 10 for an extended period and was a huge hit, grossing almost $345 million in worldwide box office. In: Block & Wilson 2010.
^ ^403.0 ^403.1 ^403.2 ^403.3 ^403.4 Finler 2003，第190–191頁.
^
Fatal Attraction
- Fatal Attraction (1987). Box Office Mojo. [September 17, 2023]. （原始內容存檔於2022-12-01）.
- Scott, Vernon. 'Three Men and Baby' Sequel Adds Cazenove to Original Cast. The Daily Gazette (New York). Hollywood (UPI). June 15, 1990: 9 (TV Plus – The Daily Gazette Supplement). That legacy is the $167,780,960 domestic box-office and $75 million foreign gross achieved by the original...
^ Rain Man (1988). Box Office Mojo. [September 17, 2023]. （原始內容存檔於2025-02-11）.
^ Finler 2003，第244頁. "Rain Man: 30.0 (cost in million $s)"
^ Indiana Jones and the Last Crusade (1989). Box Office Mojo. [September 17, 2023]. （原始內容存檔於2024-12-04）.
^ Block & Wilson 2010，第694–695頁. "Production Cost: $55.4 (Unadjusted $s in Millions of $s) ... The film went on to haul in over $494 million worldwide."
^ Ghost (1990). Box Office Mojo. [July 12, 2020]. （原始內容存檔於2022-03-04）.
^
Terminator 2
- Original release: Terminator 2: Judgment Day (1991). Box Office Mojo. （原始內容存檔於June 26, 2017）. $519,843,345
- 3D re-release: Terminator 2: Judgment Day (1991). Box Office Mojo. [September 20, 2017]. （原始內容存檔於2019-06-26）.
^ Ansen, David. Conan The Humanitarian. Newsweek. July 8, 1991 [September 19, 2013]. （原始內容存檔於2016-04-09）.
^ Aladdin (1992). Box Office Mojo. [September 17, 2023]. （原始內容存檔於2021-05-08）.
^
The Lion King
- Total: The Lion King (1994). Box Office Mojo. [July 28, 2024]. （原始內容存檔於2020-10-23）. Worldwide: $970,707,763; Production Budget: $45 million
- Lifetime grosses (US & Canada): The Lion King (1994) – Release Summary. Box Office Mojo. [May 29, 2016]. （原始內容存檔於2014-04-06）. Initial: $312,855,561; IMAX: $15,686,215; 3D: $94,242,001
- Lifetime grosses (outside U.S. & Canada): Brevert, Brad. 'X-Men' & 'Alice' Lead Soft Memorial Day Weekend; Disney Tops $4 Billion Worldwide. Box Office Mojo. May 29, 2016 [May 29, 2016]. （原始內容存檔於2016-05-29）. ...the original release of The Lion King made $450.6 million internationally, an additional $3.8 million with the 2002 IMAX reissue, and another $91.3 million from 2011's 3D reissue for an international total of $545.7 million.
- As of 2010: Block & Wilson 2010，第764頁. "Production Cost: $79.3 (Unadjusted $s in Millions of $s)."
^
Toy Story
- Total: Toy Story (1995). Box Office Mojo. [November 16, 2014]. （原始內容存檔於2019-08-12）. Worldwide: $373,554,033
- 3D release: Toy Story in 3D (2009). Box Office Mojo. [November 16, 2014]. （原始內容存檔於2019-06-05）. Foreign Total: $8,680,257
^ Block & Wilson 2010，第776頁. "Production Cost: $30.0 (Unadjusted $s in Millions of $s)"
^ Die Hard with a Vengeance (1995). Box Office Mojo. [September 17, 2023]. （原始內容存檔於2021-06-30）.
^ Finler 2003，第123頁.
^ Independence Day (1996). Box Office Mojo. [September 13, 2009]. （原始內容存檔於2016-09-23）.
^ Armageddon (1998). Box Office Mojo. [January 18, 2023]. （原始內容存檔於2024-12-06）.
^ Block & Wilson 2010，第509頁. "Production Cost: $140.0 (Unadjusted $s in Millions of $s)."
^ Mission: Impossible II. Box Office Mojo. [September 17, 2023]. （原始內容存檔於2018-08-11）.
^
Harry Potter and the Philosopher's Stone
- Total: Harry Potter and the Sorcerer's Stone (2001). Box Office Mojo. [January 20, 2021]. （原始內容存檔於2020-08-27）.
^ The Lord of the Rings: The Two Towers. Box Office Mojo. [December 20, 2023]. （原始內容存檔於2023-12-12）. Worldwide: $948,945,489; Original Release: $936,689,735
^ The Lord of the Rings: The Return of the King. Box Office Mojo. Worldwide: ; Original Release: 缺少或|url=為空 (幫助)
^ Shrek 2 (2002). Box Office Mojo. [February 4, 2025]. （原始內容存檔於2019-12-21）.
^
Harry Potter and the Goblet of Fire
- Total: Harry Potter and the Goblet of Fire (2005). Box Office Mojo. [June 15, 2020]. （原始內容存檔於2022-04-13）.
^ Pirates of the Caribbean: Dead Man's Chest (2006). Box Office Mojo. [January 18, 2023]. （原始內容存檔於2019-11-02）.
^ Pirates of the Caribbean: At World's End (2007). Box Office Mojo. [January 18, 2023]. （原始內容存檔於2009-02-11）.
^
The Dark Knight
- Total: The Dark Knight (2008). Box Office Mojo. [November 29, 2023]. （原始內容存檔於November 14, 2023）.
- Original release (excluding 2009 IMAX reissue): The Dark Knight. The Numbers. Nash Information Services. LLC. [October 28, 2012]. （原始內容存檔於February 8, 2009）. North America: $531,039,412 (as of January 22, 2009); Overseas: $466,000,000; IMAX re-release: January 23, 2009
- 2009 IMAX re-release: Warner Bros. Entertainment Wraps Record-Breaking Year. Warner Bros. January 8, 2009 [April 22, 2016]. （原始內容存檔於2022-06-09）. With worldwide receipts of $997 million, "The Dark Knight" is currently fourth on the all-time box office gross list, and the film is being re-released theatrically on January 23.
- First-run gross and IMAX reissue: Gray, Brandon. Billion Dollar Batman. Box Office Mojo. February 20, 2009 [June 7, 2014]. （原始內容存檔於2019-06-26）. The Dark Knight had been hovering just shy of $1 billion for several months and reportedly sat at $997 million when Warner Bros. modestly relaunched it on Jan. 23, timed to take advantage of the announcement of the Academy Awards nominations on Jan. 22.
^ Toy Story 3 (2010). Box Office Mojo. [January 18, 2023]. （原始內容存檔於January 6, 2023）.
^
Harry Potter and the Deathly Hallows – Part 2
- Total: Harry Potter and the Deathly Hallows Part 2 (2011). Box Office Mojo. [November 29, 2023]. （原始內容存檔於2022-04-13）.
- Production cost: Frankel, Daniel. Get Ready for the Biggest 'Potter' Opening Yet. The Wrap. November 17, 2010 [August 27, 2011]. （原始內容存檔於November 20, 2010）.
^ The Avengers (2012) [復仇者聯盟（2012）]. Box Office Mojo. [2023-01-18]. （原始內容存檔於2023-01-06）（英語）.
^
Frozen
- Frozen (2013) – International Box Office Results. Box Office Mojo. （原始內容存檔於August 9, 2014）. Worldwide – $1,274,219,009 (total as of August 8, 2014; including Japanese gross up to August 3, Spanish gross up to July 27, UK gross up to June 8, German gross up to March 30, and omitting Nigerian gross)
- Frozen (2013) – International Box Office Results: Japan. Box Office Mojo. [September 3, 2014]. （原始內容存檔於2014-09-15）.
Total as of August 3, 2014: $247,650,477

Total as of August 31, 2014: $249,036,646
- Frozen (2013) – International Box Office Results: Nigeria. Box Office Mojo. [September 3, 2014]. （原始內容存檔於2014-09-05）.
Total as of August 17, 2014: $167,333
- Frozen (2013) – International Box Office Results: Spain. Box Office Mojo. [November 6, 2014]. （原始內容存檔於2014-10-19）.
Total as of July 27, 2014: $21,668,593

Total as of November 2, 2014: $22,492,845
- Frozen (2013) – International Box Office Results: United Kingdom. Box Office Mojo. [March 30, 2016]. （原始內容存檔於2014-10-19）.
Total as of June 8, 2014: £39,090,985

Total as of November 30, 2014: £40,960,083 ($1 = £0.63866)

Total as of December 7, 2014: £41,087,765 ($1 = £0.64136)

Total as of December 14, 2014: £41,170,608 ($1 = £0.636)

Total as of November 26, 2017: £42,840,559 ($1 = £0.7497)

Total as of December 3, 2017: £42,976,318 ($1 = £0.742)
- Frozen (2013) – International Box Office Results: Germany. Box Office Mojo. [March 30, 2016]. （原始內容存檔於2016-03-22）.
Total as of March 30, 2014: €35,098,170

Total as of October 18, 2015: €42,526,744
nb. the exact euro to dollar conversion rate is unknown for earnings since April 2014, but the euro never fell below parity with the dollar during 2014 and 2015 (as can be verified by comparing the exchange rate on the individual date entries at the provided reference) so an approximate conversion rate of €1: $1 is used here to give a lower-bound.
^ Transformers: Age of Extinction [變形金剛：絕跡重生]. Box Office Mojo. [2015-05-17]. （原始內容存檔於2019-11-02）（英語）.
^ Star Wars: The Force Awakens (2015). Box Office Mojo. [2025-03-15]. （原始內容存檔於2019-11-08）.
^ Captain America: Civil War (2016) [美國隊長3：英雄內戰（2016）]. Box Office Mojo. [2023-01-18]. （原始內容存檔於2023-01-06）（英語）.
^ Star Wars: The Last Jedi [STAR WARS：最後的絕地武士]. Box Office Mojo. [2018-05-21]. （原始內容存檔於2019-12-01）（英語）.
^ Rubin, Rebecca. 'Avengers: Infinity War' Officially Lands Biggest Box Office Opening of All Time. Variety. April 30, 2018 [May 14, 2018]. （原始內容存檔於May 2, 2018）.
^ Kimetsu no Yaiba: Mugen Ressha-Hen (2020) at The Numbers. Nash Information Services, LLC. Retrieved November 13, 2023.
^ Rubin, Rebecca. Box Office Preview: Spider-Man: No Way Home Eyes Mighty, Massive, Marvelous $150 Million-Plus Debut. Variety. December 14, 2021 [December 14, 2021]. （原始內容存檔於December 14, 2021）.
^ McClintock, Pamela. Box Office: 'Avatar: The Way of Water' Lands Coveted China Release. The Hollywood Reporter. November 22, 2022 [January 10, 2023]. （原始內容存檔於2022-11-23）.
^ Anthony D'Alessandro. 'Avatar: The Way Of Water' Opens To $134M; Why Pic's Box Office Fate Will Be Determined Through The Holidays – Sunday AM Update. Deadline. December 18, 2022 [January 10, 2023]. （原始內容存檔於2022-12-18）.
^ Barbie (2023) [芭比（2023）]. Box Office Mojo. [2025-01-24]. （原始內容存檔於2023-08-09）（英語）.
^ D'Alessandro, Anthony. Box Office: Barbie Still Gorgeous With Best YTD $155M Opening; 'Oppenheimer' Ticking To $80M+ In Incredible $300M+ U.S. Box Office Weekend – Sunday AM Update. Deadline Hollywood. July 23, 2023 [July 23, 2023]. （原始內容存檔於July 21, 2023）.
^ Paskin, Willa. Greta Gerwig's 'Barbie' Dream Job. The New York Times Magazine. July 11, 2023 [July 11, 2023]. （原始內容存檔於July 11, 2023）.
^ Rubin, Rebecca. Box Office: Inside Out 2 Aims to Reverse Pixar's Woes With $85 Million Debut. Variety. June 11, 2024 [June 23, 2024]. （原始內容存檔於2024-06-11）.
^ Show Business: Record Wind. Time. February 19, 1940 [January 19, 2013]. （原始內容存檔於February 2, 2010）.
^ The Atlantic Monthly 231. 1973: 2. As of the end of 1971, GWTW stood as the all-time money-drawing movie, with a take of $116 million, and, with this year's reissues, it should continue to run ahead of the second place contender and all-time kaffee-mit-schlag spectacle.
^ New Times 2. 1974. Coppola is King Midas, the most individually powerful U.S. filmmaker ." His credits include directing the first Godfather (worldwide earnings: $142 million, ahead of Gone with the Wind, The Sound of Music and The Exorcist)... (Online copy at Google Books)
^ Harmetz, Aljean. The Saga Beyond 'Star Wars'. New York Times. May 18, 1980 [January 30, 2012]. （原始內容存檔於May 20, 2013）. "Star Wars" has brought 20th Century-Fox approximately $250 million in film rentals ... "Star Wars" grossed $410 million, and his share was enough to allow him to finance its sequel, "The Empire Strikes Back," himself.
^ Jurassic Park (1993) – Miscellaneous notes. Turner Classic Movies. [July 9, 2011]. （原始內容存檔於2013-10-02）.

考慮通貨膨脹的列表、年度最高票房紀錄列表

^ ^1.0 ^1.1 ^1.2 Pincus-Roth, Zachary. Movies aren't the only B.O. monsters. Variety. 2006-01-08 [2014-02-02]. （原始內容存檔於2021-04-20）.
^ Avatar – Video Sales. The Numbers. Nash Information Services. [2013-11-12]. （原始內容存檔於2018-11-25）.
^ Unkind unwind. The Economist. 2011-03-17 [2022-04-06]. （原始內容存檔於2017-09-04）.
^ Vogel, Harold L. Entertainment Industry Economics: A Guide for Financial Analysis. Cambridge University Press. 2010: 224. ISBN 978-1-107-00309-5. Most pictures would likely receive 20% to 25% of theatrical box office gross for two prime-time network runs.
^ Clark, Emma. How films make money. BBC News. 2001-11-12 [2012-04-12]. （原始內容存檔於2017-09-08）.
^ Seymour, Lee. Over The Last 20 Years, Broadway's 'Lion King' Has Made More Money For Disney Than 'Star Wars'. Forbes. 2017-12-18 [2019-07-28]. （原始內容存檔於2023-06-10）.
^ The Entertainment Glut. Bloomberg. 1998-02-15 [2022-04-06]. （原始內容存檔於2017-10-12）.
^ Pixar – Worldwide (Unadjusted). Box Office Mojo. [2012-04-12]. （原始內容存檔於2019-08-29）.
^ Szalai, Georg. Disney: 'Cars' Has Crossed $8 Billion in Global Retail Sales. The Hollywood Reporter. 2011-02-14 [2022-04-06]. （原始內容存檔於2011-03-19）.
^ Chmielewski, Dawn C.; Keegan, Rebecca. Merchandise sales drive Pixar's 'Cars' franchise. Los Angeles Times. 2011-06-21 [2012-04-12]. （原始內容存檔於2013-07-09）.
^ Palmeri, Christopher; Sakoui, Anousha. More Disney Fun and Games With 'Toy Story 4' in 2017. Bloomberg News. 2014-11-07 [2015-06-30]. （原始內容存檔於2015-07-05）.
^ Titanic (1997). Box Office Mojo. [2019-10-27] –透過Wayback Machine.
^ Titanic (1997). Box Office Mojo. [2020-10-30] –透過Wayback Machine.
^ Titanic (1997). Box Office Mojo. [2021-10-26] –透過Wayback Machine.
^ Titanic (1997). Box Office Mojo. [2023-02-05] –透過Wayback Machine.
^ Titanic. The Numbers. [2014-09-02] –透過Wayback Machine.
^ Titanic. The Numbers. [2014-09-13] –透過Wayback Machine.
^ The Fate of the Furious (2017) – International Box Office Results: Argentina. Box Office Mojo. [2018-01-11].
^ Pixar Movies at the Box Office. Box Office Mojo. （原始內容存檔於2016-08-16）.
^ Pixar Movies at the Box Office. Box Office Mojo. （原始內容存檔於2016-08-20）.
^ ^21.0 ^21.1 Bialik, Carl. How Hollywood Box-Office Records Are Made. The Wall Street Journal. January 29, 2010 [August 9, 2011]. （原始內容存檔於November 1, 2011）.
^ ^22.0 ^22.1 Pincus-Roth, Zachary. Best Weekend Never. Slate. July 6, 2009 [April 6, 2022]. （原始內容存檔於April 6, 2022）.
^ ^23.0 ^23.1 Anderson, S. Eric; Albertson, Stewart; Shavlick, David. How the motion picture industry miscalculates box office receipts. Proceedings of the Midwest Business Economics Association. Loma Linda University. March 2004 [April 8, 2013]. （原始內容 (DOC)存檔於October 29, 2013）.
^ Gray, Brandon. 'Avatar' Claims Highest Gross of All Time. Box Office Mojo. [April 6, 2022]. （原始內容存檔於February 7, 2010）.
^ ^25.0 ^25.1 Bialik, Carl. What It Takes for a Movie to Be No. 1. The Wall Street Journal. January 30, 2010 [August 9, 2011]. （原始內容存檔於December 18, 2018）.
^ Kolesnikov-Jessop, Sonia. Hollywood Presses Its Global Agenda. The New York Times. May 22, 2011 [January 4, 2012]. （原始內容存檔於December 18, 2018）.
^ Hoad, Phil. The rise of the international box office. The Guardian. August 11, 2011 [January 4, 2012]. （原始內容存檔於June 29, 2023）.
^ Frankel, Daniel. Why the Foreign Box Office Leads: 'Fast Five,' 'Thor' Open Overseas First. The Wrap. May 1, 2011 [April 6, 2022]. （原始內容存檔於January 9, 2019）.
^ ^29.0 ^29.1 Bialik, Carl. Box-Office Records Are the Stuff of 'Legend'. The Wall Street Journal. December 17, 2007 [August 10, 2011]. （原始內容存檔於October 29, 2013）.
^ ^30.0 ^30.1 Leonhardt, David. Why 'Avatar' Is Not the Top-Grossing Film. The New York Times. March 1, 2010 [April 7, 2013]. （原始內容存檔於October 16, 2021）.
^ ^31.0 ^31.1 Miller, Frank; Stafford, Jeff. Gone With the Wind (1939) – Articles. Turner Classic Movies. January 5, 2007. （原始內容存檔於September 26, 2013）.
^ ^32.0 ^32.1 Shone, Tom. Oscars 2010: How James Cameron took on the world. The Daily Telegraph. February 3, 2010 [March 22, 2012]. （原始內容存檔於January 10, 2022）.
^ Hill, George F. Gone With The Wind, Indeed. The Washington Post. June 25, 2006. （原始內容存檔於December 27, 2018）.
^ ^34.0 ^34.1 Guinness World Records 60 2015. Guinness World Records. 2014: 160–161. ISBN 978-1-908843-70-8.
^ World Economic Outlook: Inflation rate, end of period consumer prices. International Monetary Fund. [June 16, 2024]. （原始內容存檔於May 10, 2019）.
^ Gone with the Wind (2019 Re-release). Box Office Mojo. [June 16, 2024]. （原始內容存檔於2025-02-12）. Gross: $2,176,120
^ Avatar (2009). Box Office Mojo. [September 10, 2022]. （原始內容存檔於May 3, 2021）. 2020 Re-release: $1,281,204; 2021 Re-release: $57,995,770; 2022 Re-release: $76,012,917
^ Glenday, Craig (編). Гиннесс. Мировые рекорды [Guinness World Records]. 由Andrianov, P.I.; Palova, I.V.翻譯 2012. Moscow: Astrel. 2011: 211. ISBN 978-5-271-36423-5 （俄語）.
^ Titanic 3D (2012) – International Box Office results. Box Office Mojo. [November 25, 2012]. （原始內容存檔於October 27, 2019）. $343,550,770
^ Titanic (1997). Box Office Mojo. [November 25, 2012]. （原始內容存檔於2019-10-27）. 2017 Re-release: $691,642; 2020 Re-release: $71,352; 25 Year Anniversary: $70,157,472
^ E.T. the Extra-Terrestrial (1982). Box Office Mojo. [June 16, 2024]. （原始內容存檔於2023-06-29）. 2020 Re-release: $516,969; 2022 Re-release: $2,834,590
^ ^42.0 ^42.1 Cones, John W. The feature film distribution deal: a critical analysis of the single most important film industry agreement. Southern Illinois University Press. 1997: 41. ISBN 978-0-8093-2082-0. Distributor rentals: It is also important to know and recognize the difference between the distributor's gross receipts and the gross rentals. The term "rentals" refers to the aggregate amount of the film distributor's share of monies paid at theatre box offices computed on the basis of negotiated agreements between the distributor and the exhibitor. Note that gross receipts refers to amounts actually received and from all markets and media, whereas gross rentals refers to amounts earned from theatrical exhibition only, regardless of whether received by the distributor. Thus, gross receipts is the much broader term and includes distributor rentals. The issue of film rentals (i.e., what percentage of a film's box office gross comes back to the distributor) is of key importance...More current numbers suggest that distributor rentals for the major studio/distributor released films average in the neighborhood of 43% of box office gross. Again, however, such an average is based on widely divergent distributor rental ratios on individual films.
^ Marich, Robert. Marketing to moviegoers: a handbook of strategies used by major studios and independents 2. Southern Illinois University Press. 2009: 252 [1st. pub. Focal Press:2005]. ISBN 978-0-8093-2884-0. Rentals are the distributors' share of the box office gross and typically set by a complex, two-part contract.
^ Balio, Tino. The American film industry. University of Wisconsin Press. 2005: 296. ISBN 978-0-299-09874-2. Film Rentals as Percent of Volume of Business (1939): 36.4
^ Balio, Tino. United Artists: the Company that Changed the Film Industry. University of Wisconsin Press. 1987: 124–125. ISBN 978-0-299-11440-4. To rekindle interest in the movies, Hollywood not only had to compete with television but also with other leisure-time activities...Movies made a comeback by 1955, but audiences had changed. Moviegoing became a special event for most people, creating the phenomenon of the big picture.
^ Hall & Neale 2010，第179. "Later epics proved far more disastrous for the backers. Samuel Bronston's The Fall of the Roman Empire, filmed in Spain, cost $17,816,876 and grossed only $1.9 million in America. George Stevens's long-gestating life of Christ, The Greatest Story Ever Told (1965), which had been in planning since 1954 and in production since 1962, earned domestic rentals of $6,962,715 on a $21,481,745 negative cost, the largest amount yet spent on a production made entirely within the United States. The Bible: In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."頁
^ Williams, Trey. Ridley Scott's latest 'Alien' announcement drives Hollywood's sequel problem. MarketWatch. September 25, 2015 [May 12, 2016]. （原始內容存檔於June 8, 2016）.
^ Yearly Box Office. Box Office Mojo. [January 6, 2012]. （原始內容存檔於July 29, 2015）.
^ Movie Index By Year. The Numbers. Nash Information Services. LLC. [January 6, 2012]. （原始內容存檔於December 21, 2011）.
^ Dirks, Tim. All-Time Box-Office Hits By Decade and Year. Filmsite.org. American Movie Classics. [January 5, 2012].
^ Griffith's 20 Year Record. Variety. September 5, 1928: 12 [March 21, 2023].
^ Schickel, Richard. D. W. Griffith: An American Life. Limelight Series. Hal Leonard Corporation. 1996: 326. ISBN 978-0-87910-080-3. ...there exists a very precise production accountant's statement, drawn up some time after the picture was finished, previews had been held and release prints struck. This document shows that the negative cost of the picture was precisely $385,906.77...
^ 20,000 Leagues Under the Sea. The Numbers. Nash Information Services. [January 5, 2012]. （原始內容存檔於2014-08-19）.
^ ^54.0 ^54.1 Finler 2003，第358頁
^ Parkinson, David. The Rough Guide to Film Musicals. Dorling Kindersley. 2007: 28. ISBN 978-1-84353-650-5. But they had previously succeeded in showing how musicals could centre on ordinary people with Sunny Side Up (1929), which had grossed $2 million at the box office and demonstrated a new maturity and ingenuity in the staging of story and dance.
^ ^56.0 ^56.1 Hall & Neale 2010，第6–7頁. "For similar reasons of accountability, Variety has typically used figures for domestic (U.S. and Canadian) rather than worldwide revenue. This became its standard policy in 1940, when the advent of war in Europe persuaded the American film industry (temporarily, as it turned out) that it should be wholly reliant on the home market for profitability. Where specific rentals data are reported in Variety before this (which tended to be only sporadically) they were often for worldwide rather domestic performance. This was also the case with other trade sources, such as Quigley's annual Motion Picture Almanac, which published its own all-time hits lists from the early 1930s onward. The subsequent confusion of domestic and worldwide figures, and of rental and box-office figures, has plagued many published accounts of Hollywood history (sometimes including those in Variety itself), and we have attempted to be diligant in clarifying the differences between them."
^ McBride, Joseph. Frank Capra: The Catastrophe of Success. University Press of Mississippi. 2011: 309. ISBN 978-1-60473-838-4. According to the studio's books It Happened One Night brought in $1 million in film rentals during its initial release, but as Joe Walker pointed out, the figure would have been much larger if the film had not been sold to theaters on a block-booking basis in a package with more than two dozen lesser Columbia films, and the total rentals of the package spread among them all, as was customary in that era, since it minimized the risk and allowed the major studios to dominate the marketplace.
^ Shearer, Lloyd. GWTW: Supercolossal Saga of an Epic. The New York Times. October 26, 1947 [July 14, 2012]. （原始內容存檔於2013-05-31）.
^ Cinema: The Big Grossers. Time. February 2, 1953 [September 15, 2012]. （原始內容存檔於December 22, 2008）.
^ Block & Wilson 2010，第129頁. "Domestic Rentals: $30,015,000 (61%); Foreign Rentals: $18,964,000 (39%)...Gone with the Wind includes initial release plus four rereleases (1941,1942,1947 and 1954) since foreign rental revenues were available only cumulative through 1956."
^ McDermott, Christine, Life with Father: 307, 2010, No matter what the billing, the movie became a worldwide hit with $6.5 million in worldwide rentals, from Pappa och vi in Sweden to Vita col padre in Italy, although it booked a net loss of $350,000. In: Block & Wilson 2010.
^ Mulligan, Hugh A. Cinerama Pushing Ahead As Biggest Money-Maker. The Register-Guard（英語：The Register-Guard） (Eugene, Oregon). September 23, 1956: 7B.
^ Hall & Neale 2010，第145頁. "The commercial success of the five Cinerama travelogues, which earned an aggregate worldwide box-office gross of $120 million by 1962 (including $82 million in the United States and Canada), nevertheless demonstrated to the mainstream industry the market value of special screen formats."
^ ^64.0 ^64.1 ^64.2 ^64.3 ^64.4 ^64.5 Dirks, Tim. Top Films of All-Time: Part 1 – Box-Office Blockbusters. Filmsite.org. [August 11, 2010]. （原始內容存檔於2013-10-14）.
^ ^65.0 ^65.1 Wasko, Janet. D.W. Griffiths and the banks: a case study in film financing. Kerr, Paul (編). The Hollywood Film Industry: A Reader. Routledge. 1986: 34. ISBN 978-0-7100-9730-9. Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.
^ Biggest Money Pictures. Variety. June 21, 1932: 1 –透過Archive.org. Cited in Biggest Money Pictures. Cinemaweb. [June 25, 2015]. （原始內容存檔於November 5, 2011）.
^ 'Peter Pan' flies again. Daily Record (Ellensburg, Washington). United Press International. July 21, 1989: 16.
^ Block & Wilson 2010，第237頁. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".
^ Finler 2003，第47頁. "Walt Disney took a big risk when he decided to invest $1.5 million in his first feature-length animated film, Snow White and the Seven Dwarfs. It became the biggest hit of the sound era and the largest-grossing movie since The Birth of a Nation – until the release of independent producer David O. Selznick's Gone with the Wind just two years later."
^ Barrios, Richard. A Song in the Dark: The Birth of the Musical Film. Oxford University Press. 1995: 49. ISBN 978-0-19-508811-3. Since it's rarely seen today, The Singing Fool is frequently confused with The Jazz Singer; although besides Jolson and a pervasively maudlin air the two have little in common. In the earlier film Jolson was inordinately attached to his mother and sang "Mammy"; here the fixation was on his young son, and "Sonny Boy" became an enormous hit. So did the film, which amassed a stunning world-wide gross of $5.9 million...Some sources give it as the highest gross of any film in its initial release prior to Gone with the Wind. This is probably overstating it—MGM's records show that Ben-Hur and The Big Parade grossed more, and no one knows just how much The Birth of a Nation brought in. Still, by the standards of the time it's an amazing amount.
^ Everson, William K. American silent film. Da Capo Press. 1998: 374 [First published 1978]. ISBN 978-0-306-80876-0. Putting The Birth of a Nation in fifth place is open to question, since it is generally conceded to be the top-grossing film of all time. However, it has always been difficult to obtain reliable box-office figures for this film, and it may have been even more difficult in the mid-1930s. After listing it until the mid-1970s as the top-grosser, though finding it impossible to quote exact figures, Variety, the trade journal, suddenly repudiated the claim but without giving specific details or reasons. On the basis of the number of paid admissions, and continuous exhibition, its number one position seems justified.
^ Hall & Neale 2010，第163頁. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era."
^ ^73.0 ^73.1 du Brow, Rick. Documentary On The Klan Made Quite An Impact On Du Brow. The Columbus Dispatch. September 22, 1965: 12.
^ Hodgkinson, Will. Culture quake: The Birth of a Nation. The Daily Telegraph. April 12, 2004 [January 31, 2012]. （原始內容存檔於January 10, 2022）.
^ Thomas, Bob. 'West Side Story' Earned $19 Million Last Year. Reading Eagle. Associated Press. January 18, 1963: 20.
^ Klopsch, Louis; Sandison, George Henry; Talmage, Thomas De Witt. Christian Herald 88. 1965: 68. Yet "The Ten Commandments" has earned 58 million dollars in film rentals and is expected to bring in 10 to 15 million each year it is reissued.
^ Hall & Neale 2010，第160–161頁. "General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."
^ Oviatt, Ray. The Memory Isn't Gone With The Wind. Toledo Blade. April 16, 1961: 67–68.
^ Ben-Hur (1959) – Notes. Turner Classic Movies. [November 17, 2012]. （原始內容存檔於2015-06-07）.
^ Thomas, Bob. Movie Finances Are No Longer Hidden From Scrutiny. The Robesonian. Associated Press. August 1, 1963: 10.
^ Block & Wilson 2010，第324頁. "Worldwide rentals: $66.1 million (initial release)"
^ Washington (AP). 'Deep Throat' star against pornography. The Free Lance–Star. September 13, 1984: 12.
^ Hiltzik, Michael. 'Deep Throat' Numbers Just Don't Add Up. Los Angeles Times. February 24, 2005 [February 2, 2012]. （原始內容存檔於2018-10-23）.
^ Memphis (UPI). 'Deep Throat' Defendant Found Guilty of Conspiring. The Palm Beach Post. May 1, 1976: A2.
^ Ebert, Roger. Inside Deep Throat. rogerebert.com. Chicago Sun-Times. February 11, 2005 [February 2, 2012]. （原始內容存檔於June 6, 2011）.
^ Bartel, Pauline. The Complete Gone with the Wind Trivia Book: The Movie and More. Taylor Trade Publishing. 1989: 127. ISBN 978-0-87833-619-7. At the end of the 1941 general release, MGM decided to withdraw GWTW again. The prints were battered, but the studio believed one final fling for GWTW was possible. The film returned to movie theaters for the third time in the spring of 1942 and stayed in release until late 1943 ... When MGM finally pulled the film from exhibition, all worn-out prints were destroyed, and GWTW was at last declared out of circulation. MGM, which by then had sole ownership of the film, announced that GWTW had grossed over $32 million.
^ Dick, Bernard F. City of Dreams: The Making and Remaking of Universal Pictures. University Press of Kentucky. 1997: 168. ISBN 978-0-8131-2016-4. Jaws (1975) saved the day, grossing $104 million domestically and $132 million worldwide by January 1976.
^ Kilday, Gregg. Director of 'Jaws II' Abandons His 'Ship'. The Victoria Advocate. July 5, 1977: 6B.
^ New York (AP). Scariness of Jaws 2 unknown quantity. The StarPhoenix. May 26, 1978: 21.
^ Fenner, Pat C. Independent Action. {Evening Independent. January 16, 1978: 11-A.
^ Cook, David A. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970–1979. 9 of History of the American Cinema, Charles Harpole. University of California Press. 2002: 50. ISBN 978-0-520-23265-5. The industry was stunned when Star Wars earned nearly $3 million in its first week and by the end of August had grossed $100 million; it played continuously throughout 1977–1978, and was officially re-released in 1978 and 1979, by the end of which it had earned $262 million in rentals worldwide to become the top-grossing film of all time – a position it would maintain until surpassed by Universal's E.T.: The Extra-Terrestrial in January 1983.
^ Titanic sinks competitors without a trace. BBC News (BBC). February 25, 1998 [August 13, 2010]. （原始內容存檔於2007-12-18）.
^ Cieply, Michael. He Doth Surpass Himself: 'Avatar' Outperforms 'Titanic'. The New York Times. January 26, 2010 [January 27, 2010]. （原始內容存檔於2012-11-07）.
^ Segers, Frank. 'Avatar' breaks 'Titanic' worldwide record. The Hollywood Reporter. January 25, 2010 [December 4, 2010]. （原始內容存檔於2019-09-27）.
^ Whitten, Sarah. 'Avengers: Endgame' is now the highest-grossing film of all time, dethroning 'Avatar'. CNBC. July 21, 2019 [July 21, 2019]. （原始內容存檔於July 21, 2019）.
^ Robbins, Shawn. Avengers: Endgame Surpasses Avatar As #1 Global Release of All Time on Saturday. BoxOffice. July 20, 2019 [July 24, 2019]. （原始內容存檔於July 24, 2019）.
^ Tartaglione, Nancy. 'Avatar' Overtakes 'Avengers: Endgame' As All-Time Highest-Grossing Film At Global Box Office; China Reissue Growing. Deadline Hollywood. March 13, 2021 [March 13, 2021]. （原始內容存檔於2021-03-13）.
^ Box Office History for James Bond Movies. The Numbers. Nash Information Services. [January 4, 2012]. （原始內容存檔於2012-03-16）.
^ Box Office History for Star Wars Movies. The Numbers. Nash Information Services. [January 4, 2012]. （原始內容存檔於2013-08-22）.
^ Indiana Jones – Worldwide (Unadjusted). Box Office Mojo. [January 6, 2012]. （原始內容存檔於2008-12-18）.
^ Anderson, Dave. Bayonne Bleeder Throws a Punch at the Italian Stallion. The New York Times. November 16, 2003 [January 4, 2012]. （原始內容存檔於2011-12-03）.
^ Schneiderman, R. M. Stallone Settles With The 'Real' Rocky. Forbes. August 10, 2006 [January 4, 2012]. （原始內容存檔於2023-10-31）.
^ Poller, Kenneth G. Charles Wepner v. Sylvester Stallone (PDF). Mango & Iacoviello. November 12, 2003 [January 4, 2012]. （原始內容 (PDF)存檔於October 29, 2013）.
^ Batman – Worldwide (Unadjusted) & Batman: Mask of the Phantasm. Box Office Mojo. [January 6, 2012]. （原始內容存檔於2019-01-06）.
^ Jurassic Park – Worldwide (Unadjusted). Box Office Mojo. [January 6, 2012]. （原始內容存檔於2019-01-06）.
^ Box Office History for Star Trek Movies. The Numbers. Nash Information Services. [January 4, 2012]. （原始內容存檔於2013-02-14）.
^ Movie Franchises. The Numbers. Nash Information Services. [December 11, 2024]. （原始內容存檔於2021-12-16）.
^ The Economist online. Pottering on, and on. The Economist. July 11, 2011. （原始內容存檔於July 11, 2011）.
^ Nevins, Jess. A Brief History of the Crossover. io9. August 23, 2011 [July 19, 2018]. （原始內容存檔於2018-12-25）.
^ Nevins, Jess. The First Shared Universes. io9. September 9, 2011 [July 19, 2018]. （原始內容存檔於2018-12-25）.
^ How 'Spectre' May Stack Up With 'Thunderball' as a James Bond Blockbuster. The New York Times. November 6, 2015 [January 7, 2018].

電影系列

^§ Franchise Index. Box Office Mojo. [April 23, 2015].
復仇者聯盟
- Avengers – Worldwide (Unadjusted). Box Office Mojo. [October 12, 2015].
蝙蝠俠
- Batman – Worldwide (Unadjusted) & Batman: Mask of the Phantasm. Box Office Mojo. [July 26, 2016].
- Fathom events
  - 蝙蝠俠（英國）：Batman (1989) 30th Anniversary. Box Office Mojo. [May 25, 2019]. UK: $48,482
  - 蝙蝠俠大顯神威（英國）：Batman Returns (Event). Box Office Mojo. [May 25, 2019]. UK: $10,057
  - 蝙蝠俠3：Batman Forever (Fathom Event). Box Office Mojo. [May 25, 2019]. US: $38,014; UK: $373
  - 蝙蝠俠與羅賓：Batman and Robin (Fathom Event). Box Office Mojo. [May 25, 2019]. US: $28,597; UK: $196
- 蝙蝠俠（1966）– Silverman, Stephen M. Breakeven for Feature Productions: 1966 Releases. The Fox That Got Away: The Last Days of the Zanuck Dynasty at Twentieth Century-Fox. L. Stuart. 1988: 325. ISBN 978-0-8184-0485-6.
- Catwoman (2004). Box Office Mojo. [July 22, 2012].
- Batman: Return of the Caped Crusaders. The Numbers. [December 17, 2016].
- Batman and Harley Quinn (2017). The Numbers. [August 22, 2017].
- Joker (2019). Box Office Mojo. [November 11, 2019].
DC擴展宇宙
- DC Extended Universe – Worldwide (Unadjusted). Box Office Mojo. [May 8, 2019].
神偷奶爸
- Despicable Me (Unadjusted). Box Office Mojo. [November 4, 2015].
玩命關頭
- The Fast and the Furious – Worldwide (Unadjusted). Box Office Mojo. [October 23, 2019].
- The Fate of the Furious (2017). Box Office Mojo. （原始內容存檔於August 22, 2017）.
魔法世界
- J.K. Rowling's Wizarding World – Worldwide (Unadjusted). Box Office Mojo. [November 17, 2016].
詹姆士·龐德
- James Bond – Worldwide (Unadjusted). Box Office Mojo. [April 17, 2016]. （布魯斯南和克雷格）
- Block & Wilson 2010，第428–429頁. "James Bond Franchise Films: All-Release Worldwide Box Office."（康納利、拉辛比、摩爾和道爾頓）
- Never Say Never Again (1983). The Numbers. Nash Information Services. [November 25, 2012].
- Casino Royale (1967). The Numbers. Nash Information Services. [January 6, 2012].
- Casino Royale (Secret Cinema 2019). Box Office Mojo. [June 16, 2019].
侏羅紀公園
- Jurassic Park – Worldwide (Unadjusted). Box Office Mojo. [November 25, 2018].
- Jurassic Park (2011 re-release). Box Office Mojo. [January 17, 2015]. United Kingdom: $786,021
漫威電影宇宙
- Marvel Cinematic Universe – Worldwide (Unadjusted). Box Office Mojo. [June 19, 2016].
中土大陸
- Middle Earth – Worldwide (Unadjusted). Box Office Mojo. [November 18, 2016].
- The Lord of the Rings: The Fellowship of the Ring (2017 re-release). Box Office Mojo. [February 6, 2017].
- The Lord of the Rings: The Two Towers (2017 re-release). Box Office Mojo. [February 6, 2017].
- The Lord of the Rings: The Return of the King (2017 re-release). Box Office Mojo. [February 6, 2017].
- The Lord of the Rings – Worldwide (Unadjusted) & The Lord of the Rings (1978). Box Office Mojo. [April 23, 2015].
不可能的任務
- Mission: Impossible – Worldwide (Unadjusted). Box Office Mojo. [November 4, 2015].
神鬼奇航
- Pirates of the Caribbean – Worldwide (Unadjusted). Box Office Mojo. [January 6, 2012].
史瑞克
- Shrek – Worldwide (Unadjusted). Box Office Mojo. [December 14, 2012].
蜘蛛人
- Spider-Man – Worldwide (Unadjusted). Box Office Mojo. [December 15, 2014].
- Spider-Man / Men in Black II. Box Office Mojo. [May 31, 2018].
- Columbia 100th Anniversary Series. Box Office Mojo. [May 5, 2024].
星際大戰
- Star Wars (1977). Box Office Mojo. [January 6, 2012].
- The Empire Strikes Back. Box Office Mojo. [October 8, 2015].
- Return of the Jedi. Box Office Mojo. [January 6, 2012].
- The Phantom Menace. Box Office Mojo. [November 25, 2012].
- Attack of the Clones. Box Office Mojo. [January 6, 2012].
- Revenge of the Sith. Box Office Mojo. [January 6, 2012].
- The Clone Wars. Box Office Mojo. [January 6, 2012].
- 迪士尼發行（2015年至今）：Star Wars – Worldwide (Unadjusted). Box Office Mojo. [October 9, 2018].
變形金剛
- Transformers – Worldwide (Unadjusted). Box Office Mojo. [May 17, 2015].
暮光之城：無懼的愛
- Template:Cite web
- #invoke:citation/CS1
X戰警
- #invoke:citation/CS1

外部連結

不考慮通貨膨脹

[563] 2015年《007：惡魔四伏》上映之前，以2015年的價格計算，《詹姆士·龐德》系列電影的票房收入約為177億美元^[111]；加上《007：惡魔四伏》和《007：生死交戰》超過16億美元的票房收入，經通貨膨脹調整後，該系列電影至少賺了193億美元。

[avatar-12] 1.0 ^1.1 ^1.2 ^1.3 Avatar (2009). Box Office Mojo. [2023-02-03]. （原始內容存檔於2021-05-03）.

[avatar_peak-13] All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2010-11-03）.

[endgame-14] 3.0 ^3.1 ^3.2 Avengers:Endgame (2019). Box Office Mojo. [2019-04-26]. （原始內容存檔於2019-06-30）.

[endgame_peak-15] 4.0 ^4.1 ^4.2 All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2019-10-23）.

[avatar2-16] 5.0 ^5.1 Avatar: The Way of Water (2022). Box Office Mojo. [2023-05-28]. （原始內容存檔於2022-12-19）.

[avatar_2_peak-17] All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2023-06-07）.

[titanic-18] 7.0 ^7.1 ^7.2 Titanic (1997). Box Office Mojo. [2023-05-22]. （原始內容存檔於2019-10-27）.

[titanic_peak-19] All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2001-07-16）.

[20] 票房榜-内地票房. 藝恩娛數. [2025-05-25]. （原始內容存檔於2023-02-07）.

[21] Ne Zha 2 (2025) [哪吒2（2025）]. Box Office Mojo. [2025-05-25] （英語）.

[22] Ne Zha 2 (哪吒之魔童闹海) (2025). The Numbers. [2025-05-25] （英語）.

[23] Top Lifetime Grosses. Box Office Mojo. [2025-03-16].

[sw7_peak-24] All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2016-04-05）.

[infinity_war-25] 14.0 ^14.1 Avengers: Infinity War (2018). Box Office Mojo. [2025-02-27]. （原始內容存檔於2019-11-02）.

[infinity_war_peak-26] All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2019-04-01）.

[nwh-27] 16.0 ^16.1 Spider-Man: No Way Home (2021). Box Office Mojo. [2024-06-28]. （原始內容存檔於2024-08-16）. All Releases: $1,922,598,800; Original Release: $1,912,233,593

[No_Way_Home_peak-28] All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2022-07-29）.

[Inside_Out_2-29] 18.0 ^18.1 Inside Out 2 (2024). Box Office Mojo. [2025-01-14]. （原始內容存檔於2024-08-13）.

[inside_out_2_peak-30] All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2024-10-10）.

[jurassic_world-31] Jurassic World (2015). Box Office Mojo. [2025-02-15]. （原始內容存檔於2021-03-08）.

[jurassic_world_peak-32] All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2015-11-26）.

[33] The Lion King. Box Office Mojo. [2025-03-01]. （原始內容存檔於2020-11-25）.

[avengers_(2012)-34] The Avengers (2012). Box Office Mojo. [2023-01-18]. （原始內容存檔於2023-01-06）.

[avengers_peak-35] All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2012-10-01）.

[fast7-36] Furious 7 (2015). Box Office Mojo. [2025-03-01]. （原始內容存檔於2019-11-02）.

[furious_7_peak-37] All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2015-06-26）.

[38] Top Gun: Maverick (2022). Box Office Mojo. [2025-03-01]. （原始內容存檔於2022-06-17）.

[Maverick_peak-39] All Time Worldwide Box Office. Box Office Mojo. （原始內容存檔於2022-12-29）.

[40] Frozen II. Box Office Mojo. [2020-03-26]. （原始內容存檔於2019-08-12）.

[covid_peak-41] Top Lifetime Grosses – Worldwide. Box Office Mojo. （原始內容存檔於2020-08-01）.

[42] Barbie (2023). Box Office Mojo. [2024-07-01]. （原始內容存檔於2024-11-27）.

[43] Harry Potter and the Deathly Hallows Part 2 (2011). Box Office Mojo. [2023-12-14]. （原始內容存檔於2017-06-26）.

[44] Avengers:Age of Ultron (2015). Box Office Mojo. [2023-07-31]. （原始內容存檔於2017-03-14）.

[45] The Super Mario Bros. Movie (2023). Box Office Mojo. [2024-11-22]. （原始內容存檔於2024-07-01）.

[46] Beauty and the Beast (2017). Box Office Mojo. [2025-02-27]. （原始內容存檔於2017-11-03）.

[47] Black Panther (2018). Box Office Mojo. [2023-07-09]. （原始內容存檔於2023-05-01）.

[48] Deadpool & Wolverine (2024). Box Office Mojo. [2024-12-16]. （原始內容存檔於2022-04-02）.

[49] Star Wars:The Last Jedi (2017). Box Office Mojo. [2023-06-19]. （原始內容存檔於2017-12-19）.

[50] Jurassic World: Fallen Kingdom (2018). Box Office Mojo. [2018-06-22]. （原始內容存檔於2018-06-07）.

[51] Frozen (2013). Box Office Mojo. [2023-12-14]. （原始內容存檔於2014-08-12）.

[52] Iron Man 3 (2013). Box Office Mojo. [2013-05-03]. （原始內容存檔於2013-10-28）.

[53] Incredibles 2 (2018). Box Office Mojo. [2018-06-15]. （原始內容存檔於2017-08-12）.

[54] The Fate of the Furious (2017). Box Office Mojo. [2017-04-14]. （原始內容存檔於2017-06-21）.

[#-55] Minions (2015). Box Office Mojo. [2015-07-10]. （原始內容存檔於2017-02-06）.

[56] Captain America: Civil War (2016). Box Office Mojo. [2016-05-06]. （原始內容存檔於2017-02-25）.

[57] Aquaman (2018). Box Office Mojo. [2018-12-21]. （原始內容存檔於2018-11-05）.

[58] The Lord of the Rings: The Return of the King (2003). Box Office Mojo. [2023-12-14]. （原始內容存檔於2009-02-01）.

[59] Spider-Man:Far from Home. Box Office Mojo. [2019-07-02]. （原始內容存檔於2019-06-09）.

[60] Captain Marvel (2019). Box Office Mojo. [2019-03-08]. （原始內容存檔於2019-03-20）.

[61] Transformers: Dark of the Moon (2011). Box Office Mojo. [2011-06-29]. （原始內容存檔於2012-03-02）.

[62] The Dark Knight Rises (2012). Box Office Mojo. [2023-12-14]. （原始內容存檔於2023-09-04）.

[63] Skyfall (2012). Box Office Mojo. [2021-08-30]. （原始內容存檔於2022-04-02）.

[64] Transformers:Age of Extinction (2014). Box Office Mojo. [2014-06-27]. （原始內容存檔於2014-09-16）.

[jp-65] 54.0 ^54.1 ^54.2 Jurassic Park
Pre-2022 releases: Jurassic Park (1993). Box Office Mojo. [March 7, 2022]. （原始內容存檔於January 26, 2021）. Worldwide: $1,033,928,303; Original Release: $912,667,947; Production Budget: $63 million

2022 re-release: Jurassic Park (2022 Re-release). Box Office Mojo. [July 1, 2022]. （原始內容存檔於2024-12-04）. Mexico: $270,700

2023 re-release: Jurassic Park (2023 Re-release). Box Office Mojo. [September 8, 2023]. （原始內容存檔於2023-08-26）. $3,336,227

As of 2010: Block & Wilson 2010，第756–757頁. "Production Cost: $70.0 (Unadjusted $s in Millions of $s) ... Jurassic Park was a smash at the box office, bringing in $920 million in worldwide box office and spawning two sequels."

[56] Pre-2022 releases: Jurassic Park (1993). Box Office Mojo. [March 7, 2022]. （原始內容存檔於January 26, 2021）. Worldwide: $1,033,928,303; Original Release: $912,667,947; Production Budget: $63 million

[57] 2022 re-release: Jurassic Park (2022 Re-release). Box Office Mojo. [July 1, 2022]. （原始內容存檔於2024-12-04）. Mexico: $270,700

[58] 2023 re-release: Jurassic Park (2023 Re-release). Box Office Mojo. [September 8, 2023]. （原始內容存檔於2023-08-26）. $3,336,227

[59] As of 2010: Block & Wilson 2010，第756–757頁. "Production Cost: $70.0 (Unadjusted $s in Millions of $s) ... Jurassic Park was a smash at the box office, bringing in $920 million in worldwide box office and spawning two sequels."

[Jurassic_Park_peak-66] Krämer, Peter. Women First: Titanic, Action-Adventure Films, and Hollywood's Female Audience. Sandler, Kevin S.; Studlar, Gaylyn (編). Titanic: Anatomy of a Blockbuster. Rutgers University Press. 1999: 108–130. ISBN 978-0-8135-2669-0. On page 130, the list has Jurassic Park at number one with $913 million, followed by The Lion King...

[67] Aladdin (2019). Box Office Mojo. [2019-11-02]. （原始內容存檔於2019-06-17）.

[68] Joker (2019). Box Office Mojo. [2023-12-14]. （原始內容存檔於2022-04-02）.

[69] Star Wars: The Rise Of Skywalker (2019). Box Office Mojo. [2019-12-18]. （原始內容存檔於2022-04-03）.

[70] Toy Story 4 (2019). Box Office Mojo. [2019-06-21]. （原始內容存檔於2019-07-02）.

[71] Toy Story 3 (2010). Box Office Mojo. [2010-06-18]. （原始內容存檔於2016-08-21）.

[72] Pirates of the Caribbean: Dead Man's Chest (2006). Box Office Mojo. [2006-07-07]. （原始內容存檔於2009-02-01）.

[73] Moana 2 (2024). Box Office Mojo. [2025-04-29]. （原始內容存檔於2025-02-31）.

[74] Rogue One:A Star Wars Story (2016). Box Office Mojo. [2016-12-16]. （原始內容存檔於2017-01-19）.

[75] Pirates of the Caribbean: On Stranger Tides (2011). Box Office Mojo. [2011-05-20]. （原始內容存檔於2013-07-09）.

[tpm-76] 65.0 ^65.1 Star Wars Episode I: The Phantom Menace
Total: Star Wars: Episode I – The Phantom Menace (1999). Box Office Mojo. [June 2, 2024]. （原始內容存檔於2011-07-19）. $1,046,515,409

Original release: Star Wars: Episode I – The Phantom Menace (1999). Box Office Mojo. [November 8, 2012]. （原始內容存檔於July 19, 2011）. $924,317,558

[71] Total: Star Wars: Episode I – The Phantom Menace (1999). Box Office Mojo. [June 2, 2024]. （原始內容存檔於2011-07-19）. $1,046,515,409

[72] Original release: Star Wars: Episode I – The Phantom Menace (1999). Box Office Mojo. [November 8, 2012]. （原始內容存檔於July 19, 2011）. $924,317,558

[77] Harry Potter and the Deathly Hallows: Part 1 (2010). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[78] Despicable Me 3. Box Office Mojo. [2017-06-30]. （原始內容存檔於2016-03-07）.

[79] Finding Dory (2016). Box Office Mojo. [2016-07-17]. （原始內容存檔於2009-02-15）.

[80] Harry Potter and the Philosopher's Stone (2001). Box Office Mojo. [2022-07-03]. （原始內容存檔於2022-04-02）.

[81] Zootopia (2016). Box Office Mojo. [2016-03-04]. （原始內容存檔於2017-05-28）.

[82] Alice in Wonderland (2010). Box Office Mojo. [2010-03-05]. （原始內容存檔於2009-02-18）.

[83] The Hobbit: An Unexpected Journey (2012). Box Office Mojo. [2012-12-14]. （原始內容存檔於2012-12-16）.

[84] The Dark Knight (2008). Box Office Mojo. [2008-07-18]. （原始內容存檔於2017-02-02）.

[85] Harry Potter and the Order of the Phoenix (2007). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[86] Jurassic World Dominion (2022). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[96] The Lion King (1994). Box Office Mojo. [2021-08-29]. （原始內容存檔於2022-04-02）.

[97] Oppenheimer (2023). Box Office Mojo. [2024-11-22]. （原始內容存檔於2022-04-02）.

[98] Despicable Me 2 (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[99] Despicable Me 4 (2024). Box Office Mojo. [2024-12-24]. （原始內容存檔於2022-04-02）.

[100] The Jungle Book (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[101] Jumanji: Welcome to the Jungle (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[102] The Hobbit: The Battle of the Five Armies (2014). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[103] Pirates of the Caribbean: At World's End (2007). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[104] The Hobbit: The Desolation of Smaug (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[105] Doctor Strange in the Multiverse of Madness (2022). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[106] Finding Nemo (2003). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[107] Harry Potter and the Half-Blood Prince (2009). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[108] A Minecraft Movie (2025). Box Office Mojo. [2025-05-27].

[109] Minions: The Rise of Gru (2022). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[110] The Lord of the Rings: The Two Towers (2002). Box Office Mojo. [2023-10-22]. （原始內容存檔於2022-04-02）.

[111] Shrek 2 (2004). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[112] Bohemian Rhapsody (2018). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[113] Star Wars: Episode III - Revenge of the Sith (2005). Box Office Mojo. [2025-05-04]. （原始內容存檔於2022-04-02）.

[114] The Battle at Lake Changjin (2021). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[115] Harry Potter and the Goblet of Fire (2005). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[116] Spider-Man 3 (2007). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[117] The Lord of the Rings: The Fellowship of the Ring (2001). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[118] Ice Age: Dawn of the Dinosaurs (2009). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[119] Harry Potter and the Chamber of Secrets (2002). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[120] Spider-Man: Homecoming (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[121] Spectre (2015). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[122] Ice Age: Continental Drift (2012). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[123] The Secret Life of Pets (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[124] Batman v Superman: Dawn of Justice (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[125] Wolf Warrior 2 (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[126] The Hunger Games: Catching Fire (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[127] Guardians of the Galaxy Vol. 2 (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[128] Black Panther: Wakanda Forever (2022). Box Office Mojo. [2023-05-01]. （原始內容存檔於2022-04-02）.

[129] Inside Out (2015). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[130] Venom (2018). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[131] Thor: Ragnarok (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[132] The Twilight Saga: Breaking Dawn - Part 2 (2012). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[133] Guardians of the Galaxy Vol. 3 (2023). Box Office Mojo. [2023-09-11]. （原始內容存檔於2022-04-02）.

[134] Inception (2010). Box Office Mojo. [2025-05-04]. （原始內容存檔於2022-04-02）.

[135] Transformers: Revenge of the Fallen (2009). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[136] Spider-Man (2002). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[137] Mission: Impossible - Fallout (2018). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[138] Wonder Woman (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[139] Hi, Mom (2021). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[140] Independence Day (1996). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[141] Fantastic Beasts and Where to Find Them (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[142] Coco (2017). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[143] Harry Potter and the Prisoner of Azkaban (2004). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[144] Shrek the Third (2007). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[145] Jumanji: The Next Level (2019). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[146] E.T. the Extra-Terrestrial (1982). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[147] Pirates of the Caribbean: Dead Men Tell No Tales (2017). Box Office Mojo. [2023-08-01]. （原始內容存檔於2022-04-02）.

[148] 2012 (2009). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[149] Fast & Furious 6 (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[150] Indiana Jones and the Kingdom of the Crystal Skull (2008). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[151] Deadpool 2 (2018). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[152] Spider-Man 2 (2004). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[153] Deadpool (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[154] Star Wars: Episode IV - A New Hope (1977). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[155] No Time to Die (2021). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[156] Guardians of the Galaxy (2014). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[157] The Batman (2022). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[158] Thor: Love and Thunder (2022). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[159] Fast & Furious Presents: Hobbs & Shaw (2019). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[160] The Da Vinci Code (2006). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[161] Maleficent (2014). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[162] The Hunger Games: Mockingjay - Part 1 (2014). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[163] The Amazing Spider-Man (2012). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[164] Interstellar (2014). Box Office Mojo. [2025-04-16]. （原始內容存檔於2022-04-02）.

[165] Wicked. Box Office Mojo. [2025-05-22]. （原始內容存檔於2022-04-02）.

[166] Shrek Forever After (2010). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[167] Suicide Squad (2016). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[168] Madagascar 3: Europe's Most Wanted (2012). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[169] X-Men: Days of Future Past (2014). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[170] The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[171] Monsters University (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[172] The Matrix Reloaded (2003). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[173] Up (2009). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[174] F9: The Fast Saga (2021). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[175] Ne Zha (2019). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[176] Gravity (2013). Box Office Mojo. [2023-01-05]. （原始內容存檔於2022-04-02）.

[177] Mufasa: The Lion King. Box Office Mojo. [2025-05-20]. （原始內容存檔於2022-04-02）.

[178] The Amazing Spider-Man 2 (2014). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[179] Dune: Part Two (2024). Box Office Mojo. [2024-10-02]. （原始內容存檔於2022-04-02）.

[180] Captain America: The Winter Soldier (2014). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[181] The Twilight Saga: Breaking Dawn - Part 1 (2011). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[182] The Twilight Saga: New Moon (2009). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[183] Mission: Impossible - Rogue Nation (2015). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[184] Dawn of the Planet of the Apes (2014). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[185] Transformers (2007). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[186] Fast X (2023). Box Office Mojo. [2024-02-01]. （原始內容存檔於2022-04-02）.

[187] It (2017). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[188] Mamma Mia! (2008). Box Office Mojo. [2025-05-13]. （原始內容存檔於2022-04-02）.

[189] The Wandering Earth (2019). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[190] The Twilight Saga: Eclipse (2010). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[191] The Hunger Games (2012). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[192] Mission: Impossible - Ghost Protocol (2011). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[193] Spider-Man: Across the Spider-Verse (2023). Box Office Mojo. [2024-03-20]. （原始內容存檔於2022-04-02）.

[194] Detective Chinatown 3 (2021). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[195] Forrest Gump (1994). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[196] Doctor Strange (2016). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[197] The Sixth Sense (1999). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[198] Man of Steel (2013). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[199] Ice Age: The Meltdown (2006). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[200] Kung Fu Panda 2 (2011). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[201] The Hunger Games: Mockingjay - Part 2 (2015). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[202] Justice League (2017). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[203] Big Hero 6 (2014). Box Office Mojo. [2024-02-09]. （原始內容存檔於2022-04-02）.

[204] Fantastic Beasts: The Crimes of Grindelwald (2018). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[205] Pirates of the Caribbean: The Curse of the Black Pearl (2003). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[206] Men in Black 3 (2012). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[207] Star Wars: Episode II - Attack of the Clones (2002). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[208] Thor: The Dark World (2013). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[209] Moana (2016). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[210] Wonka (2023). Box Office Mojo. [2024-04-05]. （原始內容存檔於2022-04-02）.

[211] Sing (2016). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[212] Kung Fu Panda (2008). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[213] The Incredibles (2004). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[214] The Martian (2015). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[215] Hancock (2008). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[216] Water Gate Bridge (2022). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[217] Fast Five (2011). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[218] Iron Man 2 (2010). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[219] Ratatouille (2007) Incredibles (2004). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[220] Ant-Man and the Wasp (2018). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[221] How to Train Your Dragon 2 (2014). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[222] Logan (2017). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[223] The Lost World: Jurassic Park (1997). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[224] Casino Royale (2006). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[225] The Passion of the Christ (2004). Box Office Mojo. [2023-01-06]. （原始內容存檔於2022-04-02）.

[226] Life of Pi (2012). Box Office Mojo. [2023-01-06]. （原始內容存檔於2025-01-27）.

[227] Ready Player One (2018). Box Office Mojo. [2025-01-25]. （原始內容存檔於2025-01-27）.

[228] Transformers: The Last Knight (2017). Box Office Mojo. [2025-01-25]. （原始內容存檔於2025-01-27）.

[229] Madagascar: Escape 2 Africa (2008). Box Office Mojo. [2025-01-25]. （原始內容存檔於2025-01-27）.

[230] War of the Worlds (2005). Box Office Mojo. [2025-01-25]. （原始內容存檔於2025-01-27）.

[261] Monaco, James. How to Read a Film:Movies, Media, and Beyond. Oxford University Press. 2009: 262. ISBN 978-0-19-975579-0. The Birth of a Nation, costing an unprecedented and, many believed, thoroughly foolhardy $110,000, eventually returned $20 million and more. The actual figure is hard to calculate because the film was distributed on a "states' rights" basis in which licenses to show the film were sold outright. The actual cash generated by The Birth of a Nation may have been as much as $50 million to $100 million, an almost inconceivable amount for such an early film.

[Wasko-262] 212.0 ^212.1 Wasko, Janet. D.W. Griffiths and the banks: a case study in film financing. Kerr, Paul (編). The Hollywood Film Industry: A Reader. Routledge. 1986: 34. ISBN 978-0-7100-9730-9. Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.

[263] Lang, Robert (編). The Birth of a nation: D.W. Griffith, director. Rutgers University Press. 1994: 30. ISBN 978-0-8135-2027-8. The film eventually cost $110,000 and was twelve reels long.

[BlockWilson26-266] Block & Wilson 2010，第26頁.
Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."

[222] Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."

[267] Birchard, Robert S., Intolerance: 45, 2010, Intolerance was the most expensive American film made up until that point, costing a total of $489,653, and its performance at the box ... but it did recoup its cost and end with respectable overall numbers. In: Block & Wilson 2010.

[mickey-268] Coons, Robin. Hollywood Chatter. The Daytona Beach News-Journal. June 30, 1939: 6.

[269] Shipman, David. The great movie stars: the golden years. Crown Publishing Group. 1970: 98. It was a low budgeter—$120,000—but it grossed world-wide over $3 million and made stars of Chaney and his fellow-players, Betty Compson and Thomas Meighan.

[Variety_(1932)-270] 218.0 ^218.1 ^218.2 ^218.3 Biggest Money Pictures. Variety. June 21, 1932: 1 –透過Archive.org. Cited in Biggest Money Pictures. Cinemaweb. [July 14, 2011]. （原始內容存檔於July 8, 2011）.

[Solomon_(2011)-271] 219.0 ^219.1 Solomon, Aubrey. The Fox Film Corporation, 1915–1935: A History and Filmography. McFarland & Company. 2011. ISBN 978-0-7864-6286-5.
Way Down East: p. 52 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."

What Price Glory?: p. 112 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."

Cavalcade: p. 170 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."

State Fair: p. 170 . "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."

[228] Way Down East: p. 52 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."

[229] What Price Glory?: p. 112 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."

[230] Cavalcade: p. 170 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."

[231] State Fair: p. 170 . "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."

[272] Hall & Neale 2010，第53頁. "The Four Forsemen of the Apocalypse was to become Metro's most expensive production and one of the decade's biggest box-office hits. Its production costs have been estimated at "something between $600,000 and $800,000." Variety estimated its worldwide gross at $4 million in 1925 and at $5 million in 1944; in 1991, it estimated its cumulative domestic rentals at $3,800,000."

[273] Brownlow, Kevin. The parade's gone by ... University of California Press. 1968: 255. ISBN 978-0-520-03068-8. The negative cost was about $986,000, which did not include Fairbanks' own salary. Once the exploitation and release prints were taken into account, Robin Hood cost about $1,400,000—exceeding both Intolerance ($700,000) and the celebrated "million dollar movie" Foolish Wives. But it earned $2,500,000.

[274] Vance, Jeffrey. Douglas Fairbanks. University of California Press. 2008: 146. ISBN 978-0-520-25667-5. The film had a production cost of $930,042.78—more than the cost of D.W. Griffith's Intolerance and nearly as much as Erich von Stroheim's Foolish Wives (1922).

[Time_(1925)-275] 223.0 ^223.1 Business: Film Exports. Time. July 6, 1925 [July 12, 2011]. （原始內容存檔於November 5, 2010）.

[Birchard_(2009)-276] 224.0 ^224.1 ^224.2 ^224.3 ^224.4 Birchard, Robert S. Cecil B. DeMille's Hollywood. University Press of Kentucky. 2009. ISBN 978-0-8131-3829-9.
ch. 45. The Ten Commandments (1923). "Cost: $1,475,836.93; Gross: $4,169,798.38"

ch. 56. The Sign of the Cross 網際網路檔案館的存檔，存檔日期April 3, 2023，.. "Cost: $694,064.67; Gross: $2,738,993.35 (to 1937)"

ch. 68. Samson and Delilah 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Cost: $3,097,563.05"

ch. 69. The Greatest Show on Earth 網際網路檔案館的存檔，存檔日期April 3, 2023，.. "Cost: $3,873,946.50; Gross receipts: $15,797,396.36 (to December 29, 1962)"

ch. 70. The Ten Commandments (1956). "Cost: $13,272,381.87; Gross receipts: $90,066,230.00 (to June 23, 1979)"

[237] . 45. The Ten Commandments (1923). "Cost: $1,475,836.93; Gross: $4,169,798.38"

[238] . 56. The Sign of the Cross 網際網路檔案館的存檔，存檔日期April 3, 2023，.. "Cost: $694,064.67; Gross: $2,738,993.35 (to 1937)"

[239] . 68. Samson and Delilah 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Cost: $3,097,563.05"

[240] . 69. The Greatest Show on Earth 網際網路檔案館的存檔，存檔日期April 3, 2023，.. "Cost: $3,873,946.50; Gross receipts: $15,797,396.36 (to December 29, 1962)"

[241] . 70. The Ten Commandments (1956). "Cost: $13,272,381.87; Gross receipts: $90,066,230.00 (to June 23, 1979)"

[May_(2005)-277] May, Richard P., Restoring The Big Parade, The Moving Image, Fall 2005, 5 (2): 140–146, ISSN 1532-3978, S2CID 192076406, doi:10.1353/mov.2005.0033, ...earning somewhere between $18 and $22 million, depending on the figures consulted

[278] Robertson, Patrick. Guinness Book of Movie Facts and Feats 4. Abbeville Publishing Group. 1991: 30. ISBN 978-1-55859-236-0. The top grossing silent film was King Vidor's The Big Parade (US 25), with worldwide rentals of $22 million.

[279] Hall & Neale 2010，第58–59頁. "Even then, at a time when the budget for a feature averaged at around $300,000, no more than $382,000 was spent on production...According to the Eddie Mannix Ledger at MGM, it grossed $4,990,000 domestically and $1,141,000 abroad."

[Ben-Hur_(1925)-280] Ben-Hur (1925) – Notes. Turner Classic Movies. [December 19, 2017]. （原始內容存檔於July 24, 2019）.

[HallNeale163-281] Hall & Neale 2010，第163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era. (At a negative cost of $3,967,000, it was also the most expensive.)"頁

[282] Miller, Frank. For Heaven's Sake (1926) – Articles. Turner Classic Movies. [January 15, 2012]. （原始內容存檔於July 24, 2019）.

[283] Finler 2003，第188頁. "At a cost of $2 million Wings was the studio's most expensive movie of the decade, and though it did well it was not good enough to earn a profit."

[Jolson-284] 232.0 ^232.1 The Jazz Singer and The Singing Fool
Block, Hayley Taylor, The Jazz Singer: 113, 2010, The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s. In: Block & Wilson 2010.

[250] Block, Hayley Taylor, The Jazz Singer: 113, 2010, The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s. In: Block & Wilson 2010.

[Crafton-285] Crafton, Donald. The Talkies: American Cinema's Transition to Sound, 1926–1931. University of California Press. 1999: 549–552. ISBN 978-0-520-22128-4. The Singing Fool: Negative Cost ($1000s): 388

[286] Birchard, Robert S., The Broadway Melody: 121, 2010, It earned $4.4 million in worldwide rentals and was the first movie to spawn sequels (there were several until 1940). In: Block & Wilson 2010.

[bradley-287] Bradley, Edwin M. The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 Through 1932. McFarland & Company. 2004 [1st. pub. 1996]. ISBN 978-0-7864-2029-2.
The Singing Fool: p. 12 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."

The Broadway Melody: p. 24 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."

Gold Diggers of Broadway: p. 58 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."

[254] The Singing Fool: p. 12 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."

[255] The Broadway Melody: p. 24 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."

[256] Gold Diggers of Broadway: p. 58 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."

[Solomon_(1988)-288] 236.0 ^236.1 ^236.2 Solomon, Aubrey. Twentieth Century-Fox: a corporate and financial history. Filmmakers series 20. Rowman & Littlefield. 2002 [First published 1988]. ISBN 978-0-8108-4244-1.
Sunny Side Up: p. 10 網際網路檔案館的存檔，存檔日期February 10, 2024，.. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."

Forever Amber: p. 66 網際網路檔案館的存檔，存檔日期November 7, 2023，.. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."

The French Connection

p. 167 網際網路檔案館的存檔，存檔日期November 7, 2023，.. "The Planet of the Apes motion pictures were all moneymakers and Zanuck's record would have immediately improved had he stayed through the release of The French Connection, which took in rentals of approximately $75 million worldwide."

p. 256 網際網路檔案館的存檔，存檔日期November 7, 2023，.. "$3,300,00".

[258] Sunny Side Up: p. 10 網際網路檔案館的存檔，存檔日期February 10, 2024，.. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."

[259] Forever Amber: p. 66 網際網路檔案館的存檔，存檔日期November 7, 2023，.. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."

[260] The French Connection

[289] Block & Wilson 2010，第46頁. "Production Cost: $0.6 (Unadjusted $s in Millions of $s)."

[290] Cormack, Mike. Ideology and Cinematography in Hollywood, 1930–1939. Palgrave Macmillan. 1993: 28. ISBN 978-0-312-10067-4. Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.

[Balio_(1996)-291] 239.0 ^239.1 Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. 5 of History of the American Cinema. University of California Press. 1996. ISBN 978-0-520-20334-1.
Cavalcade: p. 182 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."

Whoopee: p. 212 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."

[264] Cavalcade: p. 182 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."

[265] Whoopee: p. 212 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."

[Balio_(1976)-292] Hell's Angels
Balio, Tino. United Artists: The Company Built by the Stars. University of Wisconsin Press. 1976: 110. Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.

[267] Balio, Tino. United Artists: The Company Built by the Stars. University of Wisconsin Press. 1976: 110. Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.

[293] Feaster, Felicia. Frankenstein (1931). Turner Classic Movies. [July 4, 2011]. （原始內容存檔於December 21, 2014）.

[294] Block & Wilson 2010，第163頁. "It drew $1.4 million in worldwide rentals in its first run versus $1.2 million for Dracula, which had opened in February 1931."

[295] Vance, Jeffrey. Chaplin: genius of the cinema. Abrams Books. 2003: 208. Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.

[IMPA_(1937)-296] Ramsaye, Terry (編). The All-Time Best Sellers – Motion Pictures. International Motion Picture Almanac 1937–38. 1937: 942–943. Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)

[Sedgwick-297] 245.0 ^245.1 ^245.2 ^245.3 Sedgwick, John. Popular Filmgoing In 1930s Britain: A Choice of Pleasures. University of Exeter Press. 2000: 146–148. ISBN 978-0-85989-660-3. Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...
Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; U.S. box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.

The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; U.S. box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.

Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; U.S. box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.

Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; U.S. box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.

San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; U.S. box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.

[273] Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; U.S. box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.

[274] The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; U.S. box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.

[275] Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; U.S. box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.

[276] Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; U.S. box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.

[277] San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; U.S. box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.

[shanghai-298] Shanghai Express
Block & Wilson 2010，第165頁. "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."

[279] Block & Wilson 2010，第165頁. "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."

[299] King Kong
Jewel, Richard. RKO Film Grosses: 1931–1951. Historical Journal of Film, Radio and Television. 1994, 14 (1): 39. 1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000

King Kong (1933) – Notes. Turner Classic Movies. [January 7, 2012]. （原始內容存檔於November 17, 2015）. 1952 release: $2,500,000; budget: $672,254.75

[281] Jewel, Richard. RKO Film Grosses: 1931–1951. Historical Journal of Film, Radio and Television. 1994, 14 (1): 39. 1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000

[282] King Kong (1933) – Notes. Turner Classic Movies. [January 7, 2012]. （原始內容存檔於November 17, 2015）. 1952 release: $2,500,000; budget: $672,254.75

[300] I'm No Angel (1933) – Notes. Turner Classic Movies. [January 7, 2012]. （原始內容存檔於December 17, 2019）. According to a modern source, it had a gross earning of $2,250,000 on the North American continent, with over a million more earned internationally.

[301] Finler 2003，第188頁. "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..."

[BlockWilson173-302] Block, Alex Ben, She Done Him Wrong: 173, 2010, The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal. In: Block & Wilson 2010.

[Phillips_(2008)-303] Phillips, Kendall R. Controversial Cinema: The Films That Outraged America. ABC-CLIO. 2008: 26. ISBN 978-1-56720-724-8. The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.

[304] Block & Wilson 2010，第135頁. "Total production cost: $274,076 (Unadjusted $s)."

[Turk-305] 253.0 ^253.1 Turk, Edward Baron. Hollywood Diva: A Biography of Jeanette MacDonald. University of California Press. 2000 [1st. pub. 1998]. ISBN 978-0-520-22253-3.
The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.

San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]

[289] The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.

[290] San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]

[306] Wall St. Researchers' Cheery Tone. Variety. November 7, 1962: 7.

[307] Dick, Bernard F. Claudette Colbert: She Walked in Beauty. University Press of Mississippi. 2008: 79. ISBN 978-1-60473-087-6. Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.

[308] Snow White and the Seven Dwarfs
Monaco, Paul. A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. Scarecrow Press. 2010: 54. ISBN 978-0-8108-7434-3. Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.

Wilhelm, Henry Gilmer; Brower, Carol. The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. 1993: 359. ISBN 978-0-911515-00-8. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!

Snow White and the Seven Dwarfs (1987 Re-issue). Boxoffice. [May 29, 2016]. （原始內容存檔於January 8, 2019）. North American box-office: $46,594,719

Snow White and the Seven Dwarfs (1993 Re-issue). Boxoffice. [May 29, 2016]. （原始內容存檔於December 25, 2018）. North American box-office: $41,634,791

[294] Monaco, Paul. A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. Scarecrow Press. 2010: 54. ISBN 978-0-8108-7434-3. Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.

[295] Wilhelm, Henry Gilmer; Brower, Carol. The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. 1993: 359. ISBN 978-0-911515-00-8. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!

[296] Snow White and the Seven Dwarfs (1987 Re-issue). Boxoffice. [May 29, 2016]. （原始內容存檔於January 8, 2019）. North American box-office: $46,594,719

[297] Snow White and the Seven Dwarfs (1993 Re-issue). Boxoffice. [May 29, 2016]. （原始內容存檔於December 25, 2018）. North American box-office: $41,634,791

[Snow_White_&_Pinocchio-309] 257.0 ^257.1 Snow White and the Seven Dwarfs and Pinocchio
Block & Wilson 2010

p. 207 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "When the budget rose from $250,000 to $1,488,423 he even mortgaged his own home and automobile. Disney had bet more than his company on the success of Snow White."

p. 237 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".

p. 255 網際網路檔案館的存檔，存檔日期April 3, 2023，.. "On its initial release Pinocchio brought in only $1.6 million in domestic rentals (compared with Snow White's $4.2 million) and $1.9 million in foreign rentals (compared with Snow White's $4.3 million)."

[299] Block & Wilson 2010

[310] 1938
You Can't Take It with You:You Can't Take It With You Premieres. Focus Features. （原始內容存檔於September 13, 2012）. You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.

Boys Town: Block, Alex Ben, Boys Town: 215, 2010, The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million. In: Block & Wilson 2010.

The Adventures of Robin Hood: Glancy, H. Mark. Warner Bros Film Grosses, 1921–51: the William Schaefer ledger. Historical Journal of Film, Radio and Television. 1995, 1 (15): 55–60. ISSN 0143-9685. doi:10.1080/01439689500260031. $3.981 million.

Alexander's Ragtime Band: Block, Hayley Taylor, Alexander's Ragtime Band: 213, 2010, Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million. In: Block & Wilson 2010.

[301] You Can't Take It with You:You Can't Take It With You Premieres. Focus Features. （原始內容存檔於September 13, 2012）. You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.

[302] Boys Town: Block, Alex Ben, Boys Town: 215, 2010, The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million. In: Block & Wilson 2010.

[303] The Adventures of Robin Hood: Glancy, H. Mark. Warner Bros Film Grosses, 1921–51: the William Schaefer ledger. Historical Journal of Film, Radio and Television. 1995, 1 (15): 55–60. ISSN 0143-9685. doi:10.1080/01439689500260031. $3.981 million.

[304] Alexander's Ragtime Band: Block, Hayley Taylor, Alexander's Ragtime Band: 213, 2010, Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million. In: Block & Wilson 2010.

[311] Chartier, Roy. You Can't Take It With You. Variety. September 6, 1938 [September 13, 2011]. （原始內容存檔於September 13, 2012）.

[312] Gone with the Wind. The Numbers. Nash Information Services. LLC. [February 8, 2013]. （原始內容存檔於February 1, 2013）.

[313] Gone with the Wind. Boxoffice. [May 29, 2016]. （原始內容存檔於December 25, 2018）.

[314] Gone with the Wind (1939). Box Office Mojo. [October 1, 2024]. （原始內容存檔於2025-02-11）.

[315] Hall & Neale 2010，第283頁 ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million."

[316] Pinocchio (1940). Boxoffice. [May 29, 2016]. （原始內容存檔於May 30, 2016）.

[Barrier602-317] Barrier, Michael. Hollywood Cartoons: American Animation in Its Golden Age. New York: Oxford University Press. 2003: 266. ISBN 978-0-19-983922-3. The film's negative cost was $2.6 million, more than $1 million higher than Snow White's.

[Schatz_(1999)-318] Schatz, Thomas. Boom and Bust: American Cinema in the 1940s. 6 of History of the American Cinema. University of California Press. 1999: 466 [1st. pub. 1997]. ISBN 978-0-520-22130-7. Boom Town ($4.6 million).

[319] Block & Wilson 2010，第258–259頁. "Production Cost: $2.1 (Unadjusted $s in Millions of $s) ... Boom Town was the biggest moneymaker of 1940 and one of the top films of the decade."

[320] Block & Wilson 2010，第267頁. "With worldwide rentals of $7.8 million in its initial release, the movie made a net profit of over $3 million."

[321] Finler 2003，第301頁. "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund."

[322] Bambi. Boxoffice. [May 29, 2016]. （原始內容存檔於May 30, 2016）.

[323] Block & Wilson 2010，第281頁. "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost."

[Disney-324] 272.0 ^272.1 ^272.2 ^272.3 Block & Wilson 2010，第712–713頁.
Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"

101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"

The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"

Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"

[319] Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"

[320] 101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"

[321] The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"

[322] Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"

[325] Glancy, Mark. When Hollywood Loved Britain: The Hollywood 'British' Film 1939–1945. Manchester University Press. 1999: 94–95. ISBN 978-0-7190-4853-1. Mrs Miniver was a phenomenon. It was the most popular film of the year (from any studio) in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the 1941–42 season. The production cost ($1,344,000) was one of the highest of the season, indicating the studio never thought of the film as a potential loss-maker. When the film earned a worldwide gross of $8,878,000, MGM had the highest profit ($4,831,000) in its history. Random Harvest nearly matched the success of Mrs Miniver with worldwide earnings of $8,147,000 yielding the second-highest profit in MGM's history ($4,384,000). Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.

[326] Block & Wilson 2010
Mrs. Miniver: Burns, Douglas, Mrs. Miniver: 279, 2010, Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.

Yankee Doodle Dandy: p. 275 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."

[325] Mrs. Miniver: Burns, Douglas, Mrs. Miniver: 279, 2010, Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.

[326] Yankee Doodle Dandy: p. 275 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."

[327] McAdams, Frank, For Whom the Bell Tolls: 287, 2010, Despite the early furor over the novel being "pro-red and immoral," the film opened to strong and favorable reviews and brought in $11 million in worldwide rentals in its initial release. In: Block & Wilson 2010.

[328] For Whom the Bell Tolls (1943) – Notes. Turner Classic Movies. [June 24, 2012]. （原始內容存檔於July 24, 2019）.

[guy-named-joe-329] 277.0 ^277.1 A Guy Named Joe (1944) – Notes. Turner Classic Movies. [August 29, 2012]. （原始內容存檔於December 17, 2019）. According to M-G-M studio records at the AMPAS Library, the film had a negative cost of $2,627,000 and took in $5,363,000 at the box office. When the picture was re-issued for the 1955–56 season, it took in an additional $150,000.

[330] Bergreen, Laurence. Irving Berlin: This Is the Army. Prologue. Summer 1996, 28 (2). Part 3 [August 22, 2012]. （原始內容存檔於August 11, 2019）.

[331] This Is the Army (1943) – Notes. Turner Classic Movies. [July 9, 2011]. （原始內容存檔於July 15, 2015）.

[Finler356-332] 280.0 ^280.1 ^280.2 ^280.3 ^280.4 ^280.5 ^280.6 Finler 2003，第356–363頁

[333] Block & Wilson 2010，第420頁. "(Unadjusted $s) in Millions of $s – Production Cost: $1.0"

[BlockWilson232-334] 282.0 ^282.1 Block & Wilson 2010，第232頁.
Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"

Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"

Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"

[335] Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"

[336] Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"

[337] Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"

[Schaefer_(1999)-335] Schaefer, Eric. "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919–1959. Duke University Press. 1999: 197–199. ISBN 978-0-8223-2374-7. Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.

[336] Block & Wilson 2010
p. 296 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"

Wasson, Sam, The Bells of St. Mary's: 297, 2010, This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.

[340] . 296 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"

[341] Wasson, Sam, The Bells of St. Mary's: 297, 2010, This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.

[337] Song of the South. The Numbers. Nash Information Services. LLC. [July 10, 2011]. （原始內容存檔於September 3, 2011）.

[338] Gabler, Neal. Walt Disney: the biography. Aurum Press. 2007: 438. Still, the film wound up grossing $3.3 million...

[339] Song of the South (1946) – Notes. Turner Classic Movies. [July 25, 2012]. （原始內容存檔於July 24, 2019）.

[340] Hall & Neale 2010
p. 132 網際網路檔案館的存檔，存檔日期April 3, 2023，.."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."

p. 286 網際網路檔案館的存檔，存檔日期April 3, 2023，. (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."

[346] . 132 網際網路檔案館的存檔，存檔日期April 3, 2023，.."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."

[347] . 286 網際網路檔案館的存檔，存檔日期April 3, 2023，. (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."

[341] Burns, Douglas, The Best years of Our Lives: 301, 2010, The film made a $5 million profit on worldwide rentals of $14.8 million. In: Block & Wilson 2010.

[HallNeale285-342] 290.0 ^290.1 Hall & Neale 2010，第285 (note 6.56)頁. "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)."

[343] Chopra-Gant, Mike. Hollywood Genres and Post-war America: Masculinity, Family and Nation in Popular Movies and Film Noir. I.B. Tauris. 2006: 18. ISBN 978-1-85043-815-1. Forever Amber: $8 million; Unconquered: $7.5 million; Life with Father: $6.25 million

[344] Unconquered (1947) – Notes. Turner Classic Movies. [January 10, 2012]. （原始內容存檔於July 15, 2015）.

[345] Miller, Frank. Easter Parade (1948) – Articles. Turner Classic Movies. [July 19, 2012]. （原始內容存檔於July 24, 2019）.

[346] Street, Sarah. Transatlantic Crossings: British Feature Films in the United States. Continuum International Publishing Group. 2002: 110. ISBN 978-0-8264-1395-6. Although both films had higher than average budgets (The Red Shoes cost £505,581 and Hamlet cost £572,530, while the average cost of the other thirty films for which Rank supplied information was £233,000), they resulted in high takings at home and abroad.

[347] Officer, Lawrence H. Dollar-Pound Exchange Rate From 1791. MeasuringWorth. 2011 [November 18, 2012]. （原始內容存檔於November 18, 2012）. 1947–1948: $4.03 (per British pound)

[348] The Snake Pit. The Numbers. Nash Information Services. LLC. （原始內容存檔於December 28, 2011）.

[349] 'Snake Pit' Seen No Problem After All. Variety. January 19, 1949: 7.

[HallNeale136-350] 298.0 ^298.1 Hall & Neale 2010，第136–139頁
Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."

Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."

[358] Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."

[359] Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."

[351] Cinderella (1950). The Numbers. Nash Information Services. [January 2, 2017]. （原始內容存檔於June 5, 2019）.

[352] Eisner, Michael D.; Schwartz, Tony. Work in Progress. Pennsylvania State University. 2009: 178. ISBN 978-0-7868-8507-7. Cinderella revived its fortunes. Re-released in February 1950, it cost nearly $3 million to make but earned more than $20 million worldwide.

[353] Barrier, Michael. Hollywood Cartoons: American Animation in Its Golden Age. Oxford University Press. 2003: 401. ISBN 978-0-19-516729-0. It cost around $2.2 million, little more than each of the two package features, Melody Time and The Adventures of Ichabod and Mr. Toad (as Tluo Fabulous Characters had ultimately been named), that just preceded it, but its gross rentals—an amount shared by Disney and RKO—were $7.8 million, almost twice as much as the two package features combined.

[Mannix-354] The E. J. Mannix ledger. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences: Howard Strickling Collection. 1962.

[Lev-355] 303.0 ^303.1 Lev, Peter. Transforming the Screen, 1950–1959. 7 of History of the American Cinema. University of California Press. 2006. ISBN 978-0-520-24966-0.
Quo Vadis: p. 15 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."

Rear Window: pp. 203 網際網路檔案館的存檔，存檔日期April 4, 2023，.–204 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."

[365] Quo Vadis: p. 15 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."

[366] Rear Window: pp. 203 網際網路檔案館的存檔，存檔日期April 4, 2023，.–204 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."

[BlockWilson335-356] 304.0 ^304.1 Block & Wilson 2010，第335頁.
The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."

Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."

[368] The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."

[369] Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."

[357] Mulligan, Hugh A. Cinerama Pushing Ahead As Biggest Money-Maker. The Register-Guard (Eugene, Oregon). September 23, 1956: 7B.

[358] Zone, Ray. 3-D Revolution: The History of Modern Stereoscopic Cinema. University Press of Kentucky. 2012: 71. ISBN 978-0-8131-3611-0. Produced at a cost of $1 million, This is Cinerama ran 122 weeks, earning $4.7 million in its initial New York run alone and eventually grossed over $32 million. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. The first five Cinerama feature-length travelogues, though they only played in twenty-two theaters, pulled in a combined gross of $82 million.

[359] Burns, Douglas, The Greatest Show on Earth: 354–355, 2010, By May 1953, Variety was reporting that the Best Picture winner had amassed $18.35 million in worldwide rentals. In: Block & Wilson 2010.

[360] The Greatest Show on Earth (1952) – Notes. Turner Classic Movies. [January 8, 2012]. （原始內容存檔於July 14, 2015）.

[361] Peter Pan (1953) – Notes. Turner Classic Movies. [July 24, 2011]. （原始內容存檔於September 3, 2015）.

[362] Top Grossers of 1953. Variety. January 13, 1954: 10 [September 12, 2019].

[HallNeale147-363] Hall & Neale 2010，第147–148頁. "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart."

[364] Block & Wilson 2010，第367頁. "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million."

[365] Rear Window. Boxoffice. [May 29, 2016]. （原始內容存檔於May 30, 2016）.

[366] White Christmas. Boxoffice. [May 29, 2016]. （原始內容存檔於May 30, 2016）.

[367] Block & Wilson 2010，第420頁. "Domestic Box Office: $19.6 million; Production Cost: $3.8 million."

[368] Hall & Neale 2010，第149頁. "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million."

[369] 20000 Leagues Under The Sea. Boxoffice. [May 29, 2016]. （原始內容存檔於December 25, 2018）.

[370] Miller, John M. 20,000 Leagues Under the Sea (1954) – Articles. Turner Classic Movies. [January 9, 2012]. （原始內容存檔於December 21, 2014）.

[371] Finler 2003，第320頁. "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million."

[DisneyWWVariety2003-372] 320.0 ^320.1 ^320.2 D'Alessandro, Anthony. Disney Animated Features at the Worldwide Box Office. Variety. October 27, 2003 [July 4, 2022]. （原始內容存檔於November 4, 2020） –透過The Free Library. The Jungle Book $378 million; One Hundred and One Dalmatians $303 million; Lady and the Tramp $187 million

[373] Lady and the Tramp (1955) – Notes. Turner Classic Movies. [July 27, 2011]. （原始內容存檔於September 28, 2015）.

[374] Minego, Pete. Pete's Pungent Patter. Portsmouth Daily Times (Portsmouth, Ohio). May 21, 1956: 19.

[375] Cinerama Holiday (1955) – Notes. Turner Classic Movies. [July 7, 2012]. （原始內容存檔於July 24, 2019）.

[376] Block & Wilson 2010
p. 382 網際網路檔案館的存檔，存檔日期April 3, 2023，.. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"

Burns, Douglas, Mister Roberts: 383, 2010, Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.

[390] . 382 網際網路檔案館的存檔，存檔日期April 3, 2023，.. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"

[391] Burns, Douglas, Mister Roberts: 383, 2010, Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.

[BlockWilson327-377] Block & Wilson 2010，第327頁. "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)."

[HallNeale159-378] 326.0 ^326.1 Hall & Neale 2010，第159–161頁
The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."

The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."

[394] The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."

[395] The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."

[379] Hall & Neale 2010，第153頁. "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million."

[380] Ross, Steven J. Hollywood Left and Right: How Movie Stars Shaped American Politics. Oxford University Press. 2011: 278–279. ISBN 978-0-19-991143-1. Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.

[381] Block & Wilson 2010，第324頁. "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)"

[382] Reid, John Howard. America's Best, Britain's Finest: A Survey of Mixed Movies. 14 of Hollywood classics. Lulu. 2006: 243–245. ISBN 978-1-4116-7877-4. Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million.

[383] Webster, Patrick. Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. McFarland & Company. 2010: 298 (note 2.23). ISBN 978-0-7864-5916-2. Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.

[HallNeale179-384] 332.0 ^332.1 Hall & Neale 2010，第179頁.
Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."

The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."

[402] Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."

[403] The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."

[385] Nixon, Rob. Psycho (1960) – Articles. Turner Classic Movies. [January 9, 2012]. （原始內容存檔於September 12, 2015）.

[386] Tube. One Hundred and One Dalmatians. Daily Variety. January 18, 1961 [August 23, 2011]. （原始內容存檔於November 9, 2012）.

[387] Block, Hayley Taylor, West Side Story: 449, 2010, With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars). In: Block & Wilson 2010.

[BlockWilson434-388] 336.0 ^336.1 ^336.2 ^336.3 ^336.4 ^336.5 ^336.6 Block & Wilson 2010，第434頁.
The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."

The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."

2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."

Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."

West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."

The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."

Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."

[408] The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."

[409] The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."

[410] 2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."

[411] Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."

[412] West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."

[413] The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."

[414] Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."

[389] Lawrence of Arabia
1962 release: Lawrence of Arabia. The Numbers. Nash Information Services. LLC. [August 15, 2011]. （原始內容存檔於March 16, 2012）. Worldwide Box Office: $69,995,385; International Box Office: $32,500,000

U.S. total (including reissues): Lawrence of Arabia. Boxoffice. [May 29, 2016]. （原始內容存檔於August 10, 2014）. $44,824,852

[416] 1962 release: Lawrence of Arabia. The Numbers. Nash Information Services. LLC. [August 15, 2011]. （原始內容存檔於March 16, 2012）. Worldwide Box Office: $69,995,385; International Box Office: $32,500,000

[417] U.S. total (including reissues): Lawrence of Arabia. Boxoffice. [May 29, 2016]. （原始內容存檔於August 10, 2014）. $44,824,852

[HallNeale165-390] 338.0 ^338.1 ^338.2 Hall & Neale 2010，第165–166頁
Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70 mm roadshows in selected territories only."

The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."

Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."

[419] Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70 mm roadshows in selected territories only."

[420] The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."

[421] Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."

[HallNeale164-391] Hall & Neale 2010，第164頁. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability."

[Bond_grosses-392] 340.0 ^340.1 ^340.2 ^340.3 Block & Wilson 2010，第428–429頁
From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"

Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"

Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"

Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"

[424] From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"

[425] Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"

[426] Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"

[427] Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"

[Chapman_(2007)-393] 341.0 ^341.1 Chapman, James. Licence to thrill: a cultural history of the James Bond films. I.B. Tauris. 2007. ISBN 978-1-84511-515-9.
From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"

Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million..."^{[頁碼請求]}

Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"

[429] From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"

[430] Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million..."^{[頁碼請求]}

[431] Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"

[Balio_(2009)-394] 342.0 ^342.1 Balio, Tino. United Artists, Volume 2, 1951–1978: the Company that Changed the Film Industry. University of Wisconsin Press. 2009: 261. ISBN 978-0-299-23014-2.
From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"

Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"

[433] From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"

[434] Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)"

[HallNeale184-395] 343.0 ^343.1 Hall & Neale 2010，第184頁
My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."

Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."

[436] My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."

[437] Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."

[396] Burns, Douglas, Mary Poppins: 469, 2010, In its initial run, Poppins garnered an astounding $44 million in worldwide rentals and became the company's first Best Picture Oscar contender. In: Block & Wilson 2010.

[397] The Sound of Music. Boxoffice. [May 29, 2016]. （原始內容存檔於December 25, 2018）.

[398] Silverman, Stephen M. The Fox that got Away: The Last Days of the Zanuck Dynasty at Twentieth Century-Fox. Secaucus, N.J.: L. Stuart. 1988: 325. ISBN 978-0-8184-0485-6.

[399] Hawaii. The Numbers. Nash Information Services. LLC. [August 18, 2011]. （原始內容存檔於March 16, 2012）.

[400] Who's Afraid of Virginia Wolf? (1966). The Numbers. Nash Information Services. LLC. [February 3, 2020]. （原始內容存檔於November 12, 2019）.

[HallNeale188-401] Hall & Neale 2010，第188頁. "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virginia Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)."

[402] Animals Portray Parts in Disney's "Robin Hood". Toledo Blade. October 18, 1970. Sec. G, p. 7. "The Jungle Book," in it's（原文如此） initial world-wide release, has grossed $23.8 million to date...

[403] Murphy, A.D. The Jungle Book. Variety. October 4, 1967: 6 [March 14, 2018]. （原始內容存檔於March 15, 2018）. It was filmed at a declared cost of $4 million over a 42-month period.

[Denisoff_&_Romanowski_(1991)-404] 352.0 ^352.1 Denisoff, R. Serge; Romanowski, William D. Risky Business: Rock in Film. Transaction Publishers. 1991. ISBN 978-0-88738-843-9.
The Graduate: p. 167 網際網路檔案館的存檔，存檔日期June 5, 2019，.. "World net rental was estimated at more than $85 million by January 1971."

Grease: p. 236 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."

[447] The Graduate: p. 167 網際網路檔案館的存檔，存檔日期June 5, 2019，.. "World net rental was estimated at more than $85 million by January 1971."

[448] Grease: p. 236 網際網路檔案館的存檔，存檔日期April 4, 2023，.. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."

[HallNeale191-405] 353.0 ^353.1 Hall & Neale 2010，第191–192頁
The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."

Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."

[450] The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."

[451] Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."

[406] 2001: A Space Odyssey
Total: Miller, Frank. 2001: A Space Odyssey (1968) – Articles. Turner Classic Movies. [August 24, 2011]. （原始內容存檔於February 12, 2012）. 2001: A Space Odyssey made $15 million on its initial U.S. release, and currently shows a worldwide gross of over $190 million.

As of 2006: Palmer, R. Barton. 2001: The Critical Reception and the Generation Gap. Kolker, Robert Phillip (編). Stanley Kubrick's 2001: a Space Odyssey: New Essays. Oxford University Press. 2006: 16. ISBN 978-0-19-517452-6. With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.

2013 re-release: 2001: A Space Odyssey (2013 re-release). Box Office Mojo. [September 26, 2018]. （原始內容存檔於June 15, 2019）. Domestic Total Gross: $214,618; United Kingdom: $568,997

2014 re-release: 2001: A Space Odyssey (2014 re-release). Box Office Mojo. [September 26, 2018]. （原始內容存檔於June 5, 2019）. Domestic Total Gross: $135,370

2018 re-release: 2001: A Space Odyssey (2018 re-release). Box Office Mojo. [September 26, 2018]. （原始內容存檔於June 15, 2019）. Domestic Total Gross: $1,283,820; Australia: $192,457; Greece: $27,510; Netherlands: $159,068; New Zealand: $5,046; Russia: $155,841; United Kingdom: $296,525

[453] Total: Miller, Frank. 2001: A Space Odyssey (1968) – Articles. Turner Classic Movies. [August 24, 2011]. （原始內容存檔於February 12, 2012）. 2001: A Space Odyssey made $15 million on its initial U.S. release, and currently shows a worldwide gross of over $190 million.

[454] As of 2006: Palmer, R. Barton. 2001: The Critical Reception and the Generation Gap. Kolker, Robert Phillip (編). Stanley Kubrick's 2001: a Space Odyssey: New Essays. Oxford University Press. 2006: 16. ISBN 978-0-19-517452-6. With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.

[455] 2013 re-release: 2001: A Space Odyssey (2013 re-release). Box Office Mojo. [September 26, 2018]. （原始內容存檔於June 15, 2019）. Domestic Total Gross: $214,618; United Kingdom: $568,997

[456] 2014 re-release: 2001: A Space Odyssey (2014 re-release). Box Office Mojo. [September 26, 2018]. （原始內容存檔於June 5, 2019）. Domestic Total Gross: $135,370

[457] 2018 re-release: 2001: A Space Odyssey (2018 re-release). Box Office Mojo. [September 26, 2018]. （原始內容存檔於June 15, 2019）. Domestic Total Gross: $1,283,820; Australia: $192,457; Greece: $27,510; Netherlands: $159,068; New Zealand: $5,046; Russia: $155,841; United Kingdom: $296,525

[407] Haber, Joyces. 'Funny Girl' a Box Office Winner. Los Angeles Times. March 27, 1969 [March 29, 2012]. （原始內容存檔於July 24, 2012）. ..."Funny Girl" will gross an estimated $80 to $100 million worldwide.

[408] Welles, Chris. Behind the Silence at Columbia Pictures—No Moguls, No Minions, Just Profits. New York 3 (36). September 7, 1970: 42–47. While Columbia, battling Ray Stark over every dollar, did Funny Girl for around $8.8 million, a million or so over budget, Fox spent nearly $24 million on Hello, Dolly!, more than twice the initial budget, and the film will thus have to gross three times as much to break even.

[409] D'Alessandro, Anthony. Top 50 worldwide grossers. Variety. July 15, 2002: 52, Paramount at 90 supplement.

[410] 'Love Story' II: Ryan Redux?. New York. Vol. 9. 1976: 389. Bring those handkerchiefs out of retirement. ... After all, the first movie made around $80 million worldwide.

[411] Block, Hayley Taylor, Love Story: 545, 2010, The final cost came in at $2,260,000. In: Block & Wilson 2010.

[412] Block & Wilson 2010，第549頁. "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals."

[BlockWilson527-413] 361.0 ^361.1 ^361.2 ^361.3 ^361.4 ^361.5 Block & Wilson 2010，第527頁.
Star Wars: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."

The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."

Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."

Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."

[465] Star Wars: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."

[466] The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."

[467] Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."

[468] Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."

[414] The Godfather
1991: Von Gunden, Kenneth. Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. McFarland & Company. 1991: 36. ISBN 978-0-89950-618-0. Since The Godfather had earned over $85 million in U.S.-Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).

Releases: The Godfather (1972). Box Office Mojo. [January 22, 2020]. （原始內容存檔於February 6, 2020）. Original release: $243,862,778; 1997 re-release: $1,267,490; 2009 re-release: $121,323; 2011 re-release: $818,333; 2014 re-release: $29,349; 2018 re-release: $21,701; Budget: $6,000,000

[470] 1991: Von Gunden, Kenneth. Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. McFarland & Company. 1991: 36. ISBN 978-0-89950-618-0. Since The Godfather had earned over $85 million in U.S.-Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).

[471] Releases: The Godfather (1972). Box Office Mojo. [January 22, 2020]. （原始內容存檔於February 6, 2020）. Original release: $243,862,778; 1997 re-release: $1,267,490; 2009 re-release: $121,323; 2011 re-release: $818,333; 2014 re-release: $29,349; 2018 re-release: $21,701; Budget: $6,000,000

[415] Jacobs, Diane. Hollywood Renaissance. Dell Publishing. 1980: 115. ISBN 978-0-440-53382-5. The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales.

[godfather-tcm-416] The Godfather (1972) – Notes. Turner Classic Movies. [January 23, 2020]. （原始內容存檔於June 15, 2020）.

[417] The Exorcist (1973). Box Office Mojo. [September 5, 2024]. （原始內容存檔於November 1, 2023）.

[418] Stanley, Robert Henry; Steinberg, Charles Side. The media environment: mass communications in American society. Hastings House. 1976: 76. ISBN 978-0-8038-4681-4. ...further reflected by the phenomenal successes of The Sting, Chinatown and The Exorcist. The latter film, which cost about $10 million to produce, has grossed over $110 million worldwide.

[419] Big Rental Films of 1974. Variety. January 8, 1975: 24 [July 4, 2022] –透過Archive.org. U.S-Canada market only $66,300,000

[WBos-420] 368.0 ^368.1 Pollock, Dale. WB Adds To Its Record Collection. Daily Variety. May 9, 1979: 1. "Towering Inferno" did $56,000,000 overseas in billings while "The Exorcist" totted up $46,000,000

[421] New York 8, 1975, ...Jaws should outstrip another MCA hit, The Sting, which had world-wide revenues of $115 million. (Online copy 網際網路檔案館的存檔，存檔日期April 4, 2023，. at Google Books)

[BlockWilson560-422] Block & Wilson 2010，第560頁. "Production Cost: $5.5 (Unadjusted $s in Millions of $s)."

[423] It Towers $203,336,412 (advertisement). Variety. June 2, 1976: 8–9 [October 31, 2020]. （原始內容存檔於January 8, 2023）.

[424] Hall & Neale 2010，第206–208頁. "The most successful entry in the disaster cycle was the $15 million The Towering Inferno which earned over $48,650,000 in domestic rentals and about $40 million foreign."

[425] Klady, Leonard. All-Time Top Film Rentals. Variety. 1998. （原始內容存檔於October 7, 1999）. Domestic rentals: $48,838,000

[BlockWilson568-426] Block & Wilson 2010，第568頁. "Production Cost: $14.3 (Unadjusted $s in Millions of $s)."

[427] Jaws (1975). Box Office Mojo. [January 4, 2024]. （原始內容存檔於April 2, 2020）.

[428] Priggé, Steven. Movie Moguls Speak: Interviews With Top Film Producers. McFarland & Company. 2004: 8. ISBN 978-0-7864-1929-6. The budget for the first Jaws was $4 million and the picture wound up costing $9 million.

[429] Rocky (1976) at The Numbers. Nash Information Services, LLC. Retrieved October 2, 2023.

[HallNeale214-430] Hall & Neale 2010，第214頁. "Rocky was the "sleeper of the decade". Produced by UA and costing just under $1 million, it went on to earn a box-office gross of $117,235,247 in the United States and $225 million worldwide."

[BlockWilson583-431] Block, Alex Ben, Rocky: 583, 2010, The budget was $1,075,000 plus producer's fees of $100,000. In: Block & Wilson 2010.

[star-wars-se-432] Star Wars (1977). Box Office Mojo. [October 1, 2023]. （原始內容存檔於March 5, 2023）.

[et_first-run-433] 381.0 ^381.1 ^381.2 ^381.3 Wuntch, Philip. Return of E.T.. The Dallas Morning News. July 19, 1985 [March 6, 2012]. （原始內容存檔於May 17, 2013）. Its worldwide box-office gross was $619 million, toppling the record of $530 million set by Star Wars.

[HallNeale218-434] Hall & Neale 2010，第218頁. "Eventually costing $11,293,151, Star Wars was previewed at the Northpoint Theatre in San Francisco on May 1, 1977."

[435] Grease (1978). Box Office Mojo. [May 14, 2023]. （原始內容存檔於May 22, 2023）.

[436] Hofler, Robert. Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'N' Roll Starring the Fabulous Allan Carr. ReadHowYouWant.com. 2010: 145. ISBN 978-1-4596-0007-2. Despite the fact that Grease was well on its way to becoming the highest-grossing movie musical in the world, and eventually grossed over $341 million...

[437] Moonraker (1979). Box Office Mojo. [October 2, 2023]. （原始內容存檔於January 31, 2023）.

[kramer-438] 386.0 ^386.1 Kramer vs. Kramer
United & Babson Investment Report 72. Babson-United, Inc. 1980: 262. Columbia Pictures Industries is continuing to rake in the box office dollars from its Oscar-winning Kramer vs. Kramer, which has topped $100 million in domestic grosses and $70 million overseas. Kramer, which cost less than $8 million to make, is now the second...

Prince, Stephen. A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989. University of California Press. 2002: 7. ISBN 978-0-520-23266-2. Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).

[496] United & Babson Investment Report 72. Babson-United, Inc. 1980: 262. Columbia Pictures Industries is continuing to rake in the box office dollars from its Oscar-winning Kramer vs. Kramer, which has topped $100 million in domestic grosses and $70 million overseas. Kramer, which cost less than $8 million to make, is now the second...

[497] Prince, Stephen. A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989. University of California Press. 2002: 7. ISBN 978-0-520-23266-2. Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).

[439] Rocky 2 (1979) at The Numbers. Nash Information Services, LLC. Retrieved October 2, 2023.

[440] Kilday, Greg. Rules of the Game. Entertainment Weekly. No. 119. May 22, 1992 [July 4, 2012]. （原始內容存檔於December 25, 2018）.

[441] The Empire Strikes Back
Total up to 2014: The Empire Strikes Back (1980). Box Office Mojo. [September 5, 2024]. （原始內容存檔於2023-04-04）. $538,375,067

Special edition: The Empire Strikes Back (Special Edition). Box Office Mojo. [October 1, 2023]. （原始內容存檔於2025-02-11）. North America: $67,597,694; Overseas: $57,214,766

2015 re-release: The Empire Strikes Back (2015 Re-release). Box Office Mojo. [October 1, 2023]. （原始內容存檔於2019-06-26）. United Kingdom: $9,593,937

2020 re-release: The Empire Strikes Back (2020 Re-release). Box Office Mojo. [September 5, 2024]. （原始內容存檔於2023-01-31）. $3,137,879

[501] Total up to 2014: The Empire Strikes Back (1980). Box Office Mojo. [September 5, 2024]. （原始內容存檔於2023-04-04）. $538,375,067

[titanic-sales-1] 1.0 ^1.1 ^1.2 Pincus-Roth, Zachary. Movies aren't the only B.O. monsters. Variety. 2006-01-08 [2014-02-02]. （原始內容存檔於2021-04-20）.

[2] Avatar – Video Sales. The Numbers. Nash Information Services. [2013-11-12]. （原始內容存檔於2018-11-25）.

[3] Unkind unwind. The Economist. 2011-03-17 [2022-04-06]. （原始內容存檔於2017-09-04）.

[4] Vogel, Harold L. Entertainment Industry Economics: A Guide for Financial Analysis. Cambridge University Press. 2010: 224. ISBN 978-1-107-00309-5. Most pictures would likely receive 20% to 25% of theatrical box office gross for two prime-time network runs.

[5] Clark, Emma. How films make money. BBC News. 2001-11-12 [2012-04-12]. （原始內容存檔於2017-09-08）.

[6] Seymour, Lee. Over The Last 20 Years, Broadway's 'Lion King' Has Made More Money For Disney Than 'Star Wars'. Forbes. 2017-12-18 [2019-07-28]. （原始內容存檔於2023-06-10）.

[7] The Entertainment Glut. Bloomberg. 1998-02-15 [2022-04-06]. （原始內容存檔於2017-10-12）.

[8] Pixar – Worldwide (Unadjusted). Box Office Mojo. [2012-04-12]. （原始內容存檔於2019-08-29）.

[9] Szalai, Georg. Disney: 'Cars' Has Crossed $8 Billion in Global Retail Sales. The Hollywood Reporter. 2011-02-14 [2022-04-06]. （原始內容存檔於2011-03-19）.

[10] Chmielewski, Dawn C.; Keegan, Rebecca. Merchandise sales drive Pixar's 'Cars' franchise. Los Angeles Times. 2011-06-21 [2012-04-12]. （原始內容存檔於2013-07-09）.

[11] Palmeri, Christopher; Sakoui, Anousha. More Disney Fun and Games With 'Toy Story 4' in 2017. Bloomberg News. 2014-11-07 [2015-06-30]. （原始內容存檔於2015-07-05）.

[87] Titanic (1997). Box Office Mojo. [2019-10-27] –透過Wayback Machine.

[88] Titanic (1997). Box Office Mojo. [2020-10-30] –透過Wayback Machine.

[89] Titanic (1997). Box Office Mojo. [2021-10-26] –透過Wayback Machine.

[90] Titanic (1997). Box Office Mojo. [2023-02-05] –透過Wayback Machine.

[91] Titanic. The Numbers. [2014-09-02] –透過Wayback Machine.

[92] Titanic. The Numbers. [2014-09-13] –透過Wayback Machine.

[93] The Fate of the Furious (2017) – International Box Office Results: Argentina. Box Office Mojo. [2018-01-11].

[94] Pixar Movies at the Box Office. Box Office Mojo. （原始內容存檔於2016-08-16）.

[95] Pixar Movies at the Box Office. Box Office Mojo. （原始內容存檔於2016-08-20）.

[Bialik_(2010-1-29)-231] 21.0 ^21.1 Bialik, Carl. How Hollywood Box-Office Records Are Made. The Wall Street Journal. January 29, 2010 [August 9, 2011]. （原始內容存檔於November 1, 2011）.

[Pincus-Roth_(2009)-232] 22.0 ^22.1 Pincus-Roth, Zachary. Best Weekend Never. Slate. July 6, 2009 [April 6, 2022]. （原始內容存檔於April 6, 2022）.

[LLU_(2004)-233] 23.0 ^23.1 Anderson, S. Eric; Albertson, Stewart; Shavlick, David. How the motion picture industry miscalculates box office receipts. Proceedings of the Midwest Business Economics Association. Loma Linda University. March 2004 [April 8, 2013]. （原始內容 (DOC)存檔於October 29, 2013）.

[Gray_(2010-02-03)-234] Gray, Brandon. 'Avatar' Claims Highest Gross of All Time. Box Office Mojo. [April 6, 2022]. （原始內容存檔於February 7, 2010）.

[Bialik_(2010-1-30)-235] 25.0 ^25.1 Bialik, Carl. What It Takes for a Movie to Be No. 1. The Wall Street Journal. January 30, 2010 [August 9, 2011]. （原始內容存檔於December 18, 2018）.

[Kolesnikov-Jessop-236] Kolesnikov-Jessop, Sonia. Hollywood Presses Its Global Agenda. The New York Times. May 22, 2011 [January 4, 2012]. （原始內容存檔於December 18, 2018）.

[Hoad-237] Hoad, Phil. The rise of the international box office. The Guardian. August 11, 2011 [January 4, 2012]. （原始內容存檔於June 29, 2023）.

[Frankel-238] Frankel, Daniel. Why the Foreign Box Office Leads: 'Fast Five,' 'Thor' Open Overseas First. The Wrap. May 1, 2011 [April 6, 2022]. （原始內容存檔於January 9, 2019）.

[Bialik_(2007)-239] 29.0 ^29.1 Bialik, Carl. Box-Office Records Are the Stuff of 'Legend'. The Wall Street Journal. December 17, 2007 [August 10, 2011]. （原始內容存檔於October 29, 2013）.

[Leonhardt-240] 30.0 ^30.1 Leonhardt, David. Why 'Avatar' Is Not the Top-Grossing Film. The New York Times. March 1, 2010 [April 7, 2013]. （原始內容存檔於October 16, 2021）.

[gwtw_tcm-241] 31.0 ^31.1 Miller, Frank; Stafford, Jeff. Gone With the Wind (1939) – Articles. Turner Classic Movies. January 5, 2007. （原始內容存檔於September 26, 2013）.

[Shone-242] 32.0 ^32.1 Shone, Tom. Oscars 2010: How James Cameron took on the world. The Daily Telegraph. February 3, 2010 [March 22, 2012]. （原始內容存檔於January 10, 2022）.

[243] Hill, George F. Gone With The Wind, Indeed. The Washington Post. June 25, 2006. （原始內容存檔於December 27, 2018）.

[Guinness_2015-244] 34.0 ^34.1 Guinness World Records 60 2015. Guinness World Records. 2014: 160–161. ISBN 978-1-908843-70-8.

[245] World Economic Outlook: Inflation rate, end of period consumer prices. International Monetary Fund. [June 16, 2024]. （原始內容存檔於May 10, 2019）.

[246] Gone with the Wind (2019 Re-release). Box Office Mojo. [June 16, 2024]. （原始內容存檔於2025-02-12）. Gross: $2,176,120

[247] Avatar (2009). Box Office Mojo. [September 10, 2022]. （原始內容存檔於May 3, 2021）. 2020 Re-release: $1,281,204; 2021 Re-release: $57,995,770; 2022 Re-release: $76,012,917

[248] Glenday, Craig (編). Гиннесс. Мировые рекорды [Guinness World Records]. 由Andrianov, P.I.; Palova, I.V.翻譯 2012. Moscow: Astrel. 2011: 211. ISBN 978-5-271-36423-5 （俄語）.

[249] Titanic 3D (2012) – International Box Office results. Box Office Mojo. [November 25, 2012]. （原始內容存檔於October 27, 2019）. $343,550,770

[250] Titanic (1997). Box Office Mojo. [November 25, 2012]. （原始內容存檔於2019-10-27）. 2017 Re-release: $691,642; 2020 Re-release: $71,352; 25 Year Anniversary: $70,157,472

[251] E.T. the Extra-Terrestrial (1982). Box Office Mojo. [June 16, 2024]. （原始內容存檔於2023-06-29）. 2020 Re-release: $516,969; 2022 Re-release: $2,834,590

[Cones-252] 42.0 ^42.1 Cones, John W. The feature film distribution deal: a critical analysis of the single most important film industry agreement. Southern Illinois University Press. 1997: 41. ISBN 978-0-8093-2082-0. Distributor rentals: It is also important to know and recognize the difference between the distributor's gross receipts and the gross rentals. The term "rentals" refers to the aggregate amount of the film distributor's share of monies paid at theatre box offices computed on the basis of negotiated agreements between the distributor and the exhibitor. Note that gross receipts refers to amounts actually received and from all markets and media, whereas gross rentals refers to amounts earned from theatrical exhibition only, regardless of whether received by the distributor. Thus, gross receipts is the much broader term and includes distributor rentals. The issue of film rentals (i.e., what percentage of a film's box office gross comes back to the distributor) is of key importance...More current numbers suggest that distributor rentals for the major studio/distributor released films average in the neighborhood of 43% of box office gross. Again, however, such an average is based on widely divergent distributor rental ratios on individual films.

[Marich-253] Marich, Robert. Marketing to moviegoers: a handbook of strategies used by major studios and independents 2. Southern Illinois University Press. 2009: 252 [1st. pub. Focal Press:2005]. ISBN 978-0-8093-2884-0. Rentals are the distributors' share of the box office gross and typically set by a complex, two-part contract.

[Balio-254] Balio, Tino. The American film industry. University of Wisconsin Press. 2005: 296. ISBN 978-0-299-09874-2. Film Rentals as Percent of Volume of Business (1939): 36.4

[255] Balio, Tino. United Artists: the Company that Changed the Film Industry. University of Wisconsin Press. 1987: 124–125. ISBN 978-0-299-11440-4. To rekindle interest in the movies, Hollywood not only had to compete with television but also with other leisure-time activities...Movies made a comeback by 1955, but audiences had changed. Moviegoing became a special event for most people, creating the phenomenon of the big picture.

[HallNeale179-256] Hall & Neale 2010，第179. "Later epics proved far more disastrous for the backers. Samuel Bronston's The Fall of the Roman Empire, filmed in Spain, cost $17,816,876 and grossed only $1.9 million in America. George Stevens's long-gestating life of Christ, The Greatest Story Ever Told (1965), which had been in planning since 1954 and in production since 1962, earned domestic rentals of $6,962,715 on a $21,481,745 negative cost, the largest amount yet spent on a production made entirely within the United States. The Bible: In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."頁

[257] Williams, Trey. Ridley Scott's latest 'Alien' announcement drives Hollywood's sequel problem. MarketWatch. September 25, 2015 [May 12, 2016]. （原始內容存檔於June 8, 2016）.

[258] Yearly Box Office. Box Office Mojo. [January 6, 2012]. （原始內容存檔於July 29, 2015）.

[259] Movie Index By Year. The Numbers. Nash Information Services. LLC. [January 6, 2012]. （原始內容存檔於December 21, 2011）.

[Dirks_(year)-260] Dirks, Tim. All-Time Box-Office Hits By Decade and Year. Filmsite.org. American Movie Classics. [January 5, 2012].

[264] Griffith's 20 Year Record. Variety. September 5, 1928: 12 [March 21, 2023].

[Schickel-265] Schickel, Richard. D. W. Griffith: An American Life. Limelight Series. Hal Leonard Corporation. 1996: 326. ISBN 978-0-87910-080-3. ...there exists a very precise production accountant's statement, drawn up some time after the picture was finished, previews had been held and release prints struck. This document shows that the negative cost of the picture was precisely $385,906.77...

[499] 20,000 Leagues Under the Sea. The Numbers. Nash Information Services. [January 5, 2012]. （原始內容存檔於2014-08-19）.

[Finler358-500] 54.0 ^54.1 Finler 2003，第358頁

[501] Parkinson, David. The Rough Guide to Film Musicals. Dorling Kindersley. 2007: 28. ISBN 978-1-84353-650-5. But they had previously succeeded in showing how musicals could centre on ordinary people with Sunny Side Up (1929), which had grossed $2 million at the box office and demonstrated a new maturity and ingenuity in the staging of story and dance.

[HallNeale6-502] 56.0 ^56.1 Hall & Neale 2010，第6–7頁. "For similar reasons of accountability, Variety has typically used figures for domestic (U.S. and Canadian) rather than worldwide revenue. This became its standard policy in 1940, when the advent of war in Europe persuaded the American film industry (temporarily, as it turned out) that it should be wholly reliant on the home market for profitability. Where specific rentals data are reported in Variety before this (which tended to be only sporadically) they were often for worldwide rather domestic performance. This was also the case with other trade sources, such as Quigley's annual Motion Picture Almanac, which published its own all-time hits lists from the early 1930s onward. The subsequent confusion of domestic and worldwide figures, and of rental and box-office figures, has plagued many published accounts of Hollywood history (sometimes including those in Variety itself), and we have attempted to be diligant in clarifying the differences between them."

[503] McBride, Joseph. Frank Capra: The Catastrophe of Success. University Press of Mississippi. 2011: 309. ISBN 978-1-60473-838-4. According to the studio's books It Happened One Night brought in $1 million in film rentals during its initial release, but as Joe Walker pointed out, the figure would have been much larger if the film had not been sold to theaters on a block-booking basis in a package with more than two dozen lesser Columbia films, and the total rentals of the package spread among them all, as was customary in that era, since it minimized the risk and allowed the major studios to dominate the marketplace.

[504] Shearer, Lloyd. GWTW: Supercolossal Saga of an Epic. The New York Times. October 26, 1947 [July 14, 2012]. （原始內容存檔於2013-05-31）.

[505] Cinema: The Big Grossers. Time. February 2, 1953 [September 15, 2012]. （原始內容存檔於December 22, 2008）.

[BlockWilson129-506] Block & Wilson 2010，第129頁. "Domestic Rentals: $30,015,000 (61%); Foreign Rentals: $18,964,000 (39%)...Gone with the Wind includes initial release plus four rereleases (1941,1942,1947 and 1954) since foreign rental revenues were available only cumulative through 1956."

[507] McDermott, Christine, Life with Father: 307, 2010, No matter what the billing, the movie became a worldwide hit with $6.5 million in worldwide rentals, from Pappa och vi in Sweden to Vita col padre in Italy, although it booked a net loss of $350,000. In: Block & Wilson 2010.

[508] Mulligan, Hugh A. Cinerama Pushing Ahead As Biggest Money-Maker. The Register-Guard（英語：The Register-Guard） (Eugene, Oregon). September 23, 1956: 7B.

[509] Hall & Neale 2010，第145頁. "The commercial success of the five Cinerama travelogues, which earned an aggregate worldwide box-office gross of $120 million by 1962 (including $82 million in the United States and Canada), nevertheless demonstrated to the mainstream industry the market value of special screen formats."

[Dirks_(2010)-510] 64.0 ^64.1 ^64.2 ^64.3 ^64.4 ^64.5 Dirks, Tim. Top Films of All-Time: Part 1 – Box-Office Blockbusters. Filmsite.org. [August 11, 2010]. （原始內容存檔於2013-10-14）.

[Wasko-511] 65.0 ^65.1 Wasko, Janet. D.W. Griffiths and the banks: a case study in film financing. Kerr, Paul (編). The Hollywood Film Industry: A Reader. Routledge. 1986: 34. ISBN 978-0-7100-9730-9. Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.

[Variety_(1932)-512] Biggest Money Pictures. Variety. June 21, 1932: 1 –透過Archive.org. Cited in Biggest Money Pictures. Cinemaweb. [June 25, 2015]. （原始內容存檔於November 5, 2011）.

[513] 'Peter Pan' flies again. Daily Record (Ellensburg, Washington). United Press International. July 21, 1989: 16.

[514] Block & Wilson 2010，第237頁. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".

[515] Finler 2003，第47頁. "Walt Disney took a big risk when he decided to invest $1.5 million in his first feature-length animated film, Snow White and the Seven Dwarfs. It became the biggest hit of the sound era and the largest-grossing movie since The Birth of a Nation – until the release of independent producer David O. Selznick's Gone with the Wind just two years later."

[516] Barrios, Richard. A Song in the Dark: The Birth of the Musical Film. Oxford University Press. 1995: 49. ISBN 978-0-19-508811-3. Since it's rarely seen today, The Singing Fool is frequently confused with The Jazz Singer; although besides Jolson and a pervasively maudlin air the two have little in common. In the earlier film Jolson was inordinately attached to his mother and sang "Mammy"; here the fixation was on his young son, and "Sonny Boy" became an enormous hit. So did the film, which amassed a stunning world-wide gross of $5.9 million...Some sources give it as the highest gross of any film in its initial release prior to Gone with the Wind. This is probably overstating it—MGM's records show that Ben-Hur and The Big Parade grossed more, and no one knows just how much The Birth of a Nation brought in. Still, by the standards of the time it's an amazing amount.

[517] Everson, William K. American silent film. Da Capo Press. 1998: 374 [First published 1978]. ISBN 978-0-306-80876-0. Putting The Birth of a Nation in fifth place is open to question, since it is generally conceded to be the top-grossing film of all time. However, it has always been difficult to obtain reliable box-office figures for this film, and it may have been even more difficult in the mid-1930s. After listing it until the mid-1970s as the top-grosser, though finding it impossible to quote exact figures, Variety, the trade journal, suddenly repudiated the claim but without giving specific details or reasons. On the basis of the number of paid admissions, and continuous exhibition, its number one position seems justified.

[HallNeale163-518] Hall & Neale 2010，第163頁. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era."

[du_Brow-519] 73.0 ^73.1 du Brow, Rick. Documentary On The Klan Made Quite An Impact On Du Brow. The Columbus Dispatch. September 22, 1965: 12.

[520] Hodgkinson, Will. Culture quake: The Birth of a Nation. The Daily Telegraph. April 12, 2004 [January 31, 2012]. （原始內容存檔於January 10, 2022）.

[521] Thomas, Bob. 'West Side Story' Earned $19 Million Last Year. Reading Eagle. Associated Press. January 18, 1963: 20.

[522] Klopsch, Louis; Sandison, George Henry; Talmage, Thomas De Witt. Christian Herald 88. 1965: 68. Yet "The Ten Commandments" has earned 58 million dollars in film rentals and is expected to bring in 10 to 15 million each year it is reissued.

[HallNeale160-523] Hall & Neale 2010，第160–161頁. "General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."

[Oviatt_(1961)-524] Oviatt, Ray. The Memory Isn't Gone With The Wind. Toledo Blade. April 16, 1961: 67–68.

[525] Ben-Hur (1959) – Notes. Turner Classic Movies. [November 17, 2012]. （原始內容存檔於2015-06-07）.

[Thomas_(1963)-526] Thomas, Bob. Movie Finances Are No Longer Hidden From Scrutiny. The Robesonian. Associated Press. August 1, 1963: 10.

[527] Block & Wilson 2010，第324頁. "Worldwide rentals: $66.1 million (initial release)"

[528] Washington (AP). 'Deep Throat' star against pornography. The Free Lance–Star. September 13, 1984: 12.

[529] Hiltzik, Michael. 'Deep Throat' Numbers Just Don't Add Up. Los Angeles Times. February 24, 2005 [February 2, 2012]. （原始內容存檔於2018-10-23）.

[530] Memphis (UPI). 'Deep Throat' Defendant Found Guilty of Conspiring. The Palm Beach Post. May 1, 1976: A2.

[531] Ebert, Roger. Inside Deep Throat. rogerebert.com. Chicago Sun-Times. February 11, 2005 [February 2, 2012]. （原始內容存檔於June 6, 2011）.

[Bartel-532] Bartel, Pauline. The Complete Gone with the Wind Trivia Book: The Movie and More. Taylor Trade Publishing. 1989: 127. ISBN 978-0-87833-619-7. At the end of the 1941 general release, MGM decided to withdraw GWTW again. The prints were battered, but the studio believed one final fling for GWTW was possible. The film returned to movie theaters for the third time in the spring of 1942 and stayed in release until late 1943 ... When MGM finally pulled the film from exhibition, all worn-out prints were destroyed, and GWTW was at last declared out of circulation. MGM, which by then had sole ownership of the film, announced that GWTW had grossed over $32 million.

[536] Dick, Bernard F. City of Dreams: The Making and Remaking of Universal Pictures. University Press of Kentucky. 1997: 168. ISBN 978-0-8131-2016-4. Jaws (1975) saved the day, grossing $104 million domestically and $132 million worldwide by January 1976.

[jaws-537] Kilday, Gregg. Director of 'Jaws II' Abandons His 'Ship'. The Victoria Advocate. July 5, 1977: 6B.

[538] New York (AP). Scariness of Jaws 2 unknown quantity. The StarPhoenix. May 26, 1978: 21.

[539] Fenner, Pat C. Independent Action. {Evening Independent. January 16, 1978: 11-A.

[Cook_(2002)-541] Cook, David A. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970–1979. 9 of History of the American Cinema, Charles Harpole. University of California Press. 2002: 50. ISBN 978-0-520-23265-5. The industry was stunned when Star Wars earned nearly $3 million in its first week and by the end of August had grossed $100 million; it played continuously throughout 1977–1978, and was officially re-released in 1978 and 1979, by the end of which it had earned $262 million in rentals worldwide to become the top-grossing film of all time – a position it would maintain until surpassed by Universal's E.T.: The Extra-Terrestrial in January 1983.

[BBC_(1998)-543] Titanic sinks competitors without a trace. BBC News (BBC). February 25, 1998 [August 13, 2010]. （原始內容存檔於2007-12-18）.

[Cieply_(2010)-544] Cieply, Michael. He Doth Surpass Himself: 'Avatar' Outperforms 'Titanic'. The New York Times. January 26, 2010 [January 27, 2010]. （原始內容存檔於2012-11-07）.

[Segers_(2010)-545] Segers, Frank. 'Avatar' breaks 'Titanic' worldwide record. The Hollywood Reporter. January 25, 2010 [December 4, 2010]. （原始內容存檔於2019-09-27）.

[546] Whitten, Sarah. 'Avengers: Endgame' is now the highest-grossing film of all time, dethroning 'Avatar'. CNBC. July 21, 2019 [July 21, 2019]. （原始內容存檔於July 21, 2019）.

[547] Robbins, Shawn. Avengers: Endgame Surpasses Avatar As #1 Global Release of All Time on Saturday. BoxOffice. July 20, 2019 [July 24, 2019]. （原始內容存檔於July 24, 2019）.

[548] Tartaglione, Nancy. 'Avatar' Overtakes 'Avengers: Endgame' As All-Time Highest-Grossing Film At Global Box Office; China Reissue Growing. Deadline Hollywood. March 13, 2021 [March 13, 2021]. （原始內容存檔於2021-03-13）.

[549] Box Office History for James Bond Movies. The Numbers. Nash Information Services. [January 4, 2012]. （原始內容存檔於2012-03-16）.

[550] Box Office History for Star Wars Movies. The Numbers. Nash Information Services. [January 4, 2012]. （原始內容存檔於2013-08-22）.

[551] Indiana Jones – Worldwide (Unadjusted). Box Office Mojo. [January 6, 2012]. （原始內容存檔於2008-12-18）.

[552] Anderson, Dave. Bayonne Bleeder Throws a Punch at the Italian Stallion. The New York Times. November 16, 2003 [January 4, 2012]. （原始內容存檔於2011-12-03）.

[553] Schneiderman, R. M. Stallone Settles With The 'Real' Rocky. Forbes. August 10, 2006 [January 4, 2012]. （原始內容存檔於2023-10-31）.

[554] Poller, Kenneth G. Charles Wepner v. Sylvester Stallone (PDF). Mango & Iacoviello. November 12, 2003 [January 4, 2012]. （原始內容 (PDF)存檔於October 29, 2013）.

[555] Batman – Worldwide (Unadjusted) & Batman: Mask of the Phantasm. Box Office Mojo. [January 6, 2012]. （原始內容存檔於2019-01-06）.

[556] Jurassic Park – Worldwide (Unadjusted). Box Office Mojo. [January 6, 2012]. （原始內容存檔於2019-01-06）.

[557] Box Office History for Star Trek Movies. The Numbers. Nash Information Services. [January 4, 2012]. （原始內容存檔於2013-02-14）.

[Numbers_franchises-558] Movie Franchises. The Numbers. Nash Information Services. [December 11, 2024]. （原始內容存檔於2021-12-16）.

[economist-559] The Economist online. Pottering on, and on. The Economist. July 11, 2011. （原始內容存檔於July 11, 2011）.

[560] Nevins, Jess. A Brief History of the Crossover. io9. August 23, 2011 [July 19, 2018]. （原始內容存檔於2018-12-25）.

[561] Nevins, Jess. The First Shared Universes. io9. September 9, 2011 [July 19, 2018]. （原始內容存檔於2018-12-25）.

[562] How 'Spectre' May Stack Up With 'Thunderball' as a James Bond Blockbuster. The New York Times. November 6, 2015 [January 7, 2018].

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